AMERICAN LITERATURE最新文献

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John Bunyan in Abolitionist Print Culture 废奴主义印刷文化中的约翰-班扬
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2023-12-06 DOI: 10.1215/00029831-11092058
Isaac Kolding
{"title":"John Bunyan in Abolitionist Print Culture","authors":"Isaac Kolding","doi":"10.1215/00029831-11092058","DOIUrl":"https://doi.org/10.1215/00029831-11092058","url":null,"abstract":"\u0000 John Bunyan’s The Pilgrim’s Progress (1678) was enormously popular in the nineteenth-century United States. This article shows that abolitionists appropriated that text, as well as the reputation and biography of its author, as a guide to their own political action. References to Bunyan and The Pilgrim’s Progress in abolitionist print culture, including newspapers and book-length responses to The Pilgrim’s Progress, reveal that abolitionists saw Bunyan as a virtuous progenitor who helped to legitimate and unify their political movement while representing both political commitment and religious toleration.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Erotic Fictions of Finance Capitalism in The Bonfire of the Vanities and American Psycho 虚荣的篝火》和《美国精神病患者》中的金融资本主义色情虚构
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2023-12-06 DOI: 10.1215/00029831-11092097
Patrick S. Lawrence
{"title":"The Erotic Fictions of Finance Capitalism in The Bonfire of the Vanities and American Psycho","authors":"Patrick S. Lawrence","doi":"10.1215/00029831-11092097","DOIUrl":"https://doi.org/10.1215/00029831-11092097","url":null,"abstract":"\u0000 US economic policy in the late twentieth century privileged the financial sector by advancing generous tax breaks for wealthy Americans and traders, and prioritizing union-busting and cuts to social programs, producing a violence of deprivation against the poor and marginalized others. Simultaneously, the Reagan administration sought to shore up its political coalition in the post-Watergate era by appealing to a newly engaged Christian right with conservative social policies including pushback against the sexual revolution and the formation of the Meese Commission to study restrictions on pornography. These significant changes in culture found their way into a wealth of media including journalism, films, and novels that processed the seemingly contradictory moral claims underlying these policies: greed is good; sex is bad. This article draws on financial and literary theory to examine how two iconic novels from the era, Tom Wolfe’s The Bonfire of the Vanities (1987) and Bret Easton Ellis’s American Psycho (1991), exploit representations of sexualized violence to ramify and then explore the latent links among sex, violence, and finance. Each novel satirizes Wall Street’s violent indifference by embodying it in a figure of elite, white masculinity whose privilege is expressed through sex. The novels’ critiques, however, turn out to be self-contradictory, as their disavowal of the fictionality of finance is bound up with a concomitant investment in regressive sexual politics. In so doing, the novels demonstrate that culture-industry efforts to push back against economic deregulation may be allied with the cultural systems that support that deregulation or enable it.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Arts of Antifascist Black Transnationalism during the Spanish Civil War 西班牙内战时期黑人反法西斯跨民族主义艺术
3区 文学
AMERICAN LITERATURE Pub Date : 2023-09-13 DOI: 10.1215/00029831-10950740
Brandon Truett
{"title":"The Arts of Antifascist Black Transnationalism during the Spanish Civil War","authors":"Brandon Truett","doi":"10.1215/00029831-10950740","DOIUrl":"https://doi.org/10.1215/00029831-10950740","url":null,"abstract":"Abstract This article asserts the critical role of art and literature in the resistance against fascism by situating the aesthetic work of African Americans as central to the transnational phenomenon of the Spanish Civil War. This article highlights the prehistory to the African American support of the Spanish Civil War in 1936 when news of Benito Mussolini’s invasion of Ethiopia galvanized members of the Harlem Renaissance. These two conflicts triangulated the imaginaries of the United States, Spain, and Ethiopia, producing a distinct form of antifascist Black transnationalism that extends work by Brent Hayes Edwards, Robert F. Reid-Pharr, and Nadia Nurhussein. To manifest this argument, this article examines Paul Robeson’s speeches at rallies in London that he later reprinted in his autobiography Here I Stand (1958) and Claude McKay’s posthumously published novel Amiable with Big Teeth about 1936 Harlem. Using archival research, this article analyzes the collage aesthetic of the scrapbook that the activist Thyra J. Edwards compiled in 1937 to record the actions of the Negro People’s Committee to Aid Spain. In sum, this article demonstrates the integral role of African American visual culture and literature to the development of twentieth-century antifascist ideology within a transnational perspective.