SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES最新文献_第6页

Twenty-First Century Approaches to Hispanic Golden Age Drama 西班牙黄金时代戏剧的21世纪研究

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-04-03 DOI: 10.1080/00397709.2023.2200096

Christopher D. Gascón

引用次数: 0

Diego Sánchez de Badajoz’s Musical Farsas: The Significance of El juego de las cañas 迭戈sanchez de Badajoz的音乐剧闹剧:canas游戏的意义

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-04-03 DOI: 10.1080/00397709.2023.2200104

J. Yuri Porras

引用次数: 0

Lope Enters with His Entourage: Metatheatricality in Ignacio Amestoy’s Lope y sus Doroteas 洛佩与他的伙伴们一起进入：伊格纳西奥·阿梅斯泰的《洛佩与多罗特斯》中的元戏剧性

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-04-03 DOI: 10.1080/00397709.2023.2200097

Glenda Y. Nieto-Cuebas

引用次数: 0

The Criticism is Coming from Inside the Casa: Sor Juana’s Colonial Critique 批评来自房子内部:索尔·胡安娜的殖民批判

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-04-03 DOI: 10.1080/00397709.2023.2200095

E. Cowling

{"title":"The Criticism is Coming from Inside the Casa: Sor Juana’s Colonial Critique","authors":"E. Cowling","doi":"10.1080/00397709.2023.2200095","DOIUrl":"https://doi.org/10.1080/00397709.2023.2200095","url":null,"abstract":"Abstract The debates surrounding Sor Juana Inés de la Cruz’s fictional work have frequently centered on her use of autobiographical details to inform her characterizations and plots. In Los empeños de una casa, Sor Juana incorporates not only her personal details but also her deep connections to Mexico as a colonized state, to an extent not yet fully explored by scholars. Thus, she breaks the rules of her peninsular counterparts, and subsequently critiques Spain as an imperial power under the guise of a simple comedia de capa y espada. Although the gracioso servant, Castaño, has always been obviously a colonial figure, there are arguments that two more of the protagonists have New World roots. As the play progresses, we find they can overcome the machinations of their peninsular foils at least in part due to their outsider status, ultimately demonstrating a kinder, gentler form of living and loving. Given the play’s original intended audience of religious and secular powers, this demonstrates not only Sor Juana’s subtle genius, but her ability to fly under the radar of her potential censors, ultimately foreshadowing the issues that would arise as Spain’s reach grew into an uncontrollably large empire, destined to fail.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43472797","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Making It Abroad: Bernarda Ramírez (Naples) and Petronila Jibaja (Lisbon) 《出国》:贝尔纳达Ramírez(那不勒斯)和佩特罗尼拉·吉巴哈(里斯本)

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-04-03 DOI: 10.1080/00397709.2023.2200101

Susan Paun de García

{"title":"Making It Abroad: Bernarda Ramírez (Naples) and Petronila Jibaja (Lisbon)","authors":"Susan Paun de García","doi":"10.1080/00397709.2023.2200101","DOIUrl":"https://doi.org/10.1080/00397709.2023.2200101","url":null,"abstract":"Abstract From earliest times, the life of actors or actresses was a sort of “escaparate” or showcase, always on display. Much like today’s gliteratti, they were both admired and looked down upon. If the acting profession was seen as morally reprehensible in general, the attitude toward women was no less critical. Given social norms that saw the female sex almost exclusively in terms of her body and the female actor in terms of her class, women ought to know their place and keep to it. That actresses were free to look, act, dress, and behave like their “betters” represented a threat to social and moral order, a threat as often condemned from the pulpit as confirmed in the news sources of the time. Nevertheless, then as now, a good scandal—one involving the highest levels of society and carried on abroad—could “make” one’s career. Two examples of “making it” abroad—a hundred years apart—are Bernarda Ramírez (1615?–1662) and Petronila Jibaja (1692–1763). Both were of humble origin, both were admired, favored, and kept by aristocrats abroad, and both returned to Spain with fame and fortune that they were able to maintain until their careers ended.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43039834","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Unstageable Birth of the Crip Galán: Juan Ruiz de Alarcón’s Las paredes oyen Crip Galan的不稳定诞生：Juan Ruiz de Alarcon的La Paredes Oyen

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-04-03 DOI: 10.1080/00397709.2023.2200098

