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Authorial Choice and Modes of Circulation 作者选择与流通模式
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0009
Emily C. Friedman, P. Perkins, P. Sabor
{"title":"Authorial Choice and Modes of Circulation","authors":"Emily C. Friedman, P. Perkins, P. Sabor","doi":"10.1353/hlq.2021.0009","DOIUrl":"https://doi.org/10.1353/hlq.2021.0009","url":null,"abstract":"","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87325653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Rummaging, Sorting, Selecting, Preserving or Destroying": Frances Burney d'Arblay as Editor “翻找、分类、选择、保存或破坏”:编辑弗朗西斯·伯尼·达布雷
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0006
P. Sabor
{"title":"\"Rummaging, Sorting, Selecting, Preserving or Destroying\": Frances Burney d'Arblay as Editor","authors":"P. Sabor","doi":"10.1353/hlq.2021.0006","DOIUrl":"https://doi.org/10.1353/hlq.2021.0006","url":null,"abstract":"abstract:Frances Burney d'Arblay (1752–1840) published her final novel, The Wanderer, in 1814. For the remainder of her life, she was engaged in three massive editorial projects, only one of which was brought to completion. This essay is concerned primarily with d'Arblay's editing of her own letters, focusing on a ten-year stretch of material: the period from 1802 to 1812 that she spent in France, initially as a visitor and then as a virtual prisoner of Napoleon. I am concerned with aspects of her editing that have been largely ignored: d'Arblay's prioritization of the letters available to her, the headnotes that she provided for them, and her retrospective insertions of additional material.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75285755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Restoring Authority for Women Writers: Name Authority Records as Digital Recovery Scholarship 恢复女性作家的权威:将权威记录命名为数字恢复奖学金
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0002
Kirstyn J. Leuner
{"title":"Restoring Authority for Women Writers: Name Authority Records as Digital Recovery Scholarship","authors":"Kirstyn J. Leuner","doi":"10.1353/hlq.2021.0002","DOIUrl":"https://doi.org/10.1353/hlq.2021.0002","url":null,"abstract":"abstract:Personal name authority records in the Library of Congress Name Authority File (LCNAF), which feeds directly into the Virtual International Authority File, are valuable for recovering women writers whose texts are electronically circulated yet whose identities as authors and people are often difficult to research. Using The Stainforth Library of Women's Writing as a case study, this essay encourages close collaboration with catalog librarians who are certified by the Name Authority Cooperative Program to create and contribute name authority records to the LCNAF for lesser-known women writers. This methodology can advance feminist recovery scholarship by curating a global women's book history that values women's identities on and beyond the page.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79118777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Eighteenth-Century Manuscript Verse Miscellanies and the Print–Manuscript Interface 十八世纪手稿诗歌杂记和印刷手稿界面
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0016
Betty A. Schellenberg
{"title":"Eighteenth-Century Manuscript Verse Miscellanies and the Print–Manuscript Interface","authors":"Betty A. Schellenberg","doi":"10.1353/hlq.2021.0016","DOIUrl":"https://doi.org/10.1353/hlq.2021.0016","url":null,"abstract":"abstract:This essay argues for an expansion of the work of book history at the interface between the magazine and the personal verse miscellany. The manuscript verse miscellany was a widely practiced genre in the eighteenth century but has remained largely invisible to scholars. The genre forms an archive of interest for, among other things, how it adapts to, and exploits, the newly developed eighteenth-century print form of the periodical, especially the magazine. Existing at the intersection of new print forms and established strategies of literary production and networking through manuscript exchange, the verse miscellany reveals how readers, many of them women, \"hacked\" printed poetry that offered private, transferable affect that they could then repurpose to their own ends. One product of this dynamic exchange is a countercanon of manuscript-based poetry that varies significantly from the established print canon.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73818996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women, Oral Culture, and Book History in the Romantic-Era British Archipelago: Charlotte Brooke, Anne Grant, and Felicia Hemans 《浪漫时代不列颠群岛的女性、口头文化和图书历史》:夏洛特·布鲁克、安妮·格兰特和费利西亚·赫曼斯
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0019
L. Davis
{"title":"Women, Oral Culture, and Book History in the Romantic-Era British Archipelago: Charlotte Brooke, Anne Grant, and Felicia Hemans","authors":"L. Davis","doi":"10.1353/hlq.2021.0019","DOIUrl":"https://doi.org/10.1353/hlq.2021.0019","url":null,"abstract":"abstract:This essay considers Charlotte Brooke in Ireland, Anne Grant in Scotland, and Felicia Hemans in Wales, analyzing the various ways in which they promoted their nations' oral culture during what is now called the Romantic era. Examining these women and their intermedial work can help us build a fuller picture of women's contributions to book history throughout the British Isles, as well as better appreciate the role of orality, including voice and song, within a book history tradition frequently oriented toward print and manuscript. The essay also discusses these women writers' subsequent disappearance from their respective national canons, as projects to legitimize the Irish, Scottish, and Welsh nations have focused overwhelmingly on the printed productions of male creative writers.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80265849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Beyond Authorship: Reconstructing Women's Literary Labor 超越作者身份:重构女性文学劳动
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0013
Michelle A. Levy, Kate Ozment, Andrew O. Winckles
{"title":"Beyond Authorship: Reconstructing Women's Literary Labor","authors":"Michelle A. Levy, Kate Ozment, Andrew O. Winckles","doi":"10.1353/hlq.2021.0013","DOIUrl":"https://doi.org/10.1353/hlq.2021.0013","url":null,"abstract":"","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79686046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Revising the Professional Woman Writer: Mary Wollstonecraft and Precarious Income 重新审视职业女作家:玛丽·沃斯通克拉夫特与不稳定的收入
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0003
E. Clery
{"title":"Revising the Professional Woman Writer: Mary Wollstonecraft and Precarious Income","authors":"E. Clery","doi":"10.1353/hlq.2021.0003","DOIUrl":"https://doi.org/10.1353/hlq.2021.0003","url":null,"abstract":"abstract:Mary Wollstonecraft's experience as a female staff writer in the publishing workplace was apparently unique in her time. This essay examines debate on the category of the professional woman writer and reconsiders its relevance to Wollstonecraft's authorial career, using correspondence with her publisher, Joseph Johnson, to argue for the applicability of the concept of the precariat. Focusing on precarious income in the literary marketplace enables a new appreciation of Wollstonecraft's feminism at the intersection of gender and class, particularly of the way she foregrounds issues of workplace sexual discrimination and harassment in her final publication, The Wrongs of Woman: Or, Maria (1798).","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77574907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
My Lady's Books: Devising a Tool Kit for Quantitative Research; or, What Is a Book and How Do We Count It? 夫人的书:设计定量研究工具包或者，什么是书，我们如何计算它?
