{"title":"Playing the White Man: Ronald Merrick, Whiteness, and Erotic Triangles in Paul Scott’s Raj Quartet","authors":"R. Crane","doi":"10.1177/002198904043284","DOIUrl":"https://doi.org/10.1177/002198904043284","url":null,"abstract":"In his seminal Survey of Anglo-Indian Fiction Bhupal Singh suggests that ‘‘strictly speaking’’, the term Anglo-Indian fiction ‘‘means fiction mainly describing the life of Englishmen in India’’.1 Paul Scott’s Raj Quartet,2 which as Sabina Sawhney (amongst others) has noted, is ‘‘populated almost exclusively by the British’’, clearly fits this narrow definition of the genre. Sawhney goes on to suggest that Scott’s ‘‘monocular vision reinforces the Western European and North American prejudices of the relative importance of various peoples’’.","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"39 1","pages":"19 - 28"},"PeriodicalIF":0.2,"publicationDate":"2004-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/002198904043284","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65353132","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Victorian Poetry and the Indigenous Poet: Apirana Ngata’s “A Scene from the Past”","authors":"J. Stafford, Mark B. Williams","doi":"10.1177/002198904043291","DOIUrl":"https://doi.org/10.1177/002198904043291","url":null,"abstract":"In June 1901, five months after the death of Queen Victoria, the Duke and Duchess of Cornwall and York, the future King George V and Queen Mary, visited New Zealand. Their journey around the colony is recorded in minute detail by R.A. Loughnan in Royalty in New Zealand: The Visit of Their Royal Highnesses the Duke and Duchess of Cornwall and York to New Zealand, 10–27 June 1901: A Descriptive Narrative. Particular prominence is given in his account to a visit to Rotorua where a ‘‘great Hui’’ (gathering) of various Maori tribes was staged, a kind of miniature Delhi Durbar, in which exciting versions of the past were displayed to the royal guests. As Loughnan puts it:","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"39 1","pages":"29 - 41"},"PeriodicalIF":0.2,"publicationDate":"2004-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/002198904043291","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65353775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing Sri Lanka, Reading Resistance: Shyam Selvadurai’s Funny Boy and A. Sivanandan’s When Memory Dies","authors":"Minoli Salgado","doi":"10.1177/002198904043283","DOIUrl":"https://doi.org/10.1177/002198904043283","url":null,"abstract":"Dennis Austin’s observation takes us to the major problem confronting the critic of contemporary Sri Lankan literature: the problem of negotiating the relationship between historical events, historiography and literary fiction. The critical reception of literature from Sri Lanka is shaped in large measure by the country’s recent political history. After twenty years of sustained ethnic violence on an unprecedented scale, the erosion of traditional social and cultural ties, and the collapse of the economy, which has widened class divisions further (2001 was the first time in fifty years that the Sri Lankan economy shrank), Sri Lankan literature in English is increasingly read in terms of its relationship to the country’s ethnic conflict and the ability to narrate history as it is being made. Of course contemporary Sri Lankan writing, drawing as it does on recent history, does lend itself to such readings, but this symbiotic relationship of reception and production can result in an exclusive evaluation of literature in terms of its ability to ‘‘accurately’’ reflect the past – regardless of the fact that the past has been the subject of open contestation and blatant manipulation by the clergy, Sri Lankan governments and their opponents over the years. Furthermore, there is an implicit demand for the writer to take on the role of cultural spokesman, social commentator and national prophet. Writing in 1992,","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"29 1","pages":"18 - 5"},"PeriodicalIF":0.2,"publicationDate":"2004-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/002198904043283","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65353067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Imbalance of Islam: Muslims and Unhappiness in Vikram Seth’s A Suitable Boy","authors":"I. Almond","doi":"10.1177/002198904043285","DOIUrl":"https://doi.org/10.1177/002198904043285","url":null,"abstract":"To begin with the obvious: Vikram Seth’s thirteen-hundred-page novel, published in India barely a year after the horrors of Ayodhya, is a wellcrafted, carefully written, balanced piece of fiction. Within its many pages of byzantine sub-plots, up to five at a time working together in a parallel display of Tolstoyan complexity, Seth presents a fairly equal number of Hindu and Muslim sympathetic characters, along with an equal number of authorial remonstrations for the fanatical excesses of both faiths. There is a Raja of Marh for every zealous imam, a frenetic Hindu puja for every Shi’a procession, not to mention (following what seems to be the standard formula for every Bollywood film that deals with religious differences) the archetypal Good Muslim and Bad Muslim, an Azad for every Jinnah, an Akhbar for every Aurangzeb. A Suitable Boy, in other words, constitutes an Indian novel largely mirroring the open-mindedness, secularism and sophisticated tolerance of its author. The remainder of this brief essay aims to supply a restrained qualification to the above. Not because Seth’s work is a secret document of Hindu prejudice, masquerading as tolerant, unbiased fiction, but rather because of an unsettlingly elusive quality which seems to characterize each manifestation of Islam in the novel. Regardless of whether they are introverted mathematicians and their mad wives, gloomy Nawabs, victims of unrequited love, mentally unbalanced","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"39 1","pages":"43 - 53"},"PeriodicalIF":0.2,"publicationDate":"2004-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/002198904043285","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65353332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Archive of Bones: Anil’s Ghost and the Ends of History","authors":"A. Burton","doi":"10.1177/0021989404381005","DOIUrl":"https://doi.org/10.1177/0021989404381005","url":null,"abstract":"","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"38 1","pages":"39 - 56"},"PeriodicalIF":0.2,"publicationDate":"2003-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/0021989404381005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65355439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tropes of Yearning and Dissent: The Troping of Desire in Yvonne Vera and Tsitsi Dangarembga","authors":"E. Boehmer","doi":"10.1177/0021989404381010","DOIUrl":"https://doi.org/10.1177/0021989404381010","url":null,"abstract":"","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"38 1","pages":"135 - 148"},"PeriodicalIF":0.2,"publicationDate":"2003-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/0021989404381010","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65355990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The God of Small Things: Arundhati Roy’s Postcolonial Cosmopolitanism","authors":"A. Tickell","doi":"10.1177/0021989404381007","DOIUrl":"https://doi.org/10.1177/0021989404381007","url":null,"abstract":"When interviewed about her best-selling novel The God of Small Things shortly after winning the Booker Prize in 1997, Arundhati Roy made the point that her work had been conceived as a single defining image, and subsequently written out of sequence: ‘‘I didn’t start with the first chapter or end with the last . . . . I actually started writing with a single image in my head: the sky blue Plymouth [car] with two twins inside it, a Marxist procession surrounding it. . . . [The story] just developed from there’’. And, true to Roy’s non-linear method, this ‘‘single image’’ is divided across the second chapter of the novel, forming the centre-piece of a larger episode which recounts a family outing to Cochin in the southern Indian state of Kerala, during which Roy’s protagonists, middle-class Syrian Christians who run a failing pickle-factory, find their car surrounded by a trade-union demonstration at a rural level-crossing:","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"38 1","pages":"73 - 89"},"PeriodicalIF":0.2,"publicationDate":"2003-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/0021989404381007","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65355295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Salman Rushdie, Author of the Captive’s Tale","authors":"Bruce R. Burningham","doi":"10.1177/0021989404381009","DOIUrl":"https://doi.org/10.1177/0021989404381009","url":null,"abstract":"","PeriodicalId":44714,"journal":{"name":"JOURNAL OF COMMONWEALTH LITERATURE","volume":"38 1","pages":"113 - 133"},"PeriodicalIF":0.2,"publicationDate":"2003-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/0021989404381009","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65355513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}