Japanese StudiesPub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108778
T. Iles
{"title":"Ghost in the Well: The Hidden History of Horror Films in Japan","authors":"T. Iles","doi":"10.1080/10371397.2022.2108778","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108778","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"215 - 216"},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44010875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-05-04DOI: 10.1080/10371397.2022.2101991
Daryl Jamieson
{"title":"Spirit of Place: Zeami’s Tōru and the Poetic Manifestation of Mugen","authors":"Daryl Jamieson","doi":"10.1080/10371397.2022.2101991","DOIUrl":"https://doi.org/10.1080/10371397.2022.2101991","url":null,"abstract":"Abstract Zeami Motokiyo was one of nō’s most important theorists and practitioners, and mugen nō one of his most sophisticated innovations. Using the play Tōru as a model, this article explores how Zeami’s nō utilised waka theory and Buddhist aesthetics that were current in his time. I will particularly focus on his use of utamakura, a poetic device of intertextual allusion via place names. In the second part of the article I will analyse Tōru’s text and music through the lens of Kyoto School philosopher Ueda Shizuteru’s theory of language. In positioning poetic spirits of place on stage, Zeami shows the power of language to manifest something like conventional reality. When watching mugen nō, the music and poetry combine to create a place wherein the audience shares the aesthetic-spiritual experience of the spirit of place manifesting in our communal mind. His staging of the opening up of the hollow expanse is the beauty of Zeami’s art.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"137 - 153"},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43410079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108776
E. Williams
{"title":"Desire and the Construction of Masculine Identities Among Young Japanese Men with International Experiences","authors":"E. Williams","doi":"10.1080/10371397.2022.2108776","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108776","url":null,"abstract":"Abstract This article uses qualitative interview data to analyse how young Japanese men with international experience spoke about (un)desirable masculine identities in relation to their sojourns. Specifically, this study investigates how ideas of desire and akogare (longing for something unattainable) were integral in the construction of ethno-national Japanese heterosexual male identities. By analysing intersections of race, ethnicity, gender, language and desire, this study argues that many participants perceived a hierarchy of desire abroad that elevated Western notions of hegemonic masculinity while simultaneously marginalizing heterosexual Asian masculinity. This was further complicated by participants who viewed host community women (who were often described as white native English speakers) as embodying ideal femininity. Japanese men’s subordinate masculinity was viewed as a barrier to romantic access to host community women, although for many participants, this group of women were seen as desirable romantic partners. This study also presents the stories of a small group of men who resisted marginalized masculine identities through criticism of the women in their host communities by assigning them a deviant femininity. This article illustrates how romantic desire can be used as a lens to analyse how Japanese male returned sojourners may replicate and challenge racial and gendered power structures.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"175 - 193"},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46032426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108777
F. Gygi
{"title":"Falling in and Out of Love with Stuff: Affective Affordance and Horizontal Transcendence in Styles of Decluttering in Japan","authors":"F. Gygi","doi":"10.1080/10371397.2022.2108777","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108777","url":null,"abstract":"Abstract The last decade has seen the rise of Japanese methods of decluttering, adding everyday stuff to the increasing number of things that the modern subject must manage to gain a sense of wellbeing. This article examines Danshari by Yamashita Hideko and the Konmari method by Kondō Marie. Using the ‘affective affordances’ of objects as an analytic lens, I will argue that paying attention to everyday practices of decluttering reveals a close connection between material landscapes, gendered subjectivities and competing ethics of personhood. These connections only become visible when we put the decluttering methods in the context of the gendered expectations regarding attachment towards objects and their care in domestic work. Objects serve as an integral part of the affective regulation of everyday life; their careful or wasteful treatment is closely linked with ethical consumption and moral personhood. Attachments to objects and injunctions against wastefulness make ridding a morally fraught task. By contrasting a close reading of the two methods with insights gained from fieldwork on everyday disposal, I will trace the ways in which affect is mobilized in order to get rid of things and put this in the broader context of consumer capitalism in twenty-first century Japan.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"195 - 212"},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47144490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-05-04DOI: 10.1080/10371397.2022.2096582
W. Puck Brecher
{"title":"From Country to Nation: Ethnographic Studies, Kokugaku, and Spirits in Nineteenth-Century Japan","authors":"W. Puck Brecher","doi":"10.1080/10371397.2022.2096582","DOIUrl":"https://doi.org/10.1080/10371397.2022.2096582","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"213 - 215"},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46645789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-05-04DOI: 10.1080/10371397.2022.2092462
Lim Beng Choo, Julie A. Iezzi
