{"title":"Aerobics on Tape","authors":"Laurie J Ouellette","doi":"10.1525/fq.2023.76.3.87","DOIUrl":null,"url":null,"abstract":"Set in the early 1980s in San Diego, California, Physical (Apple TV+, 2021−) dramatizes the emergence of aerobics on videotape, a prescient chapter of media history that promised to transform female viewers into the masters of their bodies, lives, and futures. Although not a feminist critique, the series is an exploration of the vicissitudes of a self-empowerment. As media technology has become more interactive, the message that women can achieve an Instagrammable body by following the self-help regimens of modern-day Sheilas has become even more pervasive—and insidious. At a time when empowerment is sold on T-shirts and technologies of the self are peddled by countless influencers, Physical offers a genealogy of these taken-for-granted realities. An overdue tribute to a form of mass culture that is usually not taken seriously, even in media circles, Physical offers the unsettling possibility that self-empowerment has become the cause of women’s problems, not their solution.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2023.76.3.87","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
Set in the early 1980s in San Diego, California, Physical (Apple TV+, 2021−) dramatizes the emergence of aerobics on videotape, a prescient chapter of media history that promised to transform female viewers into the masters of their bodies, lives, and futures. Although not a feminist critique, the series is an exploration of the vicissitudes of a self-empowerment. As media technology has become more interactive, the message that women can achieve an Instagrammable body by following the self-help regimens of modern-day Sheilas has become even more pervasive—and insidious. At a time when empowerment is sold on T-shirts and technologies of the self are peddled by countless influencers, Physical offers a genealogy of these taken-for-granted realities. An overdue tribute to a form of mass culture that is usually not taken seriously, even in media circles, Physical offers the unsettling possibility that self-empowerment has become the cause of women’s problems, not their solution.
期刊介绍:
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.