JOURNAL OF AMERICAN CULTURE最新文献

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Pumpkin-carriage palimpsests: Disney's Cinderellas and the Disney fairy-tale mode 南瓜马车的翻版:迪斯尼的灰姑娘和迪斯尼童话模式
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-05-26 DOI: 10.1111/jacc.13553
Michelle Anya Anjirbag
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引用次数: 0
A cultural history through the comics of Donald Duck and friends 唐老鸭和朋友们的漫画文化史
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-05-21 DOI: 10.1111/jacc.13556
Joel Gray
{"title":"A cultural history through the comics of Donald Duck and friends","authors":"Joel Gray","doi":"10.1111/jacc.13556","DOIUrl":"10.1111/jacc.13556","url":null,"abstract":"<p>Donald Duck is one of world's biggest celebrities—a celeactor—which is defined as “…a fictional character who…becomes an institutionalized feature of popular culture.” (Rojek, <span>2001</span>, 14). Donald debuted as an animated character in 1934 and has since become one of The Walt Disney Company's (TWDC) most widely used pieces of transmedia intellectual property (IP), and a cultural icon (Dorfman, <span>2018</span>). He is omnipresent across the world; television, film, theme park attractions, walkaround/costumed characters, supermarket food items, designer goods, apparel, comics, and beyond. Disney's most famous characters often emerge from television and film media, but the overlooked mid-20th century cultural phenomenon of comics has produced some of Disney's most internationally admired IP (Piepenbring, <span>2019</span>). This includes Donald's family; nephews Huey, Dewey, and Louie, his uncle Scrooge McDuck, and more minor characters such as Grandma Duck and cousin Gladstone Gander. In the 1940s, 50s, and 60s, Disney's IP was being used in comics around the world: Donald Duck and Scrooge McDuck were the biggest stars of the stable, and in 1960 alone the bestselling comic in the United States was the <i>Uncle Scrooge</i> title—with over 1 million copies sold (<span>Comichron</span>).</p><p>By the 1970s, Disney's comics were not selling in the same volumes as they once had in America, and the most recent run of Uncle Scrooge comics of the past 15 years placed it as the 300th bestselling title in the United States (Bryan, <span>2021</span>, 138). In international markets, they remain big sellers and have become cultural mainstays. 90 years on from the character's first appearance, Donald Duck comics are still sold in significant quantities across continental Europe and South America and have enjoyed commercial success in Asia (Mittermeier, <span>2020</span>, 130). These characters' legacies in Anglophone markets might be reliant on television animation, but in many countries, they are cultural icons because of their printed comics presence first and foremost.</p><p>During Disney's first 100 years of operation, society has seen seismic changes: the dominance of the capitalist mode of production, changing attitudes to gender, sex, and sexuality, increasing demands for equality for the “Global Majority” (Campbell-Stephens, <span>2020</span>), and fast-paced developments in technology, science, and knowledge. This paper aims to explore how some of these changes in society during Disney's first 100 years have been reflected in the Duck family comics—examining how these characters and narratives have changed (or not) over time and how this correlates with wider society. The paper will look at these themes through the lens of key characters and stories over time in each subsection.</p><p>Starting with the category of science, technology, and knowledge in Disney's Duck comics, official Disney Legend Carl Barks (<span>D23.com</span>) is who many","PeriodicalId":44809,"journal":{"name":"JOURNAL OF AMERICAN CULTURE","volume":"47 2","pages":"124-130"},"PeriodicalIF":0.1,"publicationDate":"2024-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1111/jacc.13556","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141113605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theodore Roosevelt on books and reading By Mark I. West (Ed.), Lanham, Maryland: Rowman & Littlefield. 2023. pp. 136. 西奥多-罗斯福论书籍与阅读 作者:Mark I.West(编辑),马里兰州兰哈姆:Rowman & Littlefield。2023. pp.
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-05-16 DOI: 10.1111/jacc.13535
Zachary Kizer
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引用次数: 0
The Disney animation renaissance: Behind the glass at the Florida studio By Mary E. Lescher, University of Illinois Press. 2023 迪斯尼动画的复兴:佛罗里达工作室的玻璃背后 作者:Mary E.Lescher,伊利诺伊大学出版社。2023
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JOURNAL OF AMERICAN CULTURE Pub Date : 2024-05-14 DOI: 10.1111/jacc.13547
Peter Cullen Bryan
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引用次数: 0
Mean streets By Demetrios Matheou, London: British Film Institute. 2023 Mean streets》,DemetriosMatheou 著,伦敦:英国电影学院。2023
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-05-10 DOI: 10.1111/jacc.13548
Kathy Merlock Jackson
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引用次数: 0
Star Wars after Lucas: A critical guide to the future of the galaxy By Dan Golding, Minneapolis: University of Minnesota Press. 2019. 卢卡斯之后的星球大战丹-戈尔丁(Dan Golding)著,明尼阿波利斯:明尼苏达大学出版社。 2019.
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-04-25 DOI: 10.1111/jacc.13546
Sandra Eckard
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引用次数: 0
Teaching public history By Julia Brock and Evan Faulkenbury (Eds.), Chapel Hill: University of North Carolina Press. 2023 公共历史教学 JuliaBrock 和 EvanFaulkenbury(编著),教堂山:北卡罗来纳大学出版社。2023
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-04-24 DOI: 10.1111/jacc.13545
Theodore Bain
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引用次数: 0
Torture porn in the wake of 9/11: Horror, exploitation, and the cinema of sensation By Aaron Michael Kerner, New Brunswick, NJ: Rutgers University Press. 2015 9/11 后的酷刑色情片:恐怖、剥削和煽情电影 作者:Aaron MichaelKerner,新泽西州新不伦瑞克:罗格斯大学出版社。2015
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-04-21 DOI: 10.1111/jacc.13544
Zachary Ingle
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引用次数: 0
The clean energy transition: Policies and politics for a zero-carbon world By Daniel Fiorino, Boston: Polity Press. 2022, 272 pages. 清洁能源转型:零碳世界的政策与政治》,DanielFiorino 著,波士顿:波士顿:政治出版社。2022年,272页。
IF 0.1
JOURNAL OF AMERICAN CULTURE Pub Date : 2024-04-12 DOI: 10.1111/jacc.13543
Andrew Kettler
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引用次数: 0
Southern beauty: Race, ritual, and memory in the modern South By Elizabeth Bronwyn Boyd, Athens, GA: University of Georgia Press. 2022. 210 pp 南方之美:伊丽莎白-布朗温-博伊德(Elizabeth Bronwyn Boyd)著,佐治亚州雅典:佐治亚大学出版社。 2022.210 页
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JOURNAL OF AMERICAN CULTURE Pub Date : 2024-04-01 DOI: 10.1111/jacc.13542
Andrew Kettler
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引用次数: 0
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