{"title":"Techno-Tradition: A Foray into Technology-Integrated Traditional Japanese Theatre","authors":"Lim Beng Choo, Julie A. Iezzi","doi":"10.1080/10371397.2022.2092462","DOIUrl":"https://doi.org/10.1080/10371397.2022.2092462","url":null,"abstract":"Abstract Traditional Japanese theatre is a broad category that usually refers to noh, kyōgen, kabuki and bunraku. These genres formed from the fourteenth through seventeenth centuries, and are still regularly performed. Despite the many significant roles of technologies in these genres today, their increasing presence in the genres and myriad manifestations are seldom discussed. This article is an initial examination of the presence and significance of new technologies and new media in the traditional Japanese theatre ecology, focusing on developments in the past two decades including the staging of a ‘fusion noh’ with holograms as performers, to the later kabuki and bunraku plays performed with vocaloid, as well as Virtual Reality noh. By examining select case studies and focusing on the technological aspects of traditional theatre, we hope to bring focus to a critical development in traditional Japanese theatre and open further discussions about this phenomenon. We also wish to widen discussions regarding the parameters delineating what constitutes ‘traditional’ when speaking of Japanese theatre genres.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"155 - 174"},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44247404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-05-04DOI: 10.1080/10371397.2022.2108779
R. Ward
{"title":"Four Years in a Red Coat: The Loveday Internment Camp Diary of Miyakatsu Koike","authors":"R. Ward","doi":"10.1080/10371397.2022.2108779","DOIUrl":"https://doi.org/10.1080/10371397.2022.2108779","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"217 - 218"},"PeriodicalIF":0.5,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46206423","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-05-03DOI: 10.1080/10371397.2022.2072822
Tomoko Seto
{"title":"Isolation and Solidarity: Doing Japanese Studies at an International College in South Korea during the 2020 COVID-19 Outbreak","authors":"Tomoko Seto","doi":"10.1080/10371397.2022.2072822","DOIUrl":"https://doi.org/10.1080/10371397.2022.2072822","url":null,"abstract":"","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":" ","pages":""},"PeriodicalIF":0.5,"publicationDate":"2022-05-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46348691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-01-02DOI: 10.1080/10371397.2021.2020087
W. Robertson
{"title":"‘Ojisan gokko shiyo! [Let’s pretend to be old men!]’: Contested Graphic Ideologies in Japanese Online Language Play","authors":"W. Robertson","doi":"10.1080/10371397.2021.2020087","DOIUrl":"https://doi.org/10.1080/10371397.2021.2020087","url":null,"abstract":"ABSTRACT This article examines how social beliefs about language use and users influence writing-restricted variation in contemporary Japan by analyzing ojisan gokko (‘impersonating middle-aged men’), a practice where young Japanese women playfully message each other as though they were lecherous men. While the production of a stylized ojisan voice during ojisan gokko involves many traditional Japanese indexes (markers) of ‘male’ language, it also relies prominently on particular uses of script, emoji, kaomoji, and punctuation, ultimately creating a form of mocking which is bound to the written mode. Using indexicality as a framework, the article analyses 195 screenshots of ojisan gokko acts shared on Twitter to establish which writing-restrict forms are key to the practice, and examines the multiple social motives and origins behind these forms. Ultimately, ojisan gokko is noted to involve a complex interplay of variants traditionally linked to distinct social groups, with this combined use traced to a series of Japanese social actors observing, imitating, discussing, or parodying how others write. Consequently, ojisan gokko shows that writing-restricted variation can be highly motivated by social concerns, ideologies, and conflicts, including the desire to establish, contest, and modify which identities and forms of language use are appropriate or ‘cool’.","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"23 - 42"},"PeriodicalIF":0.5,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44674946","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Japanese StudiesPub Date : 2022-01-02DOI: 10.1080/10371397.2022.2043737
W. Robertson, T. Mihic
{"title":"Introduction to Special Issue on Writing-Restricted Variation in Japanese","authors":"W. Robertson, T. Mihic","doi":"10.1080/10371397.2022.2043737","DOIUrl":"https://doi.org/10.1080/10371397.2022.2043737","url":null,"abstract":"This special issue is a cross-disciplinary examination into the social concerns and motivations behind writing-restricted variation (that is, script, punctuation, emoji, and other features that are ‘lost’ if a text is read aloud) in contemporary written Japanese. By necessity, generalist introductions to written Japanese tend to describe its simultaneous use of multiple scripts as a complex but ultimately regular peculiarity. However, once we dive into the reality of contemporary written Japanese, it becomes clear that descriptions of Japanese writing norms as static rules are problematic. A quick trip to a local store is all that is required to encounter loan words like kōhī (coffee) or bīru (beer), normatively the exclusive domain of katakana, written in hiragana or kanji (Kunert, 2020; Robertson, 2021). Scanning billboards, shop names, manga dialogue, or television teroppu (‘sub-titles’) will similarly lead to encounters with wordplay employing formally ‘incorrect’ uses of kanji, or instances of native vocabulary written in katakana or the Roman alphabet (Maree, 2015; Robertson, 2017; Tranter, 2008). Even in ‘formal’ texts one can easily find common terms like isu (chair) or megane (glasses) written in distinct scripts across a single document (Joyce, Hodošček & Nishina, 2012), and attention to newer digital spaces will quickly bring about encounters with additional forms of writing-restricted variation like emoji (digital artefacts like ) and kaomoji (vertically oriented emoticons like (^_^) and . Indeed, as the articles in this special issue show, in contemporary Japan it is hard to read a novel, send a text message, play a video game, or even visit a shrine without seeing writing that contains contrasting, creative, or formally nonstandard ways of representing Japanese. Certainly, the study of writing-restricted variation in Japanese is not new. Research on variant script use dates back to the 1950s","PeriodicalId":44839,"journal":{"name":"Japanese Studies","volume":"42 1","pages":"1 - 6"},"PeriodicalIF":0.5,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44081991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}