METU Journal of the Faculty of Architecture最新文献_第9页

Urbanization Processes of Northern Istanbul in the 2000’s: Yavuz Sultan Selim Bridge and the Northern Marmara Highway 2000年代伊斯坦布尔北部的城市化进程:Yavuz Sultan Selim大桥和北马尔马拉高速公路

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-11 DOI: 10.4305/metu.jfa.2022.1.7

Evren Aysev

引用次数: 1

Postmodern Architecture in Socialist Poland: Transformation, Symbolic Form and National Identity 社会主义波兰的后现代主义建筑:转型、象征形式和民族认同

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2126158

Marcus Colla

{"title":"Postmodern Architecture in Socialist Poland: Transformation, Symbolic Form and National Identity","authors":"Marcus Colla","doi":"10.1080/13602365.2022.2126158","DOIUrl":"https://doi.org/10.1080/13602365.2022.2126158","url":null,"abstract":"Geography, 46.1 (2022), 21–43. 6. See the panel ‘Imagining NewMaterial Histories of Architecture’ organised by Kim Förster and Sarah Nichols at the 74th Conference of the Society of Architectural Historians in 2021. 7. See, for example, Neri Oxman’s exhibition ‘Material Ecology’, MoMA, 14May – 18 October 2020; or Rachel Armstrong, Vibrant Architecture: Matter as a CoDesigner of Living Structures (Warsaw: De Gruyter, 2015). ‘Dematerialised and material processes seem to be two sides of the same coin’, according to Jon Goodbun and Karin Jaschke, ‘Architecture and Relational Resources: Towards a New Materialist Practice’, Architectural Design, 82.4 (2012), 28–33 (p. 31). 8. See Susanne Lettow, ‘Turning the Turn: New Materialism, Historical Materialism and Critical Theory’, Thesis Eleven, 140.1 (2017), 106–21; and Bram Büscher, ‘The Nonhuman Turn: Critical Reflections on Alienation, Entanglement and Nature Under Capitalism’, Dialogues in Human Geography, 12.1 (2022), 54–73. 9. Gandy, ‘Urban Political Ecology’, p. 13. 10. Zeynep Çelik Alexander, ‘Neo-Naturalism’, Log, 31 (2014), 23–30 (p. 28). 11. Harpreet Sareen, Jiefu Zheng, and Pattie Maes, ‘Cyborg Botany: Augmented Plants as Sensors, Displays and Actuators’, in Extended Abstracts of the 2019 CHI Conference on Human Factors in Computing Systems (New York, NY: Association for Computing Machinery, 2019), p. VS13/1; and on ‘oysters’ see Ross Exo Adams, ‘Notes from the Resilient City’, Log, 32 (2014), 126–39. 12. See Jesse Goldstein and Elizabeth Johnson, ‘Biomimicry: New Natures, New Enclosures’, Theory, Culture and Society, 32.1 (2015), 61–81; Alyssa Battistoni, ‘Bringing in the Work of Nature: From Natural Capital to Hybrid Labor’, Political Theory, 45.1 (2017), 5–31; and Maan Barua, ‘Nonhuman Life as Infrastructure’, Society and Space blog, 30 November 2020 <https://www.societyandspace.org/articles/nonhuman-life-asinfrastructure> [accessed 6 September 2022].","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77358193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Algerian Sphinx: Le Corbusier’s other colonialism in the M’Zab 阿尔及利亚狮身人面像:勒·柯布西耶在姆扎布的另一种殖民主义

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2104911

Álvaro Velasco Pérez

{"title":"The Algerian Sphinx: Le Corbusier’s other colonialism in the M’Zab","authors":"Álvaro Velasco Pérez","doi":"10.1080/13602365.2022.2104911","DOIUrl":"https://doi.org/10.1080/13602365.2022.2104911","url":null,"abstract":"The post-colonial project of historical revision has recently precipitated — not without polemic — in the defacement of statues during the Black Lives Matter protests. Yet, despite the monumentality of the iconoclastic event, the discipline of architecture has only started to weigh up its own historical figures against the colonial background. This article proposes a revisit of Le Corbusier’s journeys in French Algeria to critically unravel different forms of embedded colonialism. While acknowledging the claims by other authors of Le Corbusier’s colonialist mindset as revealed in his journeys, the article uses the archival material and the texts published after the journeys to propose a different form of colonialism that has escaped post-colonial critiques. Le Corbusier was not predominantly projecting an orientalist view over the African country; rather, he was paradoxically learning from desert architecture in order to trace a project for the aggrandisement of France. Disillusioned by the colonial government that spurned his projects, Le Corbusier operated a shift in colonialism away from politics into poetics, and condensed it in Poésie sur Alger (1950). This form of colonialism does not operate through power-struggle and imposition, but rather through a subtler appropriation of a lyrical other.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87217461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The contextual linkage: visual metaphors and analogies in recent Gulf museums’ architecture 背景联系:海湾博物馆近期建筑中的视觉隐喻和类比

