{"title":"创建LGBTQ电子游戏内容档案:Adrienne Shaw的访谈","authors":"Bonnie Ruberg","doi":"10.1215/02705346-3925176","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":44647,"journal":{"name":"CAMERA OBSCURA","volume":"44 1","pages":"165-173"},"PeriodicalIF":0.1000,"publicationDate":"2017-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"30","resultStr":"{\"title\":\"Creating an Archive of LGBTQ Video Game Content: An Interview with Adrienne Shaw\",\"authors\":\"Bonnie Ruberg\",\"doi\":\"10.1215/02705346-3925176\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":44647,\"journal\":{\"name\":\"CAMERA OBSCURA\",\"volume\":\"44 1\",\"pages\":\"165-173\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"30\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAMERA OBSCURA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/02705346-3925176\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAMERA OBSCURA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/02705346-3925176","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
期刊介绍:
Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions. The journal has developed a reputation for introducing emerging writers into the field. Its debates, essays, interviews, and summary pieces encompass a spectrum of media practices, including avant-garde, alternative, fringe, international, and mainstream. Camera Obscura continues to redefine its original statement of purpose. While remaining faithful to its feminist focus, the journal also explores feminist work in relation to race studies, postcolonial studies, and queer studies.