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135742173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Brief Mention 简短的提及
3区 文学
AMERICAN LITERATURE Pub Date : 2023-09-13 DOI: 10.1215/00029831-10950805
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引用次数: 0
Cripping the Archive: Analyzing Archival Disorder in the Yamashita Family Archives and Karen Tei Yamashita’s Letters to Memory 残破档案:分析山下家族档案中的档案紊乱与山下凯伦泰的《致记忆的信》
3区 文学
AMERICAN LITERATURE Pub Date : 2023-09-13 DOI: 10.1215/00029831-10950792
Hayley C. Stefan
{"title":"Cripping the Archive: Analyzing Archival Disorder in the Yamashita Family Archives and Karen Tei Yamashita’s <i>Letters to Memory</i>","authors":"Hayley C. Stefan","doi":"10.1215/00029831-10950792","DOIUrl":"https://doi.org/10.1215/00029831-10950792","url":null,"abstract":"Abstract This article outlines a crip archival analysis of Karen Tei Yamashita’s creative family memoir Letters to Memory (2017) and the separate Yamashita Family Archives; the analysis revolves around the concept of disorder. The book and digital archives move the daily lived experience of incarceration out of chronological order, encouraging new connections across a massive collection of materials: letters, photographs, federal surveillance documents, paintings, sermons, and other ephemera surrounding World War II Japanese American incarceration. Their respective acts of assembling and retelling destabilize the dominant narrative of a resolved family or national trauma to reflect divergent embodied experiences of distress and disability effected by racial debilitation. Offering concentric analysis of textual and archival reordering via Asian American studies, disability studies, and digital humanities, this article adds alternative dimensions to the ongoing legacy of incarceration by inviting readers to create new constellations of meaning through examining temporal and embodied disorder. Reading the physical book and digital archives together also acts as a model for how literary studies scholars might complicate our attention to embodiment beyond narrative analysis, by thinking about disability and madness in the design and structure of texts and digital media. Through cripping the archive, the author calls for a reconceptualization of mad and disabled bodyminds as not only content to be examined, but also users and creators whose disorder animates alternative ways of knowing personal and state violence.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135742184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Afro-Asian Antagonism and the Long Korean War 亚非对抗与漫长的朝鲜战争
3区 文学
AMERICAN LITERATURE Pub Date : 2023-09-13 DOI: 10.1215/00029831-10950766
Kodai Abe
{"title":"Afro-Asian Antagonism and the Long Korean War","authors":"Kodai Abe","doi":"10.1215/00029831-10950766","DOIUrl":"https://doi.org/10.1215/00029831-10950766","url":null,"abstract":"Abstract American racial politics during the long Korean War formed what this essay terms Afro-Asian antagonism, a racial hate between African Americans and Asians (and Asian Americans). When the Truman administration issued Executive Order 9981 and proclaimed its commitment to military racial integration in 1948, two years before the outbreak of the Korean War, it seemed to signal a significant step of racial progress. Black servicemen who enlisted in the “liberalized” military, however, were strategically deployed to represent American national violence, especially to the eyes of Asians who were internalizing antiblack racism imported from the United States through the military apparatus. In the face of decolonization and an upsurge in civil rights movements, this article argues, the executive order molded Black Korean War veterans into an instrument to abort Afro-Asian connections while promoting racial liberalism to a global audience. The Korean War inaugurated the American Cold War racial formation that endures into the twenty-first century. Contrasting two Korean War novels written by Asian American and African American authors—Nora Okja Keller’s Fox Girl (2002) and Toni Morrison’s Home (2012)—this article traces how Afro-Asian orphans and a Black veteran internalize and challenge the Afro-Asian antagonisms of the long Korean War.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135742171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reflexivity’s Ontological Turn: From Cybernetics to Autopoiesis in “The Circular Ruins” and The People of Paper 反身性的本体论转向:《圆形废墟》和《纸上的人》中从控制论到自创生
