Solov’evskie issledovaniya最新文献

V.I. Lamansky. Historical letters on the attitude of Russian people to their tribesmen. The letter VI 维-伊-拉曼斯基关于俄罗斯人对其部落成员态度的历史信件。信件 VI

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.106-112

A.V. Malinov

引用次数: 0

Who is “R-n”: about one of the addressees of A.A. Blok's reviews of poets (one hundred years after their first publication by P.N. Medvedev) 谁是 "R-n"：A.A. Blok 诗人评论（P.N. Medvedev 首次发表后一百年）的收信人之一

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.161-178

N. V. Loshchinskaya

{"title":"Who is “R-n”: about one of the addressees of A.A. Blok's reviews of poets (one hundred years after their first publication by P.N. Medvedev)","authors":"N. V. Loshchinskaya","doi":"10.17588/2076-9210.2023.4.161-178","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.161-178","url":null,"abstract":"The article examines the circumstances associated with the use of “cryptonyms” in the publication of A.A. Blok's resolutions on poets, carried out by P.N. Medvedev in 1923.The surname of the paleontologist and writer A.N. Ryabinin, one of the applicants for joining the Petrograd branch of the All–Russian Union of Poets, is revealed. For the first time, the full handwritten text of the collective document stored in the RO IRLI with the resolutions of the members of the Admissions Committee (A.A. Blok, M.L. Lozinsky, N.S. Gumilev, M.A. Kuzmin) about his book of poems “After the Thunderstorm” (1918) is introduced into scientific circulation. The emphasis is placed on the aesthetic principles of Blok's evaluation of the reviewed poems. The characteristics of scientific, literary and social activities of A.N. Ryabinin are compared with Block's ideas about the creative potential of the Russian scientific and technical intelligentsia and its role in the transformation of Russia. The positive reaction of A.M. Remizov to the work by A.N. Ryabinin is analyzed, aspects of their possible creative contacts are outlined.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"86 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139151847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Final «Historical Letters» by V.I. Lamansky (preface to the publication) 维-伊-拉曼斯基最后的 "历史书信"（出版物序言）

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.097-105

A.V. Malinov

{"title":"Final «Historical Letters» by V.I. Lamansky (preface to the publication)","authors":"A.V. Malinov","doi":"10.17588/2076-9210.2023.4.097-105","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.097-105","url":null,"abstract":"The article introduces the publication of the fragments of the sixth “Historical Letter on the Attitude of the Russian People to their Tribesmen” and the conclusion prepared by Vladimir Ivanovich Lamansky, a Slavophile and professor at St. Petersburg University. It is noted that other works of the scientist, on which he worked in the following years, remained unfinished. The facts allowing to indicate the date of writing the “Historical Letters” are given: 1859–1862, work interrupted by Lamansky's trip abroad (1862–1864). It is suggested that the “Historical Letters” were a continuation of the research direction outlined by Lamansky in his master's thesis “On the Slavs in Asia Minor, Africa and Spain” (1859), i.e. they were the result of his archival and desk work. The trip to the Slavic lands enriched the scholar with real knowledge of the Slavic peoples, their history and current situation, which made many of the arguments in the “Historical Letters” irrelevant. There are two subjects that Lamansky touched upon in his “last” letters, and which were further developed in his research and work. Firstly, these are the works in the field of national ethnography: his long-term leadership of the ethnographic department of the Russian Geographical Society, the organisation of the Slavic Congress and the Ethnographic Exhibition in 1867, the publication of the ethnographic journal “Zhivaya starina” (1890), the project of the of the ethnographic department of the Russian Museum (1899). Lamansky's statements on ethnography as fatherland studies or ethnology are presented, revealing his understanding of ethnographic science. Secondly, this is a historiosophical interpretation of the Oriental Question, considering it as an episode of interaction between two civilisations: the Greco-Slavic and the Romano-Germanic. The incompleteness of the “Historical Letters” is pointed out, which is reflected in the gaps in their publication.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"23 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139150157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From Dialogue to Polylogue (review of the book: Comparative Philosophy: From Comparative to Intercultural Philosophy / co-edited by M.T. Stepanyants. Moscow: Nauka; Vost. lit., 2022. 399 p.) 从对话到多对话（书评：比较哲学：从比较哲学到跨文化哲学 / M.T. Stepanyants 合编。莫斯科：Nauka; Vost. lit.399 p.)

