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Plastic MatterPlastic Legacies: Pollution, Persistence, and Politics 塑料遗产:污染、持久性和政治
4区 艺术学
Journal of Design History Pub Date : 2023-01-28 DOI: 10.1093/jdh/epac054
Damla Tonuk
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引用次数: 0
Designing Modern Japan 设计现代日本
4区 艺术学
Journal of Design History Pub Date : 2023-01-24 DOI: 10.1093/jdh/epac053
Michelle L Hauk
{"title":"Designing Modern Japan","authors":"Michelle L Hauk","doi":"10.1093/jdh/epac053","DOIUrl":"https://doi.org/10.1093/jdh/epac053","url":null,"abstract":"The design disciplines that Teasley addresses in her book—such as graphic and product design—took root in the wake of the Meiji-era (1868–1912), when social, political, and economic transformations upended local cottage industries and prompted the makers of luxury and craft goods to consider how to apply existing design and production practices to make new types of objects for new markets, both at home and overseas. The Arita vases displayed at the Philadelphia Centennial Exposition of 1876, for example, exemplified high technical skill while also promoting a particular image of “Japan” that responded to Western tastes. Artisans across various industries, from ceramics to textiles to lacquerware, began to shift their attention to Western markets and expand their product lines (to include such things as lacquered hairbrushes and glove boxes), developing new patterns, motifs, and color palettes and experimenting with new production techniques and technologies.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136197864","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Balenciaga, licensee of Maison Vionnet 巴黎世家，Vionnet之家的授权商
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-12-05 DOI: 10.1093/jdh/epac046
Ana Balda
{"title":"Balenciaga, licensee of Maison Vionnet","authors":"Ana Balda","doi":"10.1093/jdh/epac046","DOIUrl":"https://doi.org/10.1093/jdh/epac046","url":null,"abstract":"Cristóbal Balenciaga’s initial period in Spain (1917–1936), when he was working to develop himself as a couturier and consolidate his business in the luxury sector, is less known than his Parisian period (1937–1968), due to the scarcity of available information. This article analyses the designer as a buyer of haute couture licenses during that initial period. His biographers claim that in the early years of his professional development Balenciaga would attend to the presentations of prestigious French Maisons where he acquired pieces that he later sold in his establishment in San Sebastián, and that he studied to improve his own technique. Among these Maisons is that of Madeleine Vionnet. However, the restrictive licensing policy applied by the French couturière, puts in doubt the idea that Balenciaga had once been authorized to acquire pieces from her collections. Based on research in the archives of the Musée des Arts Décoratifs, the Bibliothèque Historique de la Ville de Paris and the Archives de Paris, and in the Spanish, French and North American press published between 1920 and 1930, this article provides new findings that confirm the existence of just such a commercial relationship. It reveals when it emerged, specifies which Vionnet pieces Balenciaga acquired and studies the influence of Vionnet’s technique and aesthetics on some of the Basque couturier’s creations prior to his establishment in Paris.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":"70 3","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138512361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Craftworkers in Nineteenth-Century Scotland: Making and Adapting in an Industrial Age 19世纪苏格兰的工匠:工业时代的制作与适应
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-11-16 DOI: 10.1093/jdh/epac044
T. Fisher
{"title":"Craftworkers in Nineteenth-Century Scotland: Making and Adapting in an Industrial Age","authors":"T. Fisher","doi":"10.1093/jdh/epac044","DOIUrl":"https://doi.org/10.1093/jdh/epac044","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-11-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48132111","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Design and Modernity in Asia: National Identity and Transnational Exchange 1945–1990 亚洲的设计与现代性:1945-1990年的民族认同与跨国交流
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-10-25 DOI: 10.1093/jdh/epac040
D. Huppatz
{"title":"Design and Modernity in Asia: National Identity and Transnational Exchange 1945–1990","authors":"D. Huppatz","doi":"10.1093/jdh/epac040","DOIUrl":"https://doi.org/10.1093/jdh/epac040","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-10-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42681859","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: the Bauhaus centennial and design history 简介：包豪斯百年与设计史
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-09-13 DOI: 10.1093/jdh/epac036
J. Aynsley, Esther Cleven
