CAMERA OBSCURAPub Date : 2018-05-01DOI: 10.1215/02705346-4336850
N. Niessen
{"title":"Hunting for Easter Eggs in the Dardennes' Rosetta","authors":"N. Niessen","doi":"10.1215/02705346-4336850","DOIUrl":"https://doi.org/10.1215/02705346-4336850","url":null,"abstract":"Rosetta (dir. Jean-Pierre and Luc Dardenne, France/Belgium, 1999) teases the viewer into a spiritual mind game. At first viewing, the film appears to be about a young woman’s quest for a job. On very close analysis, though, Rosetta turns out to be encrypted with the holy spirit, creeping underneath the window of the trailer in which Rosetta lives with her alcoholic mother. The question is how much the critical posthumanist viewer feels at ease with that evangelical subtext. This essay argues that however self-reflexive Rosetta may show itself in its flirtation with Christian tropes, the film ultimately affirms the patriarchal binaries its secular Passion story otherwise challenges.","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"1 1","pages":"83-111"},"PeriodicalIF":0.4,"publicationDate":"2018-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87989790","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
CAMERA OBSCURAPub Date : 2017-12-01DOI: 10.1215/02705346-4205099
Katharina Lindner
{"title":"Queer-ing Texture: Tactility, Spatiality, and Kinesthetic Empathy in She Monkeys","authors":"Katharina Lindner","doi":"10.1215/02705346-4205099","DOIUrl":"https://doi.org/10.1215/02705346-4205099","url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"46 1","pages":"121-154"},"PeriodicalIF":0.4,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73515295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
CAMERA OBSCURAPub Date : 2017-09-01DOI: 10.1215/02705346-3924628
Aviva Briefel
{"title":"Parenting through Horror: Reassurance in Jennifer Kent's The Babadook","authors":"Aviva Briefel","doi":"10.1215/02705346-3924628","DOIUrl":"https://doi.org/10.1215/02705346-3924628","url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"44 1","pages":"1-27"},"PeriodicalIF":0.4,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89305532","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
CAMERA OBSCURAPub Date : 2017-09-01DOI: 10.1215/02705346-3924672
Ora Gelley
{"title":"Violence and the Gaze in Catherine Breillat's Fat Girl (À ma sœur!)","authors":"Ora Gelley","doi":"10.1215/02705346-3924672","DOIUrl":"https://doi.org/10.1215/02705346-3924672","url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"21 1","pages":"117-151"},"PeriodicalIF":0.4,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80995636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
CAMERA OBSCURAPub Date : 2017-09-01DOI: 10.1215/02705346-3925176
Bonnie Ruberg
{"title":"Creating an Archive of LGBTQ Video Game Content: An Interview with Adrienne Shaw","authors":"Bonnie Ruberg","doi":"10.1215/02705346-3925176","DOIUrl":"https://doi.org/10.1215/02705346-3925176","url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"44 1","pages":"165-173"},"PeriodicalIF":0.4,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77606316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
CAMERA OBSCURAPub Date : 2017-09-01DOI: 10.1215/02705346-3924639
Jennifer Moorman
{"title":"Selling a Rebellion: The Industrial Logic of Mainstream Alt-Porn","authors":"Jennifer Moorman","doi":"10.1215/02705346-3924639","DOIUrl":"https://doi.org/10.1215/02705346-3924639","url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"1218 44","pages":"29-61"},"PeriodicalIF":0.4,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1215/02705346-3924639","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72433176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
CAMERA OBSCURAPub Date : 2017-09-01DOI: 10.1215/02705346-3924650
J. McEntee
{"title":"Trauma, Shame, and Men's Tears in The Manchurian Candidate","authors":"J. McEntee","doi":"10.1215/02705346-3924650","DOIUrl":"https://doi.org/10.1215/02705346-3924650","url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"40 1","pages":"63-87"},"PeriodicalIF":0.4,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90534920","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
CAMERA OBSCURAPub Date : 2017-09-01DOI: 10.1215/02705346-3925194
C. Lo
{"title":"Everything Is Wiped Away: Queer Temporality in Queers in Love at the End of the World","authors":"C. Lo","doi":"10.1215/02705346-3925194","DOIUrl":"https://doi.org/10.1215/02705346-3925194","url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"103 1","pages":"185-192"},"PeriodicalIF":0.4,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77088938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}