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JOURNAL OF MUSIC THEORY最新文献

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A Study on the characteristics of genre and musical language of Schubert's Singspiel: focused on Die Zwillingsbrüder, D.647 舒伯特《独唱》体裁特征与音乐语言研究——以《意志之歌》为中心，D.647
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-12-31 DOI: 10.36364/jmt.33.1
Hosung Cha
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引用次数: 0
Music within the Music: Frame Story in Chopin’s Music 音乐中的音乐:肖邦音乐的框架故事
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-12-31 DOI: 10.36364/jmt.33.2
Heewon Chung
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引用次数: 0
A Study on Technology and Artificial Intelligence Applied to Music Production 技术与人工智能在音乐制作中的应用研究
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-12-31 DOI: 10.36364/jmt.33.4
Park, Jae-Rock
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引用次数: 1
A process of extending dominant harmony in respect to discordance between harmony and design 在和谐与设计之间的不协调中扩展主导和谐的过程
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-12-31 DOI: 10.36364/jmt.33.3
N. Lee
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引用次数: 0
Hearing Harmony: Toward a Tonal Theory for the Rock Era by Christopher Doll 听和谐:走向摇滚时代的调性理论克里斯托弗·多尔
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-10-01 DOI: 10.1215/00222909-7795200
N. Adam
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引用次数: 1
Toward a Theory of Recapitulatory Tonal Alterations 再现性调性变化理论探讨
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-10-01 DOI: 10.1215/00222909-7795269
J. Guez
{"title":"Toward a Theory of Recapitulatory Tonal Alterations","authors":"J. Guez","doi":"10.1215/00222909-7795269","DOIUrl":"https://doi.org/10.1215/00222909-7795269","url":null,"abstract":"Despite differences in critical alignment, epistemological underpinnings, and reportorial coverage, studies of sonata forms nevertheless tend to share one feature: they devote the least amount of space to recapitulations. Two presuppositions might explain this neglect: (1) the recapitulation is an exact (or near-exact) restatement of the exposition’s thematic materials, and (2) it takes but one tonal alteration (or “adjustment”) of these materials to make a recapitulation conclude in the key in which it began. This article aims to examine the second of these presuppositions in hopes of painting a more complete and analytically adequate picture of actual practices. Its goals are, first, to give an idea of the range of strategies available to composers of the eighteenth and nineteenth centuries and, second, to show how familiarity with these strategies can open a space for new interpretations of formal drama and the plotting of narrative. The central analytic section of the article presents a taxonomy of six compositional strategies for making tonal alterations: alterations in silence, immediate alterations, thick alterations, multiple alterations, alterations without adjustment, and self-effacing alterations.","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"18 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85751777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Generic (Mod-7) Voice-Leading Spaces 通用(Mod-7)语音引导空间
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-10-01 DOI: 10.1215/00222909-7795257
Leah Frederick
{"title":"Generic (Mod-7) Voice-Leading Spaces","authors":"Leah Frederick","doi":"10.1215/00222909-7795257","DOIUrl":"https://doi.org/10.1215/00222909-7795257","url":null,"abstract":"This article constructs generic voice-leading spaces by combining geometric approaches to voice leading with diatonic set theory. Unlike the continuous mod-12 spaces developed by Callender, Quinn, and Tymoczko, these mod-7 spaces are fundamentally discrete. The mathematical properties of these spaces derive from the properties of diatonic pitch-class sets and generic pitch spaces developed by Clough and Hook. After presenting the construction of these voice-leading spaces and defining the OPTIC relations in mod-7 space, this article presents the mod-7 OPTIC-, OPTI-, OPT-, and OP-spaces of two- and three-note chords. The final section of the study shows that, although the discrete mod-7 versions of these lattices appear quite different from their continuous mod-12 counterparts, the topological space underlying each of these graphs depends solely on the number of notes in the chords and the particular OPTIC relations applied.","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"52 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90781268","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Foundations of Musical Grammar by Lawrence Zbikowski 劳伦斯·兹比科夫斯基的《音乐语法基础》
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-10-01 DOI: 10.1215/00222909-7795212
J. Bourne
{"title":"Foundations of Musical Grammar by Lawrence Zbikowski","authors":"J. Bourne","doi":"10.1215/00222909-7795212","DOIUrl":"https://doi.org/10.1215/00222909-7795212","url":null,"abstract":"","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"7 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74777419","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hemiolic Metric Space in Afro-Diasporic Popular Musics 非洲流散流行音乐中的抽血韵律空间
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-10-01 DOI: 10.1215/00222909-7795281
Stephen J. Guerra
{"title":"Hemiolic Metric Space in Afro-Diasporic Popular Musics","authors":"Stephen J. Guerra","doi":"10.1215/00222909-7795281","DOIUrl":"https://doi.org/10.1215/00222909-7795281","url":null,"abstract":"Pitch spaces such as the circle of fifths model change through time in a composition, recording, or improvisation. Metric spaces theorized over the past twenty years do the same for changes (notated or not) in meter. Trajectories in either space and their potentially reinforcing or conflicting relationships contribute to deeper interpretations of musical form. None of the metric spaces proposed to date is well suited to Afrodiasporic popular musics, which characteristically tend to pose regularly uneven metric foregrounds against rigid and recursively even metric backgrounds. This article introduces a new metric space specifically applicable to such repertoires. The article opens with a brief review of existing metric spaces. Part 1 is an exploratory metric analysis of Afro-Brazilian guitarist Baden Powell’s 1967 recording of “Canto de Xangô,” which motivates the theoretical developments of part 2. Part 3 is a short analysis of his 1963 recording of “Sorongaio” that demonstrates both how hemiolic metric space can newly be analyzed in pure-duple environments and how this metric space can be isomorphic with pitch space.","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"12 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79747355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Liquidation and Its Origins 清算及其起源
IF 1.4 1区 艺术学
JOURNAL OF MUSIC THEORY Pub Date : 2019-04-01 DOI: 10.1215/00222909-7320474
Áine Heneghan
{"title":"Liquidation and Its Origins","authors":"Áine Heneghan","doi":"10.1215/00222909-7320474","DOIUrl":"https://doi.org/10.1215/00222909-7320474","url":null,"abstract":"","PeriodicalId":45025,"journal":{"name":"JOURNAL OF MUSIC THEORY","volume":"58 1","pages":""},"PeriodicalIF":1.4,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85241190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
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