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2021.2018479

R. Fabbri

引用次数: 1

Interrogating photography as the site of architectural experience: reflections on photography in Der Baumeister 质疑摄影作为建筑体验的场所:对《鲍迈斯特》中摄影的反思

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2112261

S. Borree

{"title":"Interrogating photography as the site of architectural experience: reflections on photography in Der Baumeister","authors":"S. Borree","doi":"10.1080/13602365.2022.2112261","DOIUrl":"https://doi.org/10.1080/13602365.2022.2112261","url":null,"abstract":"Recent scholarship on architectural photography has highlighted the tension and ambiguity in architecture’s relationship with photography and the discrepancy between architecture’s reliance on photography and its common disregard of photographic images as objects in their own right. Further expanding on this re-evaluation, this article examines references and comments on photography from the 1920s and early 30s that appeared in the German architectural magazine Der Baumeister, that suggest their authors were highly attentive towards the photographs they worked with. Their remarks on the expressive qualities of specific photographs included in their articles and photographic depiction of architecture more generally acknowledge the photographs as objects in their own constructive right. Through a close reading of these remarks in conjunction with each other, this article develops the proposition that they reveal a process of negotiating the adequacy of photographs to represent a building and its three-dimensional experience, while signalling a shift in what is understood as an authentic perception and experience of a building. Thus, the article argues for the emergence of a new site of experience that sits in-between of and in tension with both architecture and photography.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83426892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Primary School and Public Bathhouse of the Castle, Lisbon: a proposal of encounter and continuity 里斯本城堡的小学和公共澡堂:相遇和连续性的建议

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2088599

Mariana de Oliveira Couto Muszyński

{"title":"Primary School and Public Bathhouse of the Castle, Lisbon: a proposal of encounter and continuity","authors":"Mariana de Oliveira Couto Muszyński","doi":"10.1080/13602365.2022.2088599","DOIUrl":"https://doi.org/10.1080/13602365.2022.2088599","url":null,"abstract":"This paper affords a closer look at a building located in Lisbon’s historical city centre, the Primary School and Public Bathhouse near São Jorge’s Castle, designed by Bartolomeu Costa Cabral. The project was initiated in October 1959 and approved in 1963; having been a target of criticisms from official authorities, as we shall recount, it was finally inaugurated in 1972. Representing, at the time, an innovative pedagogical approach, it was intended to be perceived by children as an extension of their homes. It turns inwards to its patios to encourage students to be closer to nature and learn from it while promoting play and forming relations. Furthermore, six properly equipped and adaptable classrooms allow for multiple activities. For the maximum use of the plot area and to promote integration with its surroundings, the disposition of classrooms is fragmented and arranged along a north-south axis, freeing the surrounding streets and preserving sunlight conditions of neighbouring buildings. Rejecting any imitation, the external façades draw a clear limit between inside and outside. At a time when gatherings of more than three people were forbidden, and ‘heavy’ and ‘outdated’ official constructions were still being built, the architect sought to incorporate principles related to modern architecture, particularly those espoused by Alfred Roth, to create a school capable of responding to evolving teaching methods and resisting the passing of time, as well as promoting the ‘phenomenon of encounter’ that fosters a sense of community and belonging amongst children and residents. This paper focuses on Costa Cabral’s formative years to explore the context in which the architect developed his thinking and from which this project emerged. We then proceed to address the design process for this school based on an analysis of the documents in his archive. Finally, the importance of the influence on this project of works by Alfred Roth — whose studies centred particularly on English post-war schools — is revealed.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90997442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘Against the privatised, the preconditioned, and the asylum-like’: Frank van Klingeren’s challenge to open architecture “反对私有化、预设和庇护”:Frank van Klingeren对开放式建筑的挑战

