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Group Performance Paradigms in Free Improvisation 自由即兴表演中的群体表演范式
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/S1355771823000092
James Andean
{"title":"Group Performance Paradigms in Free Improvisation","authors":"James Andean","doi":"10.1017/S1355771823000092","DOIUrl":"https://doi.org/10.1017/S1355771823000092","url":null,"abstract":"This article proposes four paradigms of group performance in free improvisation: 1) sound composition; 2) social communication; 3) ‘parallel play’; and 4) ‘one beast with many heads’. While these paradigms are identifiably different, they are often engaged flexibly and/or in combination; and, importantly, it is very possible for the same performance to be experienced or interpreted by different performers or listeners according to different paradigm perspectives. After providing some background and defining key terms, the four paradigms are introduced and discussed; connections with, and departures from, the existing literature are considered, followed by analysis of illustrative examples of each of the four paradigms drawn from the broader field of sonic and electroacoustic improvisation. To conclude, further larger-scale research potential for furthering this investigation is identified.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"106 - 116"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46477080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music 神经综合:当代音乐艺术人类学的方法论
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/S1355771822000371
M. Dyer
{"title":"Neural Synthesis as a Methodology for Art-Anthropology in Contemporary Music","authors":"M. Dyer","doi":"10.1017/S1355771822000371","DOIUrl":"https://doi.org/10.1017/S1355771822000371","url":null,"abstract":"This article investigates the use of machine learning within contemporary experimental music as a methodology for anthropology, as a transformational engagement that might shape knowing and feeling. In Midlands (2019), Sam Salem presents an (auto)ethnographical account of his relationship to the city of Derby, UK. By deriving musical materials from audio generated by the deep neural network WaveNet, Salem creates an uncanny, not-quite-right representation of his childhood hometown. Similarly, in her album A Late Anthology of Early Music Vol. 1: Ancient to Renaissance (2020), Jennifer Walshe uses the neural network SampleRNN to create a simulated narrative of Western art music. By mapping her own voice onto selected canonical works, Walshe presents both an autoethnographic and anthropological reimagining of a musical past and questions practices of historiography. These works are contextualised within the practice and theory of filmmaker-ethnographer Trinh T. Minh-ha and her notion of ‘speaking nearby’. In extension of Tim Ingold’s conception of anthropology, it is shown that both works make collaborative human and non-human inquiries into the possibilities of human (and non-human) life.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"219 - 226"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42503888","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
OSO volume 27 issue 2 Cover and Front matter OSO第27卷第2期封面和封面
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/s135577182300016x
{"title":"OSO volume 27 issue 2 Cover and Front matter","authors":"","doi":"10.1017/s135577182300016x","DOIUrl":"https://doi.org/10.1017/s135577182300016x","url":null,"abstract":"","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":" ","pages":"f1 - f2"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46160114","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Material Media Sonification: Sounding the visibly present artefact 材料媒介声音化：为明显存在的人工制品发声
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/S1355771822000383
Paul Dunham, M. Zareei, Dugal McKinnon, Dale Carnegie
{"title":"Material Media Sonification: Sounding the visibly present artefact","authors":"Paul Dunham, M. Zareei, Dugal McKinnon, Dale Carnegie","doi":"10.1017/S1355771822000383","DOIUrl":"https://doi.org/10.1017/S1355771822000383","url":null,"abstract":"The fields of media archaeology and data sonification have not been without contestation regarding means and methods. However, in combination, these fields present an opportunity for a novel approach to the creation of media archaeologically informed sound-based art. This article discusses the artistic use of data sonification techniques and the need to balance the musification of data while maintaining a sense of the underlying data. The use of data sonification techniques within media archaeology to facilitate the organisation of sound is briefly discussed. A framework is presented for utilising data sonification to facilitate the organisation of sound within the lens of media archaeology inquiry. Such an approach provides a novel method in media archaeologically informed sound-based art that utilises the sound of the artefact as a method of expression between genealogically related forms of media. A sound installation developed by the authors is presented that critically examines the use of, and gives concrete form to, the framework and the ideas established in this article.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"243 - 253"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48587166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jane Grant , John Matthias and David Prior (eds.), The Oxford Handbook of Sound Art. Oxford: Oxford University Press, 2021. ISBN: 9780190274054. 简·格兰特，约翰·马蒂亚斯和大卫·普里尔(编)，牛津声音艺术手册。牛津:牛津大学出版社，2021。ISBN: 9780190274054。
