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Yolande Zauberman Yolande Zauberman
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.76.4.54
J. Dupont
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引用次数: 0
Review: A Decolonizing Ear: Documentary Film Disrupts the Archive, by Olivia Landry 书评:《非殖民化的耳朵:纪录片颠覆了档案馆》，奥利维亚·兰德里著
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.77.1.108
Ann Lyuwenyu Zhang
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引用次数: 0
Political Camerawork 政治摄影
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.77.1.97
Bruno Guaraná
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引用次数: 0
Millennial Messiahs, Female Fixers, and Corporate Boards 千禧年救世主，女性调停者和公司董事会
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.76.3.25
Lisa Parks, F. Twine
{"title":"Millennial Messiahs, Female Fixers, and Corporate Boards","authors":"Lisa Parks, F. Twine","doi":"10.1525/fq.2023.76.3.25","DOIUrl":"https://doi.org/10.1525/fq.2023.76.3.25","url":null,"abstract":"This article explores how television dramas function as a cultural forum on the workplace power dynamics of US tech startups. Focusing on the limited series, Super Pumped and WeCrashed, which are about Uber and WeWork, the authors analyze how relations of race, class, and gender/sexuality emerge in these narrativized techworlds via several “figures,” including white male founders/CEOs or “millennial messiahs,” “female fixers” that range from executives to silent service providers, and the “corporate board.” These figures are important because they circulate across fictional and non-fictional contexts and become a means by which publics make sense of the power relations of tech startups. Even as these shows center on the trials and tribulations of egomaniacal, power-hungry CEOs, they raise crucial questions about corporate corruption, gender/racial discrimination, and labor exploitation in the tech workplace and challenge viewers to reckon with the unchecked power of the big US technology companies.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"12 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67060172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Viola’s Body 中提琴的身体
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.76.3.92
Rebecca Wanzo
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引用次数: 0
Carceral Feminism on Repeat caral Feminism on Repeat
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.76.4.73
Laurie J Ouellette
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引用次数: 0
Bellocchio’s Histories, Personal and Public 贝洛奇奥的《个人与公众的历史
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.76.4.46
D. Forgacs
{"title":"Bellocchio’s Histories, Personal and Public","authors":"D. Forgacs","doi":"10.1525/fq.2023.76.4.46","DOIUrl":"https://doi.org/10.1525/fq.2023.76.4.46","url":null,"abstract":"In The Traitor (2019) and Exterior Night (2022), Marco Bellocchio revisits traumatic and violent episodes in Italy’s recent past. The first is a feature film about the round-up of Sicilian mafia members in the 1980s and their retaliatory attack on the Italian state. The second is a six-part television series about the abduction and murder in 1978 of politician Aldo Moro as lived by his family, political colleagues and the terrorists who captured him. Bellocchio’s nonfiction Marx Can Wait (2021) also evokes a trauma, in this case a personal one: the legacy of his twin brother’s suicide in 1968 on himself and his family. This article examines Bellocchio’s techniques of incorporating archive images and footage, including from his own earlier films, as well as his use of dream and fantasy sequences, as ways of situating himself as an older man in relation to that past and of processing traumatic memories.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67061327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Video Revolution, according to the Museum of Modern Art 根据现代艺术博物馆的说法，这是一场视频革命
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.77.1.75
Laurie Ouellette
{"title":"The Video Revolution, according to the Museum of Modern Art","authors":"Laurie Ouellette","doi":"10.1525/fq.2023.77.1.75","DOIUrl":"https://doi.org/10.1525/fq.2023.77.1.75","url":null,"abstract":"The recent exhibit at the Museum of Modern Art in New York, Signals: How Video Transformed the World offers a critical look at the medium, spanning from the 1960s to the present. Featuring works from guerilla television collectives like Raindance to contemporary artists like Martine Syms and Tiffany Sia, MoMA’s exhibit employs a more expansive definition of video to include television broadcasting, CCTV, and moving images captured and shared on cell phones. Film Quarterly contributing editor Laurie Ouellette argues that while MoMA frames the exhibit in terms of video’s critical potential to speak against television and media infrastructures, the exhibit is limited by the lack of historical context given to the ideological and material uses of video. The exhibition points to the contradictions inherent in the media landscape, which for Ouellette, demands greater critical attention for video in television and new-media studies.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67062300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Review: Chinese Film: Realism and Convention from the Silent Era to the Digital Age, by Jason McGrath 书评:《中国电影:从无声时代到数字时代的现实主义与传统》，作者:杰森·麦格拉思
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.77.1.106
Jing Wang
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引用次数: 0
Aerobics on Tape 磁带健美操
IF 0.5 3区 艺术学
FILM QUARTERLY Pub Date : 2023-01-01 DOI: 10.1525/fq.2023.76.3.87
Laurie J Ouellette
{"title":"Aerobics on Tape","authors":"Laurie J Ouellette","doi":"10.1525/fq.2023.76.3.87","DOIUrl":"https://doi.org/10.1525/fq.2023.76.3.87","url":null,"abstract":"Set in the early 1980s in San Diego, California, Physical (Apple TV+, 2021−) dramatizes the emergence of aerobics on videotape, a prescient chapter of media history that promised to transform female viewers into the masters of their bodies, lives, and futures. Although not a feminist critique, the series is an exploration of the vicissitudes of a self-empowerment. As media technology has become more interactive, the message that women can achieve an Instagrammable body by following the self-help regimens of modern-day Sheilas has become even more pervasive—and insidious. At a time when empowerment is sold on T-shirts and technologies of the self are peddled by countless influencers, Physical offers a genealogy of these taken-for-granted realities. An overdue tribute to a form of mass culture that is usually not taken seriously, even in media circles, Physical offers the unsettling possibility that self-empowerment has become the cause of women’s problems, not their solution.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67060724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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