Bulletin of the Detroit Museum of Art最新文献_第3页

Bulletin of the Detroit Museum of Art Pub Date : 1919-01-01 DOI: 10.1086/BULLDETMUSART41935084

G. Booth, C. Binns

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COLONIAL ROOM 殖民的房间

Bulletin of the Detroit Museum of Art Pub Date : 1919-01-01 DOI: 10.1086/bulldetmusart41935085

C. C.

{"title":"COLONIAL ROOM","authors":"C. C.","doi":"10.1086/bulldetmusart41935085","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935085","url":null,"abstract":"The George G. Booth Loan Collection contains four choice examples of pottery made by Professor Charles F. Binns, of Alfred, New York, whose stoneware is regarded as superior to anything produced in America and is comparable to the best periods of the artist potters of Europe. It is particularly distinguished by the interesting surface texture and the refined quality of its low toned glazes, in which neutral gray greens and rich blue blacks predominate. The production of stoneware was begun in Flanders in the 16th century, and towards the end of the 19th century some artist potters in France took up the development of the ware, naming it Grès. The original glazing by salt was not entirely abandoned but was supplemented by colored and matt glazes. Stoneware clays are more elemental than those used for porcelain. The raw material is not purified and only the ordinary manipulations are employed in mixing. Thus stoneware possesses the masculine characteristics, strength and virility, while porcelain displays those of the feminine delicacy and grace. Stoneware and porcelain are produced by the same essential processes; the ware is once-fired, that is, both body and glaze are matured at one time and the same burning, the temperature from 1350 to 1400 degrees Centigrade. Professor Charles F. Binns, Director of the New York State School of Clayworking and Ceramics, at Alfred, New York, began the study of this type of ware about 1903, as a matter of personal interest. Every piece is made and finished throughout by Professor Binns himself, and none is duplicated.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129776547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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EXHIBITIONS FOR JANUARY 一月展览

Bulletin of the Detroit Museum of Art Pub Date : 1919-01-01 DOI: 10.1086/BULLDETMUSART41935086

C. H. B.

{"title":"EXHIBITIONS FOR JANUARY","authors":"C. H. B.","doi":"10.1086/BULLDETMUSART41935086","DOIUrl":"https://doi.org/10.1086/BULLDETMUSART41935086","url":null,"abstract":"manner in which the Rowlandson drawings are reproduced. Mrs. Soper's collection of this series is very nearly complete. The Wilkie series was made from plates taken by Clews of a set of comic pictures made by Sir David Wilkie, an English artist of the early nineteenth century. They are very beautiful in color and decorative in design. Mrs. Sidney J. Corbett, Jr., advised with the Director both with reference to the color scheme of the room, and the selection of the exhibits, and the success of the ensemble is largely due to lier guidance. The arrangement of the dark furniture against a Colonial buff wall brings the exhibits into a singular harmony, characteristic of x the period. A case containing the pewter and silver, against a blue gray velvet background, forms the central feature of the room. This touch of blue, together with the more striking dark blue of the Staffordshire china, gives an additional note of color to the room. The Museum would like tó obtain by gift or loan, samplers, prints or other small objects of handicraft suitable for exhibition in this room. Any one in possession of material of the Colonial period who would be willing to donate or loan their possessions, will greatly assist the Museum's endeavor if they will call or write the director regarding such objects. C. C. EXHIBITIONS FOR","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1919-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126694000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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EXHIBITIONS FOR JANUARY 一月展览

Bulletin of the Detroit Museum of Art Pub Date : 1918-12-01 DOI: 10.1086/bulldetmusart41934819

F. Brangwyn, C. R. W. Nevinson, C. Ricketts, Maurice Griffen

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EXHIBITIONS FOR DECEMBER 十二月展览

Bulletin of the Detroit Museum of Art Pub Date : 1918-12-01 DOI: 10.1086/bulldetmusart41934818

