Media War and Conflict最新文献_第10页

Re-thinking trauma: Local journalism, peace-building and continuous traumatic stress (CTS) on the violent margins of Colombia 重新思考创伤:哥伦比亚暴力边缘的地方新闻、和平建设和持续创伤压力(CTS)

IF 1.3

Media War and Conflict Pub Date : 2020-07-08 DOI: 10.1177/1750635220939121

Mathew Charles

引用次数: 4

Negotiating Wikipedia narratives about the Yemeni crisis: Who are the alleged supporters of the Houthis? 协商维基百科关于也门危机的叙述:谁是胡塞武装的支持者?

IF 1.3

Media War and Conflict Pub Date : 2020-07-02 DOI: 10.1177/1750635220938404

Khaled Al-Shehari, Abdul Gabbar Mohamed Al-Sharafi

引用次数: 0

The neoliberal Houdini who escaped from (poverty and) prison: Chapo’s narcocorridos, political communication and propaganda 从(贫穷和)监狱中逃脱的新自由主义胡迪尼:查波的毒品走廊，政治沟通和宣传

IF 1.3

Media War and Conflict Pub Date : 2020-06-03 DOI: 10.1177/1750635220929520

Juan S. Larrosa-Fuentes

{"title":"The neoliberal Houdini who escaped from (poverty and) prison: Chapo’s narcocorridos, political communication and propaganda","authors":"Juan S. Larrosa-Fuentes","doi":"10.1177/1750635220929520","DOIUrl":"https://doi.org/10.1177/1750635220929520","url":null,"abstract":"Chapo Guzmán was the leader of the Sinaloa Cartel. Although he was a well-known criminal, there is a scarcity of first-hand information about his career. This situation raises a question: how did Guzmán become a public figure without having public exposure? This communicative phenomenon is possible because drug cartels have sophisticated propaganda techniques that allow them to challenge the state not only in the military realm but also in the cultural realm. Among other media, these criminal organizations use narcocorridos, a popular music genre, as a medium for propaganda. This article studies, through a narrative analysis of 66 lyrics, how music, as a form of political communication, is used as propaganda. This study found three main narratives in the narcocorridos dedicated to Guzmán: (i) the origins of this drug dealer; (ii) the masculine features that led him to be a global kingpin; and (iii) his genius for corrupting political systems. These lyrics are propaganda because: (a) they spread knowledge in the form of stories about Guzmán; (b) they create a mythology about the kingpin and the narco-world; and (c) they distort reality by picturing Guzmán as a great man and blur reality by suppressing any reference to the drug wars.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"15 1","pages":"99 - 117"},"PeriodicalIF":1.3,"publicationDate":"2020-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635220929520","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41446730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Dehumanization on Twitter in the Turkish–Kurdish conflict 土耳其-库尔德冲突中推特上的非人化

IF 1.3

Media War and Conflict Pub Date : 2020-06-03 DOI: 10.1177/1750635220925844

Serhat Tutkal

引用次数: 3

The World at War: Three and a Half Decades of New York Times Conflict Coverage 战争中的世界：《纽约时报》冲突报道三十年半

IF 1.3

Media War and Conflict Pub Date : 2020-06-01 DOI: 10.1177/1750635219828763

Meghan Sobel, Seoyeon Kim, D. Riffe

引用次数: 3

Memory in the margins: The connecting and colliding of vernacular war memories 边缘的记忆:本土战争记忆的连接与碰撞

IF 1.3

Media War and Conflict Pub Date : 2020-06-01 DOI: 10.1177/1750635219828772

Stephanie de Smale

{"title":"Memory in the margins: The connecting and colliding of vernacular war memories","authors":"Stephanie de Smale","doi":"10.1177/1750635219828772","DOIUrl":"https://doi.org/10.1177/1750635219828772","url":null,"abstract":"This article examines how war memory circulates, connects and collides on digital media platforms driven by digital publics that form around popular culture. Through a case study of vernacular memory discourses emerging around a game inspired by the Yugoslav war, the article investigates how the commenting practices of YouTube users provide insights into the feelings of belonging of conflict-affected subjects that go beyond ethnicity and exceed geographical boundaries. The comments of 331 videos were analysed, using an open source tool and sequential mixed-method content analysis. Media-based collectivities emerging on YouTube are influenced by the reactive and asynchronous dynamics of comments that stimulate the emergence of micro-narratives. Within this plurality of voices, connective moments focus on shared memories of trauma and displacement beyond ethnicity. However, clashing collective memories cause disputes that reify identification along ethnic lines. The article concludes that memory discourses emerging in the margins of YouTube represent the affective reactions of serendipitous encounters between users of audio-visual content.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"13 1","pages":"188 - 212"},"PeriodicalIF":1.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635219828772","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46158573","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 11

Framing internal politics in a conflict situation: A study of the 2014 election campaign news in the local newspapers in the Indian-administered Kashmir region 冲突局势下的内部政治框架:印控克什米尔地区2014年当地报纸竞选新闻的研究