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.179-193

A.B. Bocharov

{"title":"From Dialogue to Polylogue (review of the book: Comparative Philosophy: From Comparative to Intercultural Philosophy / co-edited by M.T. Stepanyants. Moscow: Nauka; Vost. lit., 2022. 399 p.)","authors":"A.B. Bocharov","doi":"10.17588/2076-9210.2023.4.179-193","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.179-193","url":null,"abstract":"The article presents a review of the book “Comparative Philosophy: from comparative to intercultural philosophy”, published in the series “Comparative Philosophy”. The thesis about the value of intercultural philosophy in the context of conceptology is presented. The hypothesis formulated states that intercultural philosophy expands the methodological and theoretical framework of philosophical research and can be evaluated as a frontier phenomenon. It is noted that the main thesis of intercultural philosophy consists in the rejection of West-centrism, in the criticism of the traditional historical and philosophical narrative. It is proposed to consider intercultural philsophy as an alternative to West-centrism, as it rejects the monologism inherent in western philosophy and insists on the polylogicity of philosophy. Intercultural philosophy insists on the rootedness of thinking in culture. He believes that intellectual influences and conceptual borrowings are a natural, normal situation in philosophy. However, borrowing can lead both to the fruitful development of the philosophical tradition, and to the loss of the integrity of culture, a decrease in its creative potential, and the ability to reproduce. Intercultural philosophy is aimed at explication of positive forms of intercultural interaction. It suggests a new model of the historical and philosophical process, the main method of which is a polylogue, although the followers of intercultural philosophy are still debating whether intercultural philosophy is a new direction or a new methodology. Russian philosophy can also be revised and reinterpreted. N.Y. Danilevsky, V.S. Solovyov, Slavophiles, etc. can be considered intercultural thinkers. The methodological basis of the study was the comparative and hermeneutic methods.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"6 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139151991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

V.Y. Bryusov, N.F. Fedorov and the Fedorovians of the 1900s-1920s: The Question of Meaning and Goals of Art. Article one. What were Bryusov and Fedorov Arguing about in the House of Yu.P. Bartenev V.Y. Bryusov、N.F. Fedorov 和 1900-1920 年代的 Fedorovians：艺术的意义和目标问题》。第一条.布留索夫和费多罗夫在尤-巴捷涅夫家中争论什么？

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.113-131

A. G. Gacheva

{"title":"V.Y. Bryusov, N.F. Fedorov and the Fedorovians of the 1900s-1920s: The Question of Meaning and Goals of Art. Article one. What were Bryusov and Fedorov Arguing about in the House of Yu.P. Bartenev","authors":"A. G. Gacheva","doi":"10.17588/2076-9210.2023.4.113-131","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.113-131","url":null,"abstract":"The article is the first part of the study of the problem of spiritual and creative dialogue between the founder of Russian symbolism V.Y. Bryusov and the philosopher of common cause N.F. Fedorov. In the works of Russian and foreign researchers, this dialogue was studied by V.Y. Bryusov, in terms of the poet's interest in cosmic themes, in the context of his theory of scientific poetry. In this study, the focus is on the question of the meaning and purpose of art. For the first time, with the involvement of new, including archival sources, the reaction of N.F. Fedorov to the meeting with V.Ya. Bryusov, held on April 20, 1900 in the house of Yu.P. Bartenev, is considered, it is shown how the ideological dispute that arose during this meeting was reflected in the late work of the philosopher. The content of the dispute and the interrelation of its two themes – the possibility/impossibility of overcoming death and the attitude to the ideas of F. Nietzsche are revealed. Fragments of articles and notes written by N.F. Fedorov, in which his dispute with V.Y. Bryusov is mentioned, are analyzed. N.F. Fedorov's perception of decadence is reconstructed, the philosophical complex of which, as well as the ideas of the new religious consciousness, the philosopher associated with the spiritual crisis of the fin de siècle era, contrasting them with the idea of active Christianity, man's cooperation with God in history. It is shown how N.F. Fedorov's liturgical aesthetics is formed in the polemic with Nietzschean aesthetics and decadence aesthetics, in the center of which is the image of art as an extra-temple liturgy. The relation of N.F. Fedorov to the current of symbolism, to which he opposed the religious understanding of the symbol, is considered.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"58 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139149706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The First Edition of “The Justification of Good” (1897): Contemporaries’ Response. Part 4 善的正当性》（1897 年）第一版：同时代人的回应。第四部分