Myron Barlow, J. Gies, Frank Scott, F. S. Clark

{"title":"EXHIBITIONS FOR DECEMBER","authors":"Myron Barlow, J. Gies, Frank Scott, F. S. Clark","doi":"10.1086/bulldetmusart41934818","DOIUrl":"https://doi.org/10.1086/bulldetmusart41934818","url":null,"abstract":"The exhibition for Michigan Artists under the auspices of the Scarab Club, containing one hundred and forty-one works by fifty-seven artists, will be on view until December 31st. The jury consisting of Robert Reid, of New York, George W. Stevens, Director of the Toledo Museum of Art and Myron Barlow, rejected over half of the works submitted. Considering that this has been a year when everyone has been engrossed in war projects, the activity on the part of the art workers of this locality is gratifying. That this annual exhibition is an incentive and a stimulant to production is seen in the growth of the number of exhibitors. The first exhibition in 1910 contained less than a dozen names. The number has steadily increased from year to year. The prize awards for 1918 are as follows: The Scarab Club Gold Medal to Mr. Joseph W. Gies for his \" Portrait of Frank Scott Clark\"; the Detroit Museum of Art First Prize to Herman Gabriel for his \" Landscape Decoration ;\" the Detroit Museum of Art Second Prize to Arthur Marschner for his \"October Day;99 the Detroit Museum of Art Third Prize to Miss A. L. Thorn for her \" Study of a Girl;\" the Hopkin Memorial First Prize to Charles Waltensperger for his \" Old Mission Church ;\" the Hopkin Memorial Second Prize to Berthold Seiffert for his \" Evening , Elkhart Lake;\" the Frank Scott Clark Prize for the best painting of a head in oil will be awarded by vote of the Scarab Club members.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1918-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132133907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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PAINTING BY MYRON BARLOW myron barlow绘画

Bulletin of the Detroit Museum of Art Pub Date : 1918-10-01 DOI: 10.1086/bulldetmusart41934822

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OTHER IMPORTANT LOANS 其他重要贷款

Bulletin of the Detroit Museum of Art Pub Date : 1918-05-01 DOI: 10.1086/bulldetmusart41935092

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"REVERIE," by ELIE NADELMAN 埃利·纳德尔曼(ELIE NADELMAN)的《幻想》(REVERIE)

Bulletin of the Detroit Museum of Art Pub Date : 1918-05-01 DOI: 10.1086/BULLDETMUSART41935090

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ACCESSIONS TO THE LIBRARY 图书馆的入口

Bulletin of the Detroit Museum of Art Pub Date : 1918-05-01 DOI: 10.1086/bulldetmusart41935093

I. W.

引用次数: 1

GEORGE G. BOOTH LOAN COLLECTION 乔治·g·布斯贷款催收

Bulletin of the Detroit Museum of Art Pub Date : 1918-05-01 DOI: 10.1086/bulldetmusart41935091

H. A. Harmon

{"title":"GEORGE G. BOOTH LOAN COLLECTION","authors":"H. A. Harmon","doi":"10.1086/bulldetmusart41935091","DOIUrl":"https://doi.org/10.1086/bulldetmusart41935091","url":null,"abstract":"Through the income of the William C. Yawkey, Octavia W. Bates and Henry A. Harmon Funds, a marble sculpture by Elie Nadelman has been added to the permanent collection, and has been installed in Gallery III. It is the head of a woman entitled \"Reverie,\" and the tranquility of introspection is well expressed in the mysterious smile of the thoughtful, refined woman a smile inspired from within. The modelling is simplified to the greatest degree, yet retains the essentials of good construction, and in his departure from realism, and in the employment of rhythmical curves in carrying out his ideas, the sculptor has brought forth a singular repose and a delightful ideality in his creation. In an age when artists too often turn to brutal and exact representation of interesting phenomena, depending largely upon spirited evidences of handiwork for success, it is refreshing to find a sculptor who seeks to create pure beauty by known laws of rythm. Mr. Nadelman still further controverts his age and further augments the ideality of his figure by giving the marble a highly polished finish, sacrificing the obvious evidence of his skill as a modeller, for the completeness of his aesthetic impulse. Elie Nadelman is a native of Poland, having been born at Warsaw in 1885. After studying his art at home, he went to Paris, where he sought inspiration rather than instruction. His marked individuality is in a great measure due to the fact that he is self taught. An exhibition of his work was held in New York in the winter of 1916-17, consisting of figures, heads and animal subjects and his departure from the style of his time at once brought him into prominence. He has enjoyed a substantial success in this country.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1918-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125660312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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