{"title":"COLONIAL ROOM","authors":"C. C.","doi":"10.1086/bulldetmusart41935085","DOIUrl":null,"url":null,"abstract":"The George G. Booth Loan Collection contains four choice examples of pottery made by Professor Charles F. Binns, of Alfred, New York, whose stoneware is regarded as superior to anything produced in America and is comparable to the best periods of the artist potters of Europe. It is particularly distinguished by the interesting surface texture and the refined quality of its low toned glazes, in which neutral gray greens and rich blue blacks predominate. The production of stoneware was begun in Flanders in the 16th century, and towards the end of the 19th century some artist potters in France took up the development of the ware, naming it Grès. The original glazing by salt was not entirely abandoned but was supplemented by colored and matt glazes. Stoneware clays are more elemental than those used for porcelain. The raw material is not purified and only the ordinary manipulations are employed in mixing. Thus stoneware possesses the masculine characteristics, strength and virility, while porcelain displays those of the feminine delicacy and grace. Stoneware and porcelain are produced by the same essential processes; the ware is once-fired, that is, both body and glaze are matured at one time and the same burning, the temperature from 1350 to 1400 degrees Centigrade. Professor Charles F. Binns, Director of the New York State School of Clayworking and Ceramics, at Alfred, New York, began the study of this type of ware about 1903, as a matter of personal interest. Every piece is made and finished throughout by Professor Binns himself, and none is duplicated.","PeriodicalId":446326,"journal":{"name":"Bulletin of the Detroit Museum of Art","volume":"6 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1919-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Detroit Museum of Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/bulldetmusart41935085","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The George G. Booth Loan Collection contains four choice examples of pottery made by Professor Charles F. Binns, of Alfred, New York, whose stoneware is regarded as superior to anything produced in America and is comparable to the best periods of the artist potters of Europe. It is particularly distinguished by the interesting surface texture and the refined quality of its low toned glazes, in which neutral gray greens and rich blue blacks predominate. The production of stoneware was begun in Flanders in the 16th century, and towards the end of the 19th century some artist potters in France took up the development of the ware, naming it Grès. The original glazing by salt was not entirely abandoned but was supplemented by colored and matt glazes. Stoneware clays are more elemental than those used for porcelain. The raw material is not purified and only the ordinary manipulations are employed in mixing. Thus stoneware possesses the masculine characteristics, strength and virility, while porcelain displays those of the feminine delicacy and grace. Stoneware and porcelain are produced by the same essential processes; the ware is once-fired, that is, both body and glaze are matured at one time and the same burning, the temperature from 1350 to 1400 degrees Centigrade. Professor Charles F. Binns, Director of the New York State School of Clayworking and Ceramics, at Alfred, New York, began the study of this type of ware about 1903, as a matter of personal interest. Every piece is made and finished throughout by Professor Binns himself, and none is duplicated.
George G. Booth Loan Collection收藏乔治G. Booth Loan Collection收藏了四件由纽约阿尔弗雷德的Charles F. Binns教授制作的精选陶器,这些陶器被认为是优于美国生产的任何陶器,并可与欧洲艺术陶艺家的最佳时期相媲美。它特别突出的是有趣的表面纹理和低色调釉的精致品质,其中中性的灰色绿色和丰富的蓝黑色占主导地位。16世纪,佛兰德斯开始生产石器,19世纪末,法国的一些陶艺家开始开发这种陶器,并将其命名为gr。最初的盐釉并没有被完全抛弃,而是被彩色和哑光釉所补充。石器粘土比用于瓷器的粘土更具元素性。原料没有提纯,混合时只使用普通的操作方法。因此,石器具有男性的特征,力量和男子气概,而瓷器则表现出女性的精致和优雅。石器和瓷器是由同样的基本工艺生产的;瓷器是一次烧制的,即体和釉都是一次成熟的,同一次烧制,温度从1350℃到1400℃。查尔斯·f·宾斯教授是纽约州艾尔弗雷德州立陶艺学院的院长,他大约在1903年开始研究这种陶器,当时只是出于个人兴趣。每件作品都是由宾斯教授亲自制作完成的,没有一件是复制的。