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/s1355771823000031
Robindra Parmar
{"title":"Jane Grant , John Matthias and David Prior (eds.), The Oxford Handbook of Sound Art. Oxford: Oxford University Press, 2021. ISBN: 9780190274054.","authors":"Robindra Parmar","doi":"10.1017/s1355771823000031","DOIUrl":"https://doi.org/10.1017/s1355771823000031","url":null,"abstract":"","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"254 - 256"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44914944","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama 金尚泰、洪楚木、秋山哲子即兴电声音乐中的手势与织体
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/S1355771823000067
Lauri Hyvärinen
{"title":"Gesture and Texture in the Electroacoustic Improvised Music of Jin Sangtae, Hong Chulki and Tetuzi Akiyama","authors":"Lauri Hyvärinen","doi":"10.1017/S1355771823000067","DOIUrl":"https://doi.org/10.1017/S1355771823000067","url":null,"abstract":"This article will examine the music of two improvisation scenes – Seoul’s ‘Dotolim’ and Tokyo’s onkyô – with a particular focus on their use of gesture and texture. The article centres on an analysis of a trio performance by Jin Sangtae, Hong Chulki and Tetuzi Akiyama, which effectively brings these two musical communities together in a collaborative performance. This analysis demonstrates that focusing on gesture and texture can help in perceiving essential aspects of an improvised performance, including understanding strategic modes of listening and interplay, musical structural developments (both micro and macro) as well as identifying applied roles of instrumental technique and approach.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"156 - 163"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45823396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback). M、克拉克、F.Dufeu和P.Manning，《计算机音乐内部》。纽约：牛津大学出版社，2020年。ISBN 9780190659653（平装本）。
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/S1355771823000043
Ambrose Seddon
{"title":"M. Clarke, F. Dufeu and P. Manning, Inside Computer Music. New York: Oxford University Press, 2020. ISBN 9780190659653 (paperback).","authors":"Ambrose Seddon","doi":"10.1017/S1355771823000043","DOIUrl":"https://doi.org/10.1017/S1355771823000043","url":null,"abstract":"","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"257 - 263"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46458422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585. 乔纳森·佩普特(编)，声音工作:组成作为关键的技术实践。鲁汶:鲁汶大学出版社，2021。ISBN: 9789462702585。
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/s1355771823000055
James Mooney
{"title":"Jonathan Impett (ed.), Sound Work: Composition as Critical Technical Practice. Leuven: Leuven University Press, 2021. ISBN: 9789462702585.","authors":"James Mooney","doi":"10.1017/s1355771823000055","DOIUrl":"https://doi.org/10.1017/s1355771823000055","url":null,"abstract":"","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"264 - 266"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45529679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sound and video examples – issue 27 (2) 声音和视频示例-第27期(2)
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/s1355771822000425
{"title":"Sound and video examples – issue 27 (2)","authors":"","doi":"10.1017/s1355771822000425","DOIUrl":"https://doi.org/10.1017/s1355771822000425","url":null,"abstract":"","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"270 - 271"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47081900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction 创造机器人代理的语言：人机交互中电声音乐的愿景
IF 0.6 3区 艺术学
Organised Sound Pub Date : 2022-08-01 DOI: 10.1017/S1355771822000358
F. Robinson, Mari Velonaki, O. Bown
{"title":"Crafting the Language of Robotic Agents: A vision for electroacoustic music in human–robot interaction","authors":"F. Robinson, Mari Velonaki, O. Bown","doi":"10.1017/S1355771822000358","DOIUrl":"https://doi.org/10.1017/S1355771822000358","url":null,"abstract":"This article discusses the role of electroacoustic music practice in the context of human–robot interaction (HRI), illustrated by the first author’s work creating the sonic language of interactive robotic artwork Diamandini. It starts with a discussion of the role of sound in social robotics and surveys various notable conceptual approaches to robot sound. The central thesis of the article is that electroacoustic music can provide a valuable source of aesthetic considerations and creative practice for the creation of richer and more refined sonic HRIs by giving practitioners new ways to create believable sounding objects, to convey fiction, agency and animacy, and to communicate causality in auditory feedback. To demonstrate this, the authors describe the rationale for treating robot sound design as a compositional process and discuss the implications of the endeavour’s non-linear and site-specific nature. These considerations are illustrated using sound examples and design decisions made throughout the creation process of the robotic artwork. The authors conclude with observations on how the compositional process is affected by this particular application context.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"206 - 218"},"PeriodicalIF":0.6,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43469860","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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