MUSIC THEORY SPECTRUM最新文献

筛选
英文 中文
OUP accepted manuscript OUP接受稿件
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2021-01-01 DOI: 10.1093/mts/mtab011
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/mts/mtab011","DOIUrl":"https://doi.org/10.1093/mts/mtab011","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":"36 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"61150673","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
OUP accepted manuscript OUP接受稿件
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2021-01-01 DOI: 10.1093/mts/mtab016
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/mts/mtab016","DOIUrl":"https://doi.org/10.1093/mts/mtab016","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":"1 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"61150733","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
OUP accepted manuscript OUP接受稿件
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2021-01-01 DOI: 10.1093/mts/mtab012
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/mts/mtab012","DOIUrl":"https://doi.org/10.1093/mts/mtab012","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":"1 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"61150720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
OUP accepted manuscript OUP接受稿件
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2021-01-01 DOI: 10.1093/mts/mtab008
{"title":"OUP accepted manuscript","authors":"","doi":"10.1093/mts/mtab008","DOIUrl":"https://doi.org/10.1093/mts/mtab008","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":"1 1","pages":""},"PeriodicalIF":1.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"61150599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the Nonindependent Parts of Time-Consciousness: Husserl’s Early Phenomenological Investigations and the Perception of Melody 论时间意识的非独立部分:胡塞尔的早期现象学研究与旋律感知
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2020-12-22 DOI: 10.1093/mts/mtaa022
Jessica Wiskus
{"title":"On the Nonindependent Parts of Time-Consciousness: Husserl’s Early Phenomenological Investigations and the Perception of Melody","authors":"Jessica Wiskus","doi":"10.1093/mts/mtaa022","DOIUrl":"https://doi.org/10.1093/mts/mtaa022","url":null,"abstract":"\u0000 Drawing upon Edmund Husserl’s Logical Investigations, I apply the laws of mereology—the study of parts and wholes—to the analysis of time-consciousness in his On the Phenomenology of the Consciousness of Internal Time (1893–1917), arguing that Husserl’s phenomenological solution to problems raised by empirical psychology in the late nineteenth century concerning the relation between subject and object was inspired by a rethinking of the notion of intentionality in terms of an extensional whole. Turning, then, to descriptions from Husserl’s careful analyses of tone and melody in On the Phenomenology of the Consciousness of Internal Time (1893–1917), I claim that melody’s structure of expression pertains specifically to retention (which I distinguish from recollection) as a nonindependent part of a flowing whole. This mereologic reformulation helps us think through the problem of how a melody is perceived in time. Furthermore, I show how, according to Husserl, there is a unity of the sensation of “tone” and the “flow of consciousness,” and I argue that by understanding this unity as a whole of nonindependent parts, we grasp a significant insight that illuminates phenomenology’s overall aim of considering the evidence of empirical science together with the formal laws of logic.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":" ","pages":""},"PeriodicalIF":1.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/mts/mtaa022","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45070728","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Perceiving the Mosaic: Form in the Mashups of DJ Earworm 感知马赛克:DJ Earworm的混搭形式
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2020-12-18 DOI: 10.1093/mts/mtaa016
J. Yunek, Benjamin K. Wadsworth, S. Needle