3区 文学
AMERICAN LITERATURE Pub Date : 2023-09-13 DOI: 10.1215/00029831-10950779
T. J. Martinson
{"title":"Reflexivity’s Ontological Turn: From Cybernetics to Autopoiesis in “The Circular Ruins” and <i>The People of Paper</i>","authors":"T. J. Martinson","doi":"10.1215/00029831-10950779","DOIUrl":"https://doi.org/10.1215/00029831-10950779","url":null,"abstract":"Abstract While postmodern metafiction (or reflexive fiction) is commonly positioned outside the scope of the Ontological Turn due to metafiction’s association with postmodernism’s insistence on “world as text,” this article argues that metafiction’s proximity to scientific theories of reflexivity engenders a shift toward what the article calls body as text, a shift that is synchronous with reflexivity’s evolution from cybernetics to biological autopoiesis. To trace metafiction’s aesthetic evolution from world as text to body as text, the article examines Jorge Luis Borges’s short story “The Circular Ruins” (1940) alongside early-order cybernetic theories of reflexivity before examining Salvador Plascencia’s The People of Paper (2005) alongside later theories of biological autopoiesis. While both narratives demonstrate an interest in the world-building powers of the text, the article argues that Plascencia’s novel demonstrates reflexivity’s autopoietic ability to examine the interstitial relationship between material embodiment and nonhuman agencies. By moving away from Borgesian self-regulation toward self-assembly, The People of Paper gradually sheds the epistemological preoccupations of its world-as-text aesthetic in favor a more ontological body-as-text aesthetic, thereby opening up the possibility of interpreting Plascencia’s novel as an aestheticization not of the construction of reality but of the construction of the body itself. In marking a distinction between world-as-text metafiction and body-as-text metafiction, the latter emerges as a uniquely useful heuristic in the Ontological Turn for modeling molecular embodiment and nonhuman agency.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135741868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“In Accord with the Spirit of American Democracy”: Tracing the Network of the US Armed Services Editions “与美国民主精神一致”:追踪美国武装部队版本的网络
3区 文学
AMERICAN LITERATURE Pub Date : 2023-09-13 DOI: 10.1215/00029831-10950753
Anna Muenchrath
{"title":"“In Accord with the Spirit of American Democracy”: Tracing the Network of the US Armed Services Editions","authors":"Anna Muenchrath","doi":"10.1215/00029831-10950753","DOIUrl":"https://doi.org/10.1215/00029831-10950753","url":null,"abstract":"Abstract This essay explores the possibilities of thinking about the production, circulation, and reception of books through the form of the network. Using archival material of the Council of Books in Wartime, the essay reassembles some of the many attachments that formed the Armed Services Editions during World War II, one of the largest enterprises in the history of publishing. The essay traces the selections of the council, the networks of soldier-readers created by the books themselves, and the acts of reading constrained and made possible by these attachments across front lines and through bureaucratic memos. This assembly provides the backdrop for a consideration of the text of Thomas Mann’s “Mario and the Magician,” a short story published in the Armed Services Editions in 1944, whose plot not only mirrors the tension between authority and free will manifested in the geopolitical conflict of World War II, but also elucidates the dialectic of power and agency modeled by the form of the network as articulated in the council’s reader-producing experiment itself. What is ultimately at stake in positing an uneven network of actors who negotiate, maintain, extend, and possibly even subvert vectors of cultural power is a reconsideration of the agency attributed to readers in sociological studies of literature.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135741867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hymnic Placemaking: Samson Occom’s Collection and Brothertown Orientations 赞美诗般的场所营造:Samson Occom的收藏和兄弟城取向
