迭戈sanchez de Badajoz的音乐剧闹剧:canas游戏的意义

IF 0.3 3区文学 N/A LITERATURE

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES Pub Date : 2023-04-03 DOI:10.1080/00397709.2023.2200104

J. Yuri Porras

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引用次数: 0

摘要

摘要伊比利亚早期现代戏剧中的音乐呈现出恢复和连贯语境化的复杂挑战，尤其是在前洛潘戏剧中。Diego Sánchez de Bajadoz值得更多关注，不仅因为他的一些作品以原型zarzuelas的形式运作，还因为他的戏剧属于西班牙神圣戏剧轨迹中的一个衰退周期。这篇文章将聚焦于迭戈·桑切斯如何利用音乐来强化和激励神圣的经文，以恢复其光泽，特别是在《法尔萨》中，交替的维兰西科斯、科普拉、赞美诗、歌唱和舞蹈，将伊比利亚原始和早期现代音乐思想、戏剧结构和表演实践联系起来。

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Diego Sánchez de Badajoz’s Musical Farsas: The Significance of El juego de las cañas

Abstract Music in Iberian early modern theater presents the complex challenge of recovery and coherent contextualization, especially in PreLopean theater. Diego Sánchez de Bajadoz deserves more attention not merely because some of his works operate as proto-zarzuelas but also because his drama pertains to a declining cycle in the trajectory of Spanish sacred theater. This essay will focus on how Diego Sánchez utilized music to intensify and inspirit sacred scripture to reclaim its luster, particularly in Farsa del juego de las cañas, alternating villancicos, coplas, hymns, singing, and dancing that bridged Iberian primitive and early modern musical thought, dramatic structure, and performance practice.

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来源期刊

SYMPOSIUM-A QUARTERLY JOURNAL IN MODERN LITERATURES LITERATURE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Symposium is a quarterly journal of criticism in modern literatures originating in languages other than English. Recent issues include peer-reviewed essays on works by Jorge Luis Borges, Bertolt Brecht, Mikhail Bulgakov, Miguel de Cervantes, Denis Diderot, Fyodor Dostoevsky, Paloma Díaz-Mas, Assia Djebar, Umberto Eco, Franz Kafka, Francis Ponge, and Leonardo Sciascia. Scholars of literature will find research on authors, themes, periods, genres, works, and theory, often through comparative studies. Although primarily in English, some issues include discussions of works in the original language.