争议中的三合会：约翰内斯·利皮乌斯、他的观众和争议流派

IF 1.6 1区艺术学 0 MUSIC

MUSIC THEORY SPECTRUM Pub Date : 2020-10-01 DOI:10.1093/mts/mtaa008

Caleb Mutch

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引用次数: 1

摘要

约翰内斯·利皮乌斯开创性的三和弦概念的接受主要依赖于他的论文《新音乐概要》。然而，里皮乌斯最初将他的大部分观点发表在名为“争论”的文本中，这些文本的特定流派被忽视了。本文将李的作品置于现代早期的大学体系中，揭示了观众和流派的需求如何塑造音乐理论的一个重要例子，并提供了一个诱人的一瞥，让我们看到口头争论是如何鼓励李澄清自己的想法的，特别是在他重新塑造三和弦和三位一体之间的类比时。

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The Triad in Dispute: Johannes Lippius, His Audiences, and the Disputatio Genre

The reception of Johannes Lippius’s path-breaking conception of the triad chiefly relies upon his treatise Synopsis musicae novae. Yet Lippius first published most of his ideas in texts called “disputations,” whose genre-specific peculiarities have been overlooked. By situating Lippius’s writings within the early-modern university system, this essay reveals an important instance of how demands of audience and genre have shaped music theory and offers tantalizing glimpses of how the oral disputation may have encouraged Lippius to clarify his ideas, particularly in his recasting of the analogy between the triad and the Trinity.

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来源期刊

MUSIC THEORY SPECTRUM MUSIC-

CiteScore

2.30

自引率

20.00%

发文量

期刊介绍： A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.