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.006-022

B.V. Mezhuev

{"title":"The First Edition of “The Justification of Good” (1897): Contemporaries’ Response. Part 4","authors":"B.V. Mezhuev","doi":"10.17588/2076-9210.2023.4.006-022","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.006-022","url":null,"abstract":"The article continues the systematic review and analysis of newspaper and magazine responses to the first edition of the main work of V. Solovyov on moral philosophy “Justification of Good” (1897). The fourth part of this series of articles examines critical attacks on this book by representatives of the left, presumably Populist camp of the Russian press and public thought. It describes in detail critical responses of such authors as the regular columnist of the newspaper “Novosti”, literary critic Evgeny A. Solovyov, an anonymous review published in the journal “Russian Thought”, the reviews by the positivist philosopher Pavel V. Mokievsky in “Russkoe bogatstvo” and by the religious idealist Akim L. Volynsky in the “Severnyi vestnik”. It is noted that the main tone of criticism from the left was the assertion that the philosopher took the position of a conformist acceptance of the state and the church in their existing forms. Based on the consideration of all the above responses, the article concludes that none of the aforementioned critics tried to understand the essence of V. Solovyov's views. For most of the left-wing critics, any correlation of philosophy with religion, at least in its traditional forms, was unacceptable. It is argued that certain objections of V. Solovyov's critics on the left against his concept of moral philosophy were not without persuasiveness, which the philosopher had to take into account in the second edition of his work.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"30 40","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139148246","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Real Deed of an Artist” and Philosophy of Art: Solovyev – Fyodorov – Chekrygin "艺术家的真实行为 "与艺术哲学：索洛维约夫 - 费奥多罗夫 - 切克里金

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.132-146

E.M. Titarenko

{"title":"“Real Deed of an Artist” and Philosophy of Art: Solovyev – Fyodorov – Chekrygin","authors":"E.M. Titarenko","doi":"10.17588/2076-9210.2023.4.132-146","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.132-146","url":null,"abstract":"The article is dedicated to the aesthetic views of an artist and philosopher V.N. Chekrygin (1897–1922). His ideas are compared to the philosophy of art of V.S. Solovyev and N.F. Fyodorov. Theoretical heritage of the artist is analyzed, it reflects understanding of the tasks of creativity, history and language of the visual art. The research is based on the texts of Chekrygin: “A Manifest of the Painters (1920)”, “The Program of One-year Course on Art Philosophy” (1920), “About Upcoming New Era of the All-European Art” (1921), “About Convocation of the Resurrecting Museum’ (1921), and his epistolary art. Little-known materials from the archive are considered. Studying aesthetic works of Fyodorov and Solovyev allows to make comparative-typological research of the artist and philosopher of art. The connection is shown between Chekrygin’s ideas and aesthetic tradition of the Russian religious philosophy. Signs of aesthetics of Christian universalism can be seen in his project of a new era of the art. The idea of the project of “living art” of Chekrygin is opposed to the research of avantgarde art and it was inspired by the ideas of conciliarity and theurgy. It is shown that philosophical-aesthetic ideas of the artist are close to the philosophy of art of V.S. Solovyov and even more to the doctrine of the aesthetic supramoralism of Fyodorov. The research discloses particularities of the aesthetic ideas of the artist, which are permeated with the spirit of eschatological anxiety. Chekrygin shows the way that modern art should follow referring to the topics of theophany, to the process of contemplation of the space evolvement and the creation of the church-museum of the universal resurrection. It is proved that the artist creates the image of the final ideal of art conceiving the philosophical ideas of Solovyov and Fyodorov. It is proved that the artist remains in line with modernism discourse at the same time creating the outlines of the art of the future.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"1 1‐6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139149241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Second after Aquinas ...”: Hans Urs von Balthazar on the Philosophical Aesthetics of V.S. Solovyov "阿奎那之后第二人......"：汉斯-乌尔斯-冯-巴尔塔扎尔论 V.S. 索洛维约夫的哲学美学

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.081-096

M. V. Maksimov

{"title":"“Second after Aquinas ...”: Hans Urs von Balthazar on the Philosophical Aesthetics of V.S. Solovyov","authors":"M. V. Maksimov","doi":"10.17588/2076-9210.2023.4.081-096","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.081-096","url":null,"abstract":"The analysis of the book by the Swiss philosopher and theologian H.U. von Balthazar “Vladimir Solovyov”, dedicated to the reconstruction and interpretation of the aesthetic teachings of V.S. Solovyov, is presented. The main themes of Balthazar's work are considered, defining its structure in accordance with the author's vision of the main stages of Solovyov's work: “Visionary and textual form”, “Logic and Metaphysics”, “Ethics and Ecclesiology”, “Aesthetics and Apocalypticism”. The author notes the harmony and consistency of Balthazar's concept, the logic of interpretation of the most important provisions of Solovyov's aesthetics, based on the corpus of his writings, as well as on research Russian and foreign literature. The essential characteristics of Balthazar's consideration of the aesthetics of the Russian philosopher are revealed: the disclosure of its ontological, eschatological and theological aspects. The historical and philosophical origins of Solovyov's ideas, parallels and consonances of the conceptual positions of Solovyov's aesthetics and the largest representatives of domestic and foreign philosophy: Plato, Plotinus, Maxim the Confessor, Schelling, Hegel, Schopenhauer, E. von Hartmann are determined. Balthazar's position on Solovyov's teaching about Sophia in the context of сhristological and trinitarian theology is presented. The assessment of the comparison of Solovyov's method of unity with the methods of studying Dilthey's “forms of spirit” and Spengler's “forms of culture” is given. The researcher's attention is noted to the problems of Solovyov's creative dialogue with outstanding Russian thinkers F.M. Dostoevsky, L.N. Tolstoy, K.N. Leontiev. The conclusions about the significance of the philosophical and theological reconstruction of Solovyov's aesthetics, carried out by Balthazar, for foreign and Russian Solovyov studies are formulated.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"336 6‐7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139152511","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Philosophical and aesthetic views of G.V.F. Hegel and V.S. Solovyov: on the question of influence 黑格尔和索洛维约夫的哲学和美学观点：关于影响问题

