Material Media Sonification: Sounding the visibly present artefact

IF 0.2 3区 艺术学 0 MUSIC
Paul Dunham, M. Zareei, Dugal McKinnon, Dale Carnegie
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引用次数: 0

Abstract

The fields of media archaeology and data sonification have not been without contestation regarding means and methods. However, in combination, these fields present an opportunity for a novel approach to the creation of media archaeologically informed sound-based art. This article discusses the artistic use of data sonification techniques and the need to balance the musification of data while maintaining a sense of the underlying data. The use of data sonification techniques within media archaeology to facilitate the organisation of sound is briefly discussed. A framework is presented for utilising data sonification to facilitate the organisation of sound within the lens of media archaeology inquiry. Such an approach provides a novel method in media archaeologically informed sound-based art that utilises the sound of the artefact as a method of expression between genealogically related forms of media. A sound installation developed by the authors is presented that critically examines the use of, and gives concrete form to, the framework and the ideas established in this article.
材料媒介声音化:为明显存在的人工制品发声
媒体考古学和数据声学领域在手段和方法方面并非没有争议。然而,这些领域结合在一起,为创造基于媒体考古的声音艺术提供了一种新的方法。本文讨论了数据声音化技术的艺术使用,以及在保持对底层数据的感知的同时平衡数据的沉思的必要性。简要讨论了在媒体考古学中使用数据声波处理技术来促进声音的组织。提出了一个框架,用于利用数据声波处理来促进媒体考古调查视角下的声音组织。这种方法在基于媒体考古的声音艺术中提供了一种新颖的方法,利用文物的声音作为与谱系相关的媒体形式之间的表达方法。作者开发了一个声音装置,批判性地检查了本文中建立的框架和思想的使用,并给出了具体的形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
38
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