IF 1.3

Media War and Conflict Pub Date : 2020-06-01 DOI: 10.1177/1750635218819416

Dr. Arif Hussain Nadaf

{"title":"Framing internal politics in a conflict situation: A study of the 2014 election campaign news in the local newspapers in the Indian-administered Kashmir region","authors":"Dr. Arif Hussain Nadaf","doi":"10.1177/1750635218819416","DOIUrl":"https://doi.org/10.1177/1750635218819416","url":null,"abstract":"International conflict reporting and national media discourse of warring nations continue to dominate existing scholarship on media–conflict relationships. The literature on the subject lacks significant consideration towards understanding the relevance of local and sub-national media narratives in conflict situations. The existing literature on the media–conflict relationship in the conflict territory of Kashmir shows that the issue has been largely studied from the perspective of national news media in India and Pakistan. This study while engaging with the local news media in the Kashmir region, draws empirical evidence from the local newspapers in the context of the 2014 State Assembly election campaigns which took place amid unprecedented political polarization in the region. The findings from the content analysis revealed that the contested political issues between the political parties found higher resonance in the campaign news while the deliberation regarding the conflict in the region and its resolution had the least prevalence in the news discourse. This not only confirms the significant relevance of local news media and internal political dynamics in redefining the media–conflict relationship in the Kashmir conflict but also suggests the further need to engage with local and regional news narratives in conflict situations.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"13 1","pages":"111 - 132"},"PeriodicalIF":1.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635218819416","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43327980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 5

The Democratic People’s Republic of Korea, Procedural Rhetoric and the Military-Entertainment Complex: Two Case Studies from the War on Terror 朝鲜民主主义人民共和国，程序性修辞和军事-娱乐综合体:反恐战争中的两个案例研究

IF 1.3

Media War and Conflict Pub Date : 2020-06-01 DOI: 10.1177/1750635219828761

Matthew Spokes

{"title":"The Democratic People’s Republic of Korea, Procedural Rhetoric and the Military-Entertainment Complex: Two Case Studies from the War on Terror","authors":"Matthew Spokes","doi":"10.1177/1750635219828761","DOIUrl":"https://doi.org/10.1177/1750635219828761","url":null,"abstract":"This article explores how the Democratic People’s Republic of North Korea is represented in video games developed and played during the height of the War on Terror. Drawing on Šisler’s article, ‘Digital Arabs: Representation in video games’ (2008) and Robinson’s articles ‘Videogames, persuasion and the War on Terror: Escaping or embedding the military-entertainment complex? (2012) and ‘Have you won the war on terror? Military videogames and the state of American exceptionalism’ (2015), this article explores two case studies Tom Clancy’s Splinter Cell: Chaos Theory (2005) and Tom Clancy’s Ghost Recon 2 (2004) using Bogost’s (2008, 2010) concept of ‘procedural rhetoric’ to unpack and detail the visual signifiers and gameplay mechanics of these titles in comparison with other work on games set in ‘Axis of Evil’ countries. The article concludes by situating the games within the military-entertainment complex more broadly (here focusing on film), arguing that North Korea is ultimately framed paradoxically in video games, a country that is viewed on the one hand as a threat to world peace and on the other as an absurdist dictatorship.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"13 1","pages":"153 - 169"},"PeriodicalIF":1.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635219828761","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42487325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Your Country Needs You? Advertising, Public Relations and the Promotion of Military Service in Peacetime Britain 你的国家需要你？广告、公共关系与和平时期英国的兵役宣传

IF 1.3

Media War and Conflict Pub Date : 2020-06-01 DOI: 10.1177/1750635219828774

Brendan Maartens

{"title":"Your Country Needs You? Advertising, Public Relations and the Promotion of Military Service in Peacetime Britain","authors":"Brendan Maartens","doi":"10.1177/1750635219828774","DOIUrl":"https://doi.org/10.1177/1750635219828774","url":null,"abstract":"Historians have long taken an interest in military recruitment advertising and public relations. Much of their attention, however, has been directed towards promotion in wartime, with a lot less known about how governments used media to attract civilians in peacetime or during the many so-called ‘limited wars’ of the post-war era. This article addresses this shortcoming by exploring three separate recruitment campaigns waged in Britain at different moments in the 20th century. Giving a sense of the scale of official recruiting work, it highlights the central role played by commercial advertising and public relations professionals in the planning and development of campaigns and investigates whether recruiters were actually successful in convincing civilians to join up. The evidence presented here suggests that they had a negligible effect on enrolment rates. Yet, it also indicates that different types of appeal were used to attract civilians in peacetime, with material rewards typically taking precedence over notions of patriotic duty. Suggesting that such appeals effectively commodified military service, this article concludes by reflecting on their broader legacy to studies of media, war and conflict.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"13 1","pages":"213 - 233"},"PeriodicalIF":1.3,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635219828774","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44459536","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Poking fun at heroes: American war and the death of the military comedy 取笑英雄:美国战争和军事喜剧的死亡

IF 1.3

Media War and Conflict Pub Date : 2020-05-26 DOI: 10.1177/1750635220922278

A. Sparks

{"title":"Poking fun at heroes: American war and the death of the military comedy","authors":"A. Sparks","doi":"10.1177/1750635220922278","DOIUrl":"https://doi.org/10.1177/1750635220922278","url":null,"abstract":"Since the attacks of September 11 2001, there has been a marked decline in the number of military comedy films in American cinema. Films like Buffalo Soldiers, a film made prior to September 11 but released in 2003, show how this change first started. Whereas, prior to 2001, military comedies were generally accepted and even profitable, after 2001 the genre effectively disappeared and still to this day has not re-emerged despite military non-comedy films making a clear resurgence after 2008. In this article, the author explores how and why military comedies have declined over time by making comparisons of how popular both military comedy and non-comedy films were in prior periods and today. The purpose of this is to show how the decline of military comedies since 2001 is a symptom of a greater political trend within American political development, specifically the civil–military divide. As this divide has grown in the post-military draft period in the United States, an event like September 11 seems to have ruptured the general acceptability of laughing at the military, which remains improper in cinema to this day. Finally, he examines some of the political consequences of this lack of laughter at the military within the greater political and film studies literature, which include growing tacit support for the military and how the narratives within some of these films leave little room for American civilians to comedically view the military that defends them.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"15 1","pages":"82 - 98"},"PeriodicalIF":1.3,"publicationDate":"2020-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635220922278","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43660114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0