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.040-055

A. S. Balabaeva

{"title":"Philosophical and aesthetic views of G.V.F. Hegel and V.S. Solovyov: on the question of influence","authors":"A. S. Balabaeva","doi":"10.17588/2076-9210.2023.4.040-055","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.040-055","url":null,"abstract":"The article provides a comparative analysis of the aesthetic views of G.W.F. Hegel (based on the material of “Lectures on Aesthetics” prepared for publication by H.-G. Goto) and V.S. Solovyov. The presented history of the question of the influence of Hegelian philosophy on Solovyov's work demonstrates the prospects and productivity of research related to the issues of aesthetics of Solovyov and Hegel. In this regard, there is a need to summarize the results of the investigations on this topic, making a number of important clarifications and revealing previously intended points of convergence and divergence of the two philosophers. Both general aesthetic problems (the meaning of beauty in nature, the connection between beauty and the absolute idea) and applied issues of an art and literary nature (justification of the hierarchy of arts, features of lyrical poetry) are considered. A direct and hidden polemic of Solovyov with Hegel's ideas is revealed: the objection to the subjectivity of the perception of beauty in nature, the emphasis on the need to spiritualize substance under the influence of beauty. Clarifying the understanding of the role of art in history by Hegel and Solovyov makes it possible to more clearly trace the grandiose prospects for the development of art in the Russian philosopher, whose concept of theurgic creativity will later be adopted by younger symbolists. Speaking not only as a philosopher, but also as a poet, Solovyov criticizes Hegel's position on lyrical poetry as an expression of the individual subjective consciousness of the artist. It is demonstrated how the Hegelian dialectical method is implemented by Solovyov in characterizing the stages of development of Russian poetry of the XIX century. It is suggested that the dialectic of freedom and necessity was interpreted by Solovyov when presenting the theory of fate as the Providence of God.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"41 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139150360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The image of Philostratus in the works of K.K. Vaginov: experience of deconstruction K.K. 瓦吉诺夫作品中的菲洛斯特拉图斯形象：解构经验

Solov’evskie issledovaniya Pub Date : 2023-12-28 DOI: 10.17588/2076-9210.2023.4.147-160

D.L. Shukurov

{"title":"The image of Philostratus in the works of K.K. Vaginov: experience of deconstruction","authors":"D.L. Shukurov","doi":"10.17588/2076-9210.2023.4.147-160","DOIUrl":"https://doi.org/10.17588/2076-9210.2023.4.147-160","url":null,"abstract":"The article examines the image of the ancient rhetorician Flavius Philostratus (II–III centuries) in the works of the St. Petersburg and Leningrad poet and writer Konstantin Konstantinovich Vaginov (1899–1934). Flavius Philostratus is a figure symbolizing the complex and contradictory transition from ancient culture to the Christian era. In Vaginov’s work, Philostratus also appears as a symbol of the passing Silver Age and the collapse of the ideals of creative youth. The purpose of the study is to show the hidden interpretative possibilities of the works of K.K. Vaginov, which relate to the general cultural context of the Silver Age and the ideas of its largest representatives: N.A. Berdyaev, P.A. Florensky, Vyach. Ivanov, F.F. Zelinsky, and authors from the inner circle of the writer. Some interpretive codes, which are implicitly present in the texts of Vaginov, allow the possibility of their hermeneutic interpretation followed by the deconstruction of the paralogical model of artistic reality of Vaginov’s works, as well as the deconstruction of the nomadically moving semantic center and hermetic artifact of this model: the image of Philostratus as a hypostatic and other-named character. The experience of deconstructing the paralogical model of artistic reality of Vaginov’s works and the “displaced” center of this model, the image of Philostratus, is justified by the methodological principle of complementarity, in which a formally absent element becomes conceptually significant in the interpretation, because it complements the entire system of meanings. In the works of K.K. Vaginov, such formally absent elements in the structure of other-named-hypostatic images-doubles of Philostratus are unnamed Dionysus, Apollo of Hyperborean, and Pythagoras.","PeriodicalId":445879,"journal":{"name":"Solov’evskie issledovaniya","volume":"2 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139148819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0