COMPARATIVE LITERATURE最新文献_第9页

A Comparative Study on the Representation of “Kyongsong’s Namchon of Japanese and Korean Writers in Colonial Korea 日本与韩国作家在殖民地朝鲜“景松南村”再现的比较研究

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-06-30 DOI: 10.21720/complit87.01

Eun Kwon

引用次数: 0

Georg Simmel’s Commodity and Flaneur: Focusing on “1896 Berliner Gewerbeausstellung” and “Die Großstädte und das Geistesleben” 格奥尔格·西梅尔的生活和房产:

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-06-30 DOI: 10.21720/complit87.02

Hyun ju Min

引用次数: 0

A Communal Future: Through the Degenerative Eugenics and Autoimmune Crisis in Dracula 共同的未来:通过德古拉的退化优生学和自身免疫危机

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-06-30 DOI: 10.21720/complit87.07

Yeeun Park

引用次数: 0

Dancing Monster, Nuclear Power Under Control: Monster from the Deep and Nuclear Power 跳舞的怪物，控制下的核能:来自深海的怪物和核能

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-06-30 DOI: 10.21720/complit87.05

Youngjae Yi

引用次数: 0

Imperfect Solidarities: Tagore, Gandhi, Du Bois, and the Global Anglophone 不完美的团结:泰戈尔、甘地、杜波依斯和全球英语国家

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-03-01 DOI: 10.1215/00104124-9434563

Roanne L. Kantor

引用次数: 2

The Ghazal as “World Poetry”: Between Worlding and Vernacularization 作为“世界诗歌”的伽扎勒:在世界化与白话化之间

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-03-01 DOI: 10.1215/00104124-9434498

S. Grewal

{"title":"The Ghazal as “World Poetry”: Between Worlding and Vernacularization","authors":"S. Grewal","doi":"10.1215/00104124-9434498","DOIUrl":"https://doi.org/10.1215/00104124-9434498","url":null,"abstract":"\u0000 While the ghazal has appeared in many linguistic traditions, its diversity is undermined by the imposition of a singular definition of this genre, which is further compounded by the overly simplistic identification of ghazal as lyric; these lyricized readings of the ghazal as both transhistorical and transnational rely on a discourse of “worlding” as an imperial project of cultural recovery and homogenization. In contrast, this article employs the methodology of historical poetics to argue via a reading of meta-ghazals in Persian, Urdu, and English that reading practices around the ghazal—including definitions of the genre that variously emphasize form versus theme—change according to the historical and geographical context of its circulation. However, by celebrating the ghazal’s travel as seemingly apolitical and/or ahistorical, the discourse of world poetry, particularly in the reception of the ghazals of Agha Shahid Ali, participates in an ongoing imperialism in world literary study. In contrast, we can read the ghazals of Adrienne Rich as exemplifying the tradition of vernacularization that has enabled the ghazal’s movement between languages, such that her work, like the work of historical poetics as a methodology, honors the history of the form’s travel through its appearance in contemporary American English.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"26 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78472341","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The Rendezvous of Victory: Translations of Bandung Humanism 胜利的集合:万隆人文主义的翻译

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-03-01 DOI: 10.1215/00104124-9434485

Adam Spanos

{"title":"The Rendezvous of Victory: Translations of Bandung Humanism","authors":"Adam Spanos","doi":"10.1215/00104124-9434485","DOIUrl":"https://doi.org/10.1215/00104124-9434485","url":null,"abstract":"\u0000 This article tracks the engagement of several twentieth-century writers with a line from Aimé Césaire’s Cahier d’un retour au pays natal (Journal of a Homecoming): “et il est place pour tous au rendez-vous de la conquête” (and there is room for all at the appointed place of conquest; translated by C. L. R. James as “there is a place for all at the rendezvous of victory”). This line came to define an ethics and an aesthetics for the cultural movement that ensued in the wake of the Bandung conference, which brought together heads of state from the third world in pursuit of national independence. In the critical commentaries and artistic engagements with Césaire’s work by James, Frantz Fanon, Nadine Gordimer, and Edward Said, a form of internationalism emerged that was sustained by a common investment in this poetic image. These writers weren’t bound by an identity of interest, however, but rather by the displacements to which they subjected Césaire’s poem through their linguistic, generic, affective, and semantic translations. The essay concludes that Bandung humanism supposed a contingent and revisable understanding of the human and promoted an aesthetic of reworking rather than timeless forms.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"5 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78864234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Can the Concept of God Exist in a Perfectly Logical Language?” Baraka, Wittgenstein, and the Hermeneutics of Counter-Enlightenment “上帝的概念能以完美的逻辑语言存在吗?”巴拉卡，维特根斯坦，和反启蒙的解释学