Pablo García Piñar

{"title":"The Unstageable Birth of the Crip Galán: Juan Ruiz de Alarcón’s Las paredes oyen","authors":"Pablo García Piñar","doi":"10.1080/00397709.2023.2200098","DOIUrl":"https://doi.org/10.1080/00397709.2023.2200098","url":null,"abstract":"Abstract Juan Ruiz de Alarcón’s Las paredes oyen is not an ordinary comedia. Its verses portray the embodied and social experience of disability in seventeenth-century Spain from the insider perspective of a disabled person. The play had a successful eighteen-year run in the Habsburg Court of Philip IV, but, paradoxically, it was never performed as Ruiz de Alarcón originally envisioned. Archival evidence shows that the play’s main character, a man with an undisclosed bodily deformity, was consistently portrayed as bodily normative. The present study delves into the logic behind such an intentional omission, ascribing these attitudes toward the staging of deviant corporealities in leading parts to both the principles of dramatic decorum and theater’s financial reliance on the audiences’ preferences. In addition to inviting playgoers to experience life as a person with a disability vicariously, Ruiz de Alarcón’s ultimate intention in Las paredes oyen is to challenge the way in which non-normative bodies were traditionally represented in Golden Age theater. To convey his message, Ruiz de Alarcón bent the rules of decorum in the characterization of the leading man, a departure from the playwriting conventions of the Arte nuevo that led to a bitter dispute with Lope de Vega.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46222729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Painting in Casanova’s Paris 在卡萨诺瓦的巴黎绘画

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-01-02 DOI: 10.1080/00397709.2022.2164655

Rori Bloom

引用次数: 0

The Desertmakers: Travel, War, and the State in Latin America 沙漠人：拉丁美洲的旅行、战争和国家

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-01-02 DOI: 10.1080/00397709.2022.2164661

A. Kaempfer

引用次数: 3

Necropolítica del himen naturalista: virginidad, excedentes de vida y poder soberano en Santa (1903), El hijo del Estado (1884) y El himen en México (1885) 自然处女膜的尸检：圣女（1903年）、国家之子（1884年）和墨西哥处女膜（1885年）的童贞、剩余生命和主权

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-01-02 DOI: 10.1080/00397709.2022.2164658

Carlos Gustavo Halaburda

{"title":"Necropolítica del himen naturalista: virginidad, excedentes de vida y poder soberano en Santa (1903), El hijo del Estado (1884) y El himen en México (1885)","authors":"Carlos Gustavo Halaburda","doi":"10.1080/00397709.2022.2164658","DOIUrl":"https://doi.org/10.1080/00397709.2022.2164658","url":null,"abstract":"Abstract Sexual practices disassociated from the intimate family milieu and its reproductive futures were considered a betrayal against collective national wealth in fin-de-siècle Mexican Naturalism. One of the best-known scenes of the punishment for delitos de incontinencia (sexual incontinency) appears in Santa (1903), a representative urban novel by Federico Gamboa. Santa was perhaps the most widely read fiction about prostitution in early twentieth-century Latin America. At the same time, it had a moralistic agenda that combined medico-legal and religious discourse to stigmatize premarital sex. The novel was not only a literary rendition of sex trafficking in modern Mexico City, it was also a portrayal of the defamation endured by plebeian pregnant women, whose loss of virginity outside marriage left them exposed to sexual exploitation. With an emphasis on the scene of Santa’s miscarriage, this article analyzes the interruption of gestation as a punishment of a sovereign male narrator against the young woman’s premarital sex with her lover, the soldier Marcelino Beltrán. Likewise, I contextualize the novelist’s fixation with virginity and the hymen through a dialogue with a series of texts on obstetrics and legal medicine, which includes the medical treatise El hímen en México (1885) [The Hymen in Mexico] by the pharmacist Francisco A. Flores and the novel El hijo del Estado (1884) [The Son of the State] by Hilarión Frías y Soto.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49502899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Food Studies in Latin American Literature: Perspectives on the Gastronarrative 拉丁美洲文学中的食物研究:美食叙事的视角

IF 0.2 3区文学

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-01-02 DOI: 10.1080/00397709.2022.2164663

Luz Ainaí Morales-Pino

{"title":"Food Studies in Latin American Literature: Perspectives on the Gastronarrative","authors":"Luz Ainaí Morales-Pino","doi":"10.1080/00397709.2022.2164663","DOIUrl":"https://doi.org/10.1080/00397709.2022.2164663","url":null,"abstract":"text, da Cunha’s “essay of national interpretation seeking to offer a historical or social explanation of the specific features that characterize the country’s dynamics” is paradigmatic (214). Uriarte remarks on da Cunha’s references “to the figure of the traveler, the walker, or the observer who roams the region of the sertão,” which in the second part of da Cunha’s book will characterize the Conselheiro himself as a nomadic figure (215). In each case, this traveler’s agency is defined by the challenge of making sense of places conceived as ravaging landscapes, hosting an even more brutal war between the government and local resistances. Uriarte goes back to works he previously analyzed in this study to underline a fluid, mobile, and totalizing reality that needed to be subjected, “organized,” by the state once it is cleaned up from the disruptions caused by the process of transformation and consolidation of the same state (222). The final stage of that organization, however, as Uriarte previously demonstrated with regard to Burton, Hudson, and Moreno—created over the void assured by the war or articulated over a war-like background—becomes the ruins, or the ruined expression of the progress that would come with the war. The initial forces and programs culminating in a long colonial and national construction process would face challenges, both expected and unexpected, over the course of the following century. Uriarte’s book is a great contribution to specialized and non-specialized readers of the XIX Century Latin American literature, history, and political process as well as interdisciplinary approaches to war and national construction processes.","PeriodicalId":45184,"journal":{"name":"SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48558271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1