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0014
Marie‐Louise Coolahan
{"title":"My Lady's Books: Devising a Tool Kit for Quantitative Research; or, What Is a Book and How Do We Count It?","authors":"Marie‐Louise Coolahan","doi":"10.1353/hlq.2021.0014","DOIUrl":"https://doi.org/10.1353/hlq.2021.0014","url":null,"abstract":"abstract:This essay outlines the methodological challenges posed by quantitative analysis of women's book ownership in the early modern period, asking, how do we systematize the defiantly unsystematic? The sources from which we glean evidence of women's relationships with books are eclectic and idiosyncratic. This essay analyzes the function and context of such sources—booklists and catalogs, household inventories, wills and probate inventories, donation registers, ownership inscriptions, and bookplates—in order to identify the ways in which they may skew what we count. Arguing that a combination of methodological transparency with awareness of these potential pitfalls arms us to engage with comparative numbers, the essay concludes by assessing current ideas about the relative size and content of women's book collections. Ultimately, while such incomplete evidence attests to significant levels of book acquisition by women, the gaps that remain show that our current figures underestimate the full extent of their book ownership.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88612776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Women's Labor in the Mid-Eighteenth-Century English Literary Economy 18世纪中期英国文学经济中的女性劳动
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0010
Kate Ozment
{"title":"Women's Labor in the Mid-Eighteenth-Century English Literary Economy","authors":"Kate Ozment","doi":"10.1353/hlq.2021.0010","DOIUrl":"https://doi.org/10.1353/hlq.2021.0010","url":null,"abstract":"abstract:This essay explores the careers of two mid-eighteenth-century Englishwomen—Elizabeth Boyd and Eliza Haywood—who wrote commercial literature and sold pamphlets and ephemera in retail shops. It argues that their careers put into question the emphasis that literary scholars have placed on writing as their primary occupation and instead suggest that, as commercial writers, they worked as members of the book trades who could leverage writing alongside other forms of labor to create various profit streams. Studying Boyd and Haywood uncovers gendered structures that influenced the trade positions that women were able to move in and out of easily. Their stories are less about marginality than about the use of gendered identities as tools; gender was one important factor among many that influenced how women moved within and without the midcentury literary economy.","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83644029","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Invisible Women, 1983–2021 看不见的女人，1983-2021
IF 0.3 3区 社会学
HUNTINGTON LIBRARY QUARTERLY Pub Date : 2021-07-22 DOI: 10.1353/hlq.2021.0001
Margaret J. M. Ezell
{"title":"Invisible Women, 1983–2021","authors":"Margaret J. M. Ezell","doi":"10.1353/hlq.2021.0001","DOIUrl":"https://doi.org/10.1353/hlq.2021.0001","url":null,"abstract":"• One of the many pleasures of attending a symposium1 where there are no concurrent sessions is the natural, ongoing conversations that arise over its course as panelists connect with each other about their topics, about the challenges of their work, and about the strategies for negotiating them. While many of the writers discussed in the “Women in Book History” symposium were already familiar to me— from Elizabeth Montagu, Charlotte Smith, Eliza Haywood, and Frances Burney to Dorothy Wordsworth and Mary Wollstonecraft—I also encountered what one speaker termed “a multitude of stars,” also called by some “obscure women”: women known only to their family circle or their immediate social group. At this symposium, I was the wrap-up speaker in the program; as I listened, I found myself recalling and reflecting on some of my own first encounters some thirty years ago with obscure women writers, evolving methodologies, and our findings back then. In 1983, the year after I began teaching in an American university, the feminist scholar and science fiction writer Joanna Russ (1937–2011) published How to Suppress Women’s Writing. Highlighted by its witty cover art (fig. 1) was the book’s ironic attack on the ways in which British and American women’s writing—and, by extension, the writing of any marginalized social group—had been systematically explained away. These strategies ranged from denial of agency (women didn’t write back then) to declassification (she wrote it, but it’s not “art”) to diminution (she wrote it, but she had help; or she wrote it, but it isn’t any good). The overall effect was to weave a veil of unexamined beliefs about women and other marginalized writers and their writing that, if it did not indeed suppress them, rendered the people and their","PeriodicalId":45445,"journal":{"name":"HUNTINGTON LIBRARY QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2021-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80142535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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