3区 文学
AMERICAN LITERATURE Pub Date : 2023-09-13 DOI: 10.1215/00029831-10950727
Bradley Dubos
{"title":"Hymnic Placemaking: Samson Occom’s <i>Collection</i> and Brothertown Orientations","authors":"Bradley Dubos","doi":"10.1215/00029831-10950727","DOIUrl":"https://doi.org/10.1215/00029831-10950727","url":null,"abstract":"Abstract This article traces a long trajectory of hymnic placemaking within the Brothertown Indian Nation from the late eighteenth century to the present day. Since their tribe’s inception, Brothertown people have repurposed the forms and rituals of Christian hymnody in order to maintain connections to ancestral homelands, navigate and interpret unfamiliar terrain, and construct and shape tribal spaces. Samson Occom’s (Mohegan/Brothertown) A Choice Collection of Hymns and Spiritual Songs; Intended for the Edification of Sincere Christians, of all Denominations (1774) cultivated this distinctive mode of placemaking within the Native community that formed at Brothertown, New York. Opening up several key moments in the hymnal’s nearly two-hundred-and-fifty-year history, this article reads the Collection’s figures of place in relation to the embodied engagements it has prompted over time, from the daily travel it motivated across the eighteenth-century town to the hollow square formation Brothertown Indians used in 2018 when performing hymns at Yale. By foregrounding the bodily orientations toward place that are promoted by sung hymn-texts and develop alongside their sustained use, the article demonstrates how sonic expressions continue to supply materials for Indigenous placemaking among Brothertown singers today. This hymn-singing tradition, tied to specific homelands and yet remarkably portable, illuminates the situatedness of Indigenous poetic practice under the conditions of settler colonialism.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135742179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Moved by Another Life: Altered Sentience and Historical Poiesis in the Peyote Craze 被另一种生命所感动:佩约特狂热中的情感变化与历史波折
IF 0.5 3区 文学
AMERICAN LITERATURE Pub Date : 2023-04-28 DOI: 10.1215/00029831-10679209
Sylvie Boulette
{"title":"Moved by Another Life: Altered Sentience and Historical Poiesis in the Peyote Craze","authors":"Sylvie Boulette","doi":"10.1215/00029831-10679209","DOIUrl":"https://doi.org/10.1215/00029831-10679209","url":null,"abstract":"\u0000 This article follows the transsensory pathways opened by peyote, a mood-altering entheogen, as it diffused among Native peoples living under and along the edges of colonial occupation around the turn of the twentieth century. It traces that movement through the pulsions of temporal and sensorial animacy created in the episodic narration of The Autobiography of a Winnebago Indian (1920), the life story of a Ho-Chunk man named Sam Blowsnake. Apprehended by settler governance as a “craze,” anti-assimilationist currents of the Peyote movement met with intensifying attempts to constrain the biochemical flux of “intoxication” through Native bodies. Modern campaigns against “peyote worship” mounted by government agents, progressive reformers, and sensationalist press in the early twentieth century exploited scripts of revulsion and prurient fascination to target the border-crossing “mind poison” for prohibition. Just beneath the scenes of psychotoxicity and sexual disorder projected by the antinarcotic imaginary of the craze, this article posits, there ran an ongoing struggle over the restrictive capacitation of property and personhood within the settler-capitalist regime of allotment. Against the norms enforced by that policy, in peyote meetings the alteration of sentience could unbind the day-to-day reproduction of property-bearing personhood. Lines of collective transport opening from the passage of ecstasy thus composed a historical moment in refusal of allotment drives for schizochronic individuation.","PeriodicalId":45756,"journal":{"name":"AMERICAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.5,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42568426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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