Design and Culture最新文献_第8页

W. E. B. Du Bois's Data Portraits: Visualizing Black America W. E. B.杜波依斯的数据肖像:美国黑人的视觉化

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-04-21 DOI: 10.1080/17547075.2022.2062143

Laura Kurtzberg

引用次数: 18

Beirut Urban Lab 贝鲁特城市实验室

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-03-08 DOI: 10.1080/17547075.2022.2038980

S. Sadler, S. Sadler

引用次数: 0

The Content of Our Caricature: African American Comic Art and Political Belonging 我们漫画的内容：非裔美国人的漫画艺术与政治归属

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-02-24 DOI: 10.1080/17547075.2022.2038977

Arsalan Ul Haq

{"title":"The Content of Our Caricature: African American Comic Art and Political Belonging","authors":"Arsalan Ul Haq","doi":"10.1080/17547075.2022.2038977","DOIUrl":"https://doi.org/10.1080/17547075.2022.2038977","url":null,"abstract":"value in design. Taylor touts examples that recall our humanity and heighten our awareness of everyday objects we take for granted. However, for a book that praises contesting the status-quo, it misses an opportunity to push inclusivity in its curation of work. Of the fifty indexed pieces within Moving Objects, only eight cite non-European artists and thirteen credit women designers. Forty-two percent are credited to designers from the Netherlands, where Taylor conducted his Postdoctoral Research Fellowship. Within this European focus, the book is impressive in its material breadth. From jewelry boxes made of hair to mass-produced plush toys sewn into seats, Moving Objects covers a surprising range of materials and technologies with varied messages and meanings. Examples are primarily product and furniture designs with brief references to graphic design, user experience design, and other fields. Moving Objects is ultimately a case against mindless consumerism. If we were not so influenced by marketability, what would we make? What would we use? Taylor proposes the strong ties between design and consumer capitalism make alternatives hard to imagine. But for designers he sees an opportunity, saying “the making of things to some degree is to make a statement about what should exist in the world” (126). If our emotions project onto our surroundings and into our work as Taylor suggests, Moving Objects provides a robust roadmap for using those emotions to shape – and view – our world more intentionally.","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":"15 1","pages":"450 - 453"},"PeriodicalIF":0.7,"publicationDate":"2022-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46103870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Moving Objects: A Cultural History of Emotive Design, 移动的物体:情感设计的文化史

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-02-24 DOI: 10.1080/17547075.2022.2038976

Erica Holeman

{"title":"Moving Objects: A Cultural History of Emotive Design,","authors":"Erica Holeman","doi":"10.1080/17547075.2022.2038976","DOIUrl":"https://doi.org/10.1080/17547075.2022.2038976","url":null,"abstract":"“Obsolescence and Disposal,” deals with end-of-use. In “Mending or Ending? Consumer Durables, Obsolescence and Practices of Reuse, Repair and Disposal in West Germany (1960s-1980s),” editor Heike Weber explores ideas about “durability” and “planned obsolescence” by looking at West Germany’s bulky waste collection. Finally, in “The Persistence of SS France: Her Unmaking at the Alang Shipbreaking Yard in India,” Ayushi Dhawan follows the trajectory of an ocean cruiser entering different periods of use and struggling to get scrapped. Both sections deal with persistence after obsolescence, but each chapter is distinct. In this distinction and without a general conclusion, the book is, like technology’s persistence beyond end-of-use, provocatively open-ended. Centered around temporalities of technology yet addressing a multitude of histories, the volume will serve a broad readership. It will interest historians of technology, but also designers and engineers, as it offers a much-needed alternative to what the editors call the “traditional innovation-centric research agenda” (10). It will appeal to historians and students of material culture because its temporal perspective can inspire studies of other artefacts. Finally, as it is a patchwork of essays, each contribution will engage its own audience. Krebs and Weber have curated a rich bundle of work focused on the upkeep and “unmaking” of technology: a bricolage of histories of technological persistence. It prompts a distinct approach, so the small focus on reuse and disposal is not so much an afterthought but rather an invitation to build on the work. Bricolage, like repair, has restorative qualities and so does this volume: it inspires new perspectives, provokes necessary discussions, and forms a building block for future work on time and technology.","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":"15 1","pages":"448 - 450"},"PeriodicalIF":0.7,"publicationDate":"2022-02-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44666665","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Book Reviews The Persistence of Technology: Histories of Repair, Reuse and Disposal 书评技术的持久性：修复、再利用和处置的历史

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-02-24 DOI: 10.1080/17547075.2022.2038974

