《浪漫时代不列颠群岛的女性、口头文化和图书历史》:夏洛特·布鲁克、安妮·格兰特和费利西亚·赫曼斯

IF 0.4 3区 社会学 Q4 MATERIALS SCIENCE, CHARACTERIZATION & TESTING
L. Davis
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引用次数: 1

摘要

本文以爱尔兰的夏洛特·布鲁克、苏格兰的安妮·格兰特和威尔士的费利西亚·赫曼斯为例,分析了她们在现在被称为浪漫主义时代促进本国口头文化的各种方式。研究这些女性和她们的中间工作,可以帮助我们更全面地了解女性对整个不列颠群岛的图书史的贡献,也可以更好地理解口述的作用,包括声音和歌曲,在一个经常以印刷和手稿为导向的图书史传统中。这篇文章还讨论了这些女作家随后从各自国家的经典中消失,因为使爱尔兰、苏格兰和威尔士国家合法化的项目绝大多数都集中在男性创意作家的印刷作品上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Women, Oral Culture, and Book History in the Romantic-Era British Archipelago: Charlotte Brooke, Anne Grant, and Felicia Hemans
abstract:This essay considers Charlotte Brooke in Ireland, Anne Grant in Scotland, and Felicia Hemans in Wales, analyzing the various ways in which they promoted their nations' oral culture during what is now called the Romantic era. Examining these women and their intermedial work can help us build a fuller picture of women's contributions to book history throughout the British Isles, as well as better appreciate the role of orality, including voice and song, within a book history tradition frequently oriented toward print and manuscript. The essay also discusses these women writers' subsequent disappearance from their respective national canons, as projects to legitimize the Irish, Scottish, and Welsh nations have focused overwhelmingly on the printed productions of male creative writers.
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来源期刊
HUNTINGTON LIBRARY QUARTERLY
HUNTINGTON LIBRARY QUARTERLY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
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