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-03-01 DOI: 10.1215/00104124-9434550

A. Lewis

{"title":"“Can the Concept of God Exist in a Perfectly Logical Language?” Baraka, Wittgenstein, and the Hermeneutics of Counter-Enlightenment","authors":"A. Lewis","doi":"10.1215/00104124-9434550","DOIUrl":"https://doi.org/10.1215/00104124-9434550","url":null,"abstract":"\u0000 This article looks at the influence of Ludwig Wittgenstein’s early philosophy of language on the Black Arts Movement. Amiri Baraka’s essay / prose poem “Expressive Language” ends with a quotation from Wittgenstein: “Can the concept of God exist in a perfectly logical language?” The problem is that Wittgenstein never wrote this. In tracking the meaning of Baraka’s pseudo ascription, this essay situates Baraka’s early work in the context of midcentury philosophy of language and the linguistic turn. It argues that Baraka’s extensive engagement with the form and thought of Wittgenstein’s Tractatus Logico-Philosophicus is crucially important in Baraka’s narration of his conversion from Beat bohemianism to Black nationalism. Baraka’s argument with Wittgenstein anticipates the concerns of a debate that occurred several years later between Hans Gadamer and Jürgen Habermas. Reading “Expressive Language” and Baraka’s poetry and autobiographical writing alongside the exchanges of the Gadamer-Habermas debate, the essay argues that Baraka’s writings challenge the identification of critique with progressive politics that informs the work of Habermas and Paul Gilroy.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"31 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73680061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pasolini in/and Catalonia: Translation, Minority Languages, and Internationalism 帕索里尼在/和加泰罗尼亚:翻译，少数民族语言和国际主义

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-03-01 DOI: 10.1215/00104124-9434537

J. White

引用次数: 0

Growing Old in Yiddish Modernism: The Case of the Young Yankev Glatshteyn 意第绪现代主义中的变老:年轻的扬基·格拉茨廷的案例

IF 0.1 3区文学

COMPARATIVE LITERATURE Pub Date : 2022-03-01 DOI: 10.1215/00104124-9434511

Sunny S. Yudkoff

{"title":"Growing Old in Yiddish Modernism: The Case of the Young Yankev Glatshteyn","authors":"Sunny S. Yudkoff","doi":"10.1215/00104124-9434511","DOIUrl":"https://doi.org/10.1215/00104124-9434511","url":null,"abstract":"\u0000 This article examines the intersection of the Yiddish modernist Yankev Glatshteyn’s poetics of old age with the cultural politics of language. Specifically, the article draws on Robert Pogue Harrison’s concept of “heterochronicity”—the ability to embody many ages at once—to investigate how a young Yiddish poet textualized old age and age ambiguity in his early work. To do so, the article first investigates the cultural assumptions concerning age in European Yiddish writing circulating toward the end of the nineteenth century and the beginning of the twentieth. It then turns to Glatshteyn’s early work, “Mayne lider” (My Poems), in which the heterochronic management of old age functions as a rejoinder to Glatshteyn’s American Yiddish literary predecessors and as a model of his modernist poetics. Finally, the article turns its attention to Glatshteyn’s 1925 poem “Tsu mayn tsveyhundertyorikn geburtstog” (“On the Occasion of My Two-Hundredth Birthday”), analyzing the text as a tendentious reading of T. S. Eliot and the hierarchy of Yiddish-English difference. To grow old in Yiddish was not simply a biological experience for Glatshteyn. Rather, it was an aesthetic commitment—a mode of writing energized by heterochronic entanglements, intertextual confrontation, and the intersecting age-driven assumptions of Yiddish literature and Anglo-American modernism.","PeriodicalId":45160,"journal":{"name":"COMPARATIVE LITERATURE","volume":"184 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86231297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0