A. Coppoolse

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引用次数: 1

Data Feminism 数据女权主义

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-02-23 DOI: 10.1080/17547075.2022.2038975

Amelia A. McNamara

引用次数: 0

A Family of Sensibilities: Toward a Relational Design Practice Grounded in Materiality and Embodiment 感性的家庭:走向以物质性和具体化为基础的关系设计实践

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-02-18 DOI: 10.1080/17547075.2021.2018539

Myriam D. Diatta, R. Goncalves, L. Grocott

引用次数: 0

What’s the Use? On the Uses of Use 有什么用?关于Use的用法

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-02-17 DOI: 10.1080/17547075.2021.1935556

Ece Canlı

{"title":"What’s the Use? On the Uses of Use","authors":"Ece Canlı","doi":"10.1080/17547075.2021.1935556","DOIUrl":"https://doi.org/10.1080/17547075.2021.1935556","url":null,"abstract":"of self-determination. Wilson writes that the democratization of development and democracy is the most profound example of hypocrisy (46). “Art Without Death” interrupts the great number of essays that present historical narratives. It is staged as a conversation between Arseny Zhilyaev and Anton Vidokle, in which they debate the question “Are We Human?” In “The Matter of Scale,” Pelin Tan offers a unique approach, presenting his essay as a sequence of journal entries commenting on the inevitable demise of humanity and life as we know it; a sort of post-apocalyptic reflection on the self and design. Many of the essays encourage readers to unyieldingly interrogate their assumptions about the notion of “self-design,” driving us to question them “again and again, now and tomorrow, so that we might be able to catch a fleeting glimpse of what it might mean to be human” (11). This clever collection offers small capsules of critical reflection that allow for a spectrum of interpretations of the ever-present struggle to define one’s self, purpose, and potential. At the same time, Superhumanity: Design of the Self might have benefited from a framework for analysis, set perhaps in the introduction, which could have presented possible groupings of various essays that complimented one another, or even set essays in contrast for a more interrogative analysis of the content. Without such a framework, the reader is left to make their own way through the collection, thus making the volume potentially difficult to navigate. The essays themselves offer valuable and engaging interdisciplinary perspectives on design and design theory, and could be successfully assigned in a design studio, exposing students to the too-often overlooked failures in design thinking and execution.","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":"14 1","pages":"95 - 98"},"PeriodicalIF":0.7,"publicationDate":"2022-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17547075.2021.1935556","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60318086","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Bioinclusive Collaborative and Participatory Design: A Conceptual Framework and a Research Agenda 生物包容性合作与参与式设计:概念框架与研究议程

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-01-20 DOI: 10.1080/17547075.2021.2019455

E. Veselova, I. Gaziulusoy

引用次数: 6

Travel as a Tool 旅行作为一种工具

IF 0.7 3区艺术学

Design and Culture Pub Date : 2022-01-12 DOI: 10.1080/17547075.2021.2016322

Maija Mäkikalli

{"title":"Travel as a Tool","authors":"Maija Mäkikalli","doi":"10.1080/17547075.2021.2016322","DOIUrl":"https://doi.org/10.1080/17547075.2021.2016322","url":null,"abstract":"Curated by Anna Vihma (Designmuseo), Elna Svenle (Vandalorum Museum for Art and Design), and Anne Blond (Tønder Art Museum), Travel as a Tool – a collaboration between three design and art museums in Finland, Sweden, and Denmark – focusses on the impact of travel on 40 designers and architects from the Nordic countries, from the 1940s until today. The exhibition is organized thematically showcasing a variety of reasons why designers travel; in addition to seeking inspiration, new energy, materials, or techniques for their work, designers have also travelled because they wanted to promote change by sharing their skills and knowledge, and to generate new possibilities and opportunities in their destination countries. The exhibition includes displays of artifacts that are either traces or results of designers’ travels. Travel journals, notebooks, letters, souvenirs, bills, photographs, drawings, and films provide generous and valuable information about the designers’ travels – and show the audience how design historians get to know, interpret, and recount these travels of past and contemporary designers (Figure 1). The exhibition design itself, conceived by Henri Halla-aho, makes use of Maija M€ akikalli is a researcher in Cultural History and currently works as a project manager in the National Archives of Finland. maimak@utu.fi © 2022 Maija M€ akikalli DOI: 10.1080/17547075.2021.2016322","PeriodicalId":44307,"journal":{"name":"Design and Culture","volume":"14 1","pages":"119 - 122"},"PeriodicalIF":0.7,"publicationDate":"2022-01-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41957787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0