{"title":"Introduction: the Bauhaus centennial and design history","authors":"J. Aynsley, Esther Cleven","doi":"10.1093/jdh/epac036","DOIUrl":"https://doi.org/10.1093/jdh/epac036","url":null,"abstract":"\u0000 The Bauhaus is possibly the most famous school of art, design, and architecture of the first half of the twentieth century. It holds an enduring reputation as one of the most influential sources for the origins of modern design. In response to the centenary of its foundation in 1919, this special issue offers critical perspectives on the school’s reputation from a range of international scholars. The Introduction reviews selected events and publications planned to coincide with the Bauhaus 100 anniversary year in order to place them in relation to broader developments within design history. The three articles consider how the identities, reputation, and legacies of the Bauhaus were constructed, both at the time of its existence and in the years following its closure. As a further record of the impact of this centenary, we include a Selected Bibliography drawn from the international attention given to the Bauhaus in its anniversary year, as well as Book Reviews devoted to some of the most significant publications from 2019.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-09-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48208929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–1650 开明的折衷主义:诺森伯兰郡第一公爵和公爵夫人的宏伟设计伦敦的“黄金地带”斯特兰德的大房子，1550-1650
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-09-08 DOI: 10.1093/jdh/epac037
Helen McCormack
{"title":"Enlightened Eclecticism: The Grand Design of the 1st Duke and Duchess of NorthumberlandLondon’s ‘Golden Mile’ The Great Houses of the Strand, 1550–1650","authors":"Helen McCormack","doi":"10.1093/jdh/epac037","DOIUrl":"https://doi.org/10.1093/jdh/epac037","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-09-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42177809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Moroccan” Artek—Colonized Textiles within 1930s Modernist Interiors 1930年代现代主义室内的“摩洛哥”artek殖民纺织品
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-09-03 DOI: 10.1093/jdh/epac035
Daniele Burlando
{"title":"“Moroccan” Artek—Colonized Textiles within 1930s Modernist Interiors","authors":"Daniele Burlando","doi":"10.1093/jdh/epac035","DOIUrl":"https://doi.org/10.1093/jdh/epac035","url":null,"abstract":"\u0000 Shortly after opening in 1936, the Finnish interior design company Artek organized two exhibitions in Helsinki: a model apartment showroom and a display within its shop, both involving a substantial presence of Amazigh carpets from the French protectorate of Morocco. This article analyses these rugs within Artek identifying them as “colonized textiles.” This proposed concept aims to highlight textiles within the appropriation of non-Western cultural fragments by structures of imperialism and coloniality, while parallelly problematizing the inclusion of Amazigh rugs within architectural modernism. The movement of Amazigh rugs from Morocco to Finland, and their transition from Amazigh communities to European modernist interiors, are described through key events and exhibitions from the interwar era. The involvement of Artek actors and the process leading to the founding of Artek are highlighted within this context. Exhibitions are presented as a stage for the interaction of discourses on modernism and imperialism, and for the reiteration of constructed narrations directed by élite circles, supporting the appropriation and commodification of colonized textiles in Europe. Political agendas of cultural supervision within the French protectorate of Morocco are described while situating Amazigh rugs in this context. Parallelly, the relevance of textiles is highlighted within discussions on architectural modernism.","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45011692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Radical Pedagogies 激进的教育学
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-08-29 DOI: 10.1093/jdh/epac031
J. Dyer
{"title":"Radical Pedagogies","authors":"J. Dyer","doi":"10.1093/jdh/epac031","DOIUrl":"https://doi.org/10.1093/jdh/epac031","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45187535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
African Motors: Technology, Gender and the History of Development 非洲汽车:技术、性别和发展史
IF 0.2 4区 艺术学
Journal of Design History Pub Date : 2022-08-19 DOI: 10.1093/jdh/epac032
L. Vinsel
{"title":"African Motors: Technology, Gender and the History of Development","authors":"L. Vinsel","doi":"10.1093/jdh/epac032","DOIUrl":"https://doi.org/10.1093/jdh/epac032","url":null,"abstract":"","PeriodicalId":45088,"journal":{"name":"Journal of Design History","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44118700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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