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2086151

Ecem Sarıçayır

{"title":"‘Against the privatised, the preconditioned, and the asylum-like’: Frank van Klingeren’s challenge to open architecture","authors":"Ecem Sarıçayır","doi":"10.1080/13602365.2022.2086151","DOIUrl":"https://doi.org/10.1080/13602365.2022.2086151","url":null,"abstract":"This paper traces the history of two community centres, De Meerpaal (1965–1967) and Het Karregat (1973), designed by the Dutch architect Frank van Klingeren. After situating his work within the historical context of the 1960s and 1970s architectural developments in the Netherlands, Van Klingeren’s architectural practice as demonstrated through his community centres is analysed through the conceptual framework of ‘open architecture’ proposed by Esra Akcan. Although they received praise from national and international commentators alike, Van Klingeren’s open community centres also met resistance from government officials and journalists, as well as users of the buildings. The focus of investigation is on Van Klingeren’s struggle against the planned renovation of De Meerpaal and his decision to file an injunction claiming his right of authorship over the building in a final attempt to safeguard the building’s openness. This paper draws attention to the contradictions of Van Klingeren’s open architecture and argues that his attempt to protect De Meerpaal through court action is indicative of the limitations of his open architectural practice. In doing so, this paper explores the question of architectural authorship in discussions on open architecture.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83648751","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Adaptive reuse: a critical review 适应性重用:重要的回顾

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2105381

F. Lanz, J. Pendlebury

{"title":"Adaptive reuse: a critical review","authors":"F. Lanz, J. Pendlebury","doi":"10.1080/13602365.2022.2105381","DOIUrl":"https://doi.org/10.1080/13602365.2022.2105381","url":null,"abstract":"Buildings have always been reused for both pragmatic and symbolic reasons. However, out of the turbulence of the mid-twentieth century, stimulated by reactions against modern ‘clean-sweep’ planning, a new field of policy and practice emerged in the 1970s to respond to the burgeoning conservation movement and growing environmental awareness, which came to be termed ‘adaptive reuse’. The last decade in particular has seen a flourishing of interest in adaptive reuse both on the ground and in scholarship. Today, the practice is witnessed across the architectural spectrum, from starchitects to the most modest community-generated projects. Adaptive reuse is ideologically supported through heritage and carbon reduction campaigning, and is evident in policy and education. In this paper, we critically review the rise of adaptive reuse scholarship and the emergent epistemology it represents, with a focus on the past twenty years and more recent monographs in the field. What we discern in these texts is a recent shift in the debate toward a more theoretical approach to the subject. While the debate on adaptive reuse has been continuously developing since the 1970s, it did so mostly with a focus on mapping and depicting an architectural phenomenon, and identifying tools and strategies to instruct practitioners and designers. However, more recent works on adaptive reuse are increasingly seeking to go beyond a pragmatic and practice-focused approach, and to investigate adaptive reuse in a more conceptual way. In doing so, they might open up the debate to new disciplinary contributions beyond the domain of architecture and design. This paper aims to outline and contribute to this shift.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90484805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 11

Urban churches in an infrasecular landscape: three case studies from the Anglican Diocese of London 城市教堂在一个次等的景观:从英国圣公会伦敦教区的三个案例研究

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2072933

K. Jordan

{"title":"Urban churches in an infrasecular landscape: three case studies from the Anglican Diocese of London","authors":"K. Jordan","doi":"10.1080/13602365.2022.2072933","DOIUrl":"https://doi.org/10.1080/13602365.2022.2072933","url":null,"abstract":"Church architecture is an overlooked barometer of urban life. It holds up a unique mirror to economic models, demographics, cultural and ritual practices, and aesthetic movements in late modernity. In turn, the changing complexion of secular society has had a marked influence on the type and style of Christian architecture in the twenty-first century. This article explores the dialectical relationship between church architecture and secular society within recent critical frameworks, examining, in particular, the value of infrasecular geographies as an alternative to the post-secular lens. The infrasecular model is used to frame a reading of three recently completed schemes within the Anglican Diocese of London, which have been selected to offer a snapshot of new church architecture. These comprise a purpose-built church, a refurbished Grade II* listed church, and a ‘church’ which operates within a custom-made boat. All three have been promoted by the Diocese of London as successful initiatives within the Church’s growth strategy and all three were sufficiently high profile to be covered in the national and architectural press. In reading these churches as markers of wider shifts in the urban landscape, the article agrees with David Goodhew that, ‘the many studies of modern London that airbrushed out churches (and often faith in general) present a seriously incomplete picture’.","PeriodicalId":44236,"journal":{"name":"METU Journal of the Faculty of Architecture","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75377179","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Hans Döllgast, post-war reconstruction and modern architecture Hans Döllgast，战后重建和现代建筑

IF 0.2 4区艺术学

METU Journal of the Faculty of Architecture Pub Date : 2022-04-03 DOI: 10.1080/13602365.2022.2086152

M. Sternberg

引用次数: 1