{"title":"Perceiving the Mosaic: Form in the Mashups of DJ Earworm","authors":"J. Yunek, Benjamin K. Wadsworth, S. Needle","doi":"10.1093/mts/mtaa016","DOIUrl":"https://doi.org/10.1093/mts/mtaa016","url":null,"abstract":"\u0000 The formal analysis of mashups is generally overlooked because their structures are assumed to be derived from one or more of their component tracks. This article explores the generation of original formal structures in one of the most well-known and complex mashup artists, DJ Earworm. We show that the form of his mashups can neither be derived from a singular work nor be analyzed by their thematic or harmonic construction. Instead, verse–chorus forms are revealed by correlating mashup sections to the formal origins of their borrowed material, which is based on the composer’s writings and interviews, a history of formal correlation in the mashup genre, and multiple analyses.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":" ","pages":""},"PeriodicalIF":1.0,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/mts/mtaa016","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46253122","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Foundations of Musical Grammar. By Lawrence M. Zbikowski 音乐语法基础。劳伦斯·m·兹比科夫斯基著
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2020-12-12 DOI: 10.1093/mts/mtaa024
M. Reybrouck
{"title":"Foundations of Musical Grammar. By Lawrence M. Zbikowski","authors":"M. Reybrouck","doi":"10.1093/mts/mtaa024","DOIUrl":"https://doi.org/10.1093/mts/mtaa024","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":" ","pages":""},"PeriodicalIF":1.0,"publicationDate":"2020-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/mts/mtaa024","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43689406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music, Analysis, and the Body: Experiments, Explorations, and Embodiments. Edited by Nicholas Reyland and Rebecca Thumpston 音乐,分析和身体:实验,探索和体现。Nicholas Reyland和Rebecca Thumpston编辑
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2020-12-12 DOI: 10.1093/mts/mtaa023
C. Trevor
{"title":"Music, Analysis, and the Body: Experiments, Explorations, and Embodiments. Edited by Nicholas Reyland and Rebecca Thumpston","authors":"C. Trevor","doi":"10.1093/mts/mtaa023","DOIUrl":"https://doi.org/10.1093/mts/mtaa023","url":null,"abstract":"","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":" ","pages":""},"PeriodicalIF":1.0,"publicationDate":"2020-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45547857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works 斯特拉文斯基新古典主义作品中的修辞互动与表现诠释
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2020-11-13 DOI: 10.1093/mts/mtaa015
S. C. Schumann
{"title":"Tropological Interaction and Expressive Interpretation in Stravinsky’s Neoclassical Works","authors":"S. C. Schumann","doi":"10.1093/mts/mtaa015","DOIUrl":"https://doi.org/10.1093/mts/mtaa015","url":null,"abstract":"\u0000 A striking feature of Stravinsky’s neoclassical works is his simultaneous use of two or more topics. Robert S. Hatten (2014) has defined this process as troping, which involves four axes or “dimensions along which an imported topic and its potential tropological interaction may be marked with respect to its new environment,” defined as degrees of compatibility, dominance, creativity, and productivity. In this article, I use these four axes to demonstrate how combining analytical insights from each axis and adapting them for twentieth-century music can lead to nuanced expressive interpretations of Stravinsky’s neoclassical works.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":" ","pages":""},"PeriodicalIF":1.0,"publicationDate":"2020-11-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/mts/mtaa015","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42708007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Triad in Dispute: Johannes Lippius, His Audiences, and the Disputatio Genre 争议中的三合会:约翰内斯·利皮乌斯、他的观众和争议流派
IF 1 1区 艺术学
MUSIC THEORY SPECTRUM Pub Date : 2020-10-01 DOI: 10.1093/mts/mtaa008
Caleb Mutch
{"title":"The Triad in Dispute: Johannes Lippius, His Audiences, and the Disputatio Genre","authors":"Caleb Mutch","doi":"10.1093/mts/mtaa008","DOIUrl":"https://doi.org/10.1093/mts/mtaa008","url":null,"abstract":"\u0000 The reception of Johannes Lippius’s path-breaking conception of the triad chiefly relies upon his treatise Synopsis musicae novae. Yet Lippius first published most of his ideas in texts called “disputations,” whose genre-specific peculiarities have been overlooked. By situating Lippius’s writings within the early-modern university system, this essay reveals an important instance of how demands of audience and genre have shaped music theory and offers tantalizing glimpses of how the oral disputation may have encouraged Lippius to clarify his ideas, particularly in his recasting of the analogy between the triad and the Trinity.","PeriodicalId":44994,"journal":{"name":"MUSIC THEORY SPECTRUM","volume":"42 1","pages":"247-259"},"PeriodicalIF":1.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1093/mts/mtaa008","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45428297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信