{"title":"THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 cloth","authors":"Paul N. Reinsch","doi":"10.1080/01956051.2023.2230111","DOIUrl":"https://doi.org/10.1080/01956051.2023.2230111","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 4, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"295 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood","authors":"Douglas Rasmussen","doi":"10.1080/01956051.2023.2275021","DOIUrl":"https://doi.org/10.1080/01956051.2023.2275021","url":null,"abstract":"In Quentin Tarantino’s film Once Upon a Time… in Hollywood, the director meticulously recreates 1969 Los Angeles. The film, however, presents a highly stylized interpretation of that period in hist...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"254 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139739647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change","authors":"Lauren Crockett-Girard","doi":"10.1080/01956051.2023.2268259","DOIUrl":"https://doi.org/10.1080/01956051.2023.2268259","url":null,"abstract":"Jim Jarmusch’s 2019 zombie flick The Dead Don’t Die uses comedy to both critique the zombie genre and confront the many horrors of twenty-first century life. Zombies are symbols for human anxieties...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek’s Moira Rose","authors":"Judith Clemens-Smucker","doi":"10.1080/01956051.2023.2275011","DOIUrl":"https://doi.org/10.1080/01956051.2023.2275011","url":null,"abstract":"The Canadian television comedy Schitt’s Creek (2015–2020) tells the story of the Rose family after they are reduced to poverty through the machinations of a criminal business manager and must take ...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.","authors":"Heather Duerre Humann","doi":"10.1080/01956051.2023.2226044","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226044","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 4, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"296 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139739660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”","authors":"Alex Symons","doi":"10.1080/01956051.2023.2277258","DOIUrl":"https://doi.org/10.1080/01956051.2023.2277258","url":null,"abstract":"This article examines Guz Khan’s innovative television comedy Man Like Mobeen (2017–2023), explaining how it serves the BBC’s 2016 remit to produce socially-cohesive representations, portraying Bri...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"142 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ALINE MACMAHON: HOLLYWOOD, THE BLACKLIST, AND THE BIRTH OF METHOD ACTING. By John Stangeland. UP of Kentucky, 2022. 340 pp. $40.00 (hardcover).","authors":"Danielle Glassmeyer","doi":"10.1080/01956051.2023.2226042","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226042","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 4, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"99 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733669","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Appeal of WIP-ped Flesh: Jess Franco’s 99 Women (1968) at the Box Office","authors":"Vincent L. Barnett","doi":"10.1080/01956051.2023.2275026","DOIUrl":"https://doi.org/10.1080/01956051.2023.2275026","url":null,"abstract":"This research investigates in detail the surprisingly successful US box-office performance of Jess Franco’s first women-in-prison (WIP) production, 99 Women (1968), which for one week in May 1969 h...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"295 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcover","authors":"Antonio Sanna","doi":"10.1080/01956051.2023.2226032","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226032","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 3, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"98 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139034814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop","authors":"Steffen Hantke","doi":"10.1080/01956051.2023.2263138","DOIUrl":"https://doi.org/10.1080/01956051.2023.2263138","url":null,"abstract":"The television series Tales from the Loop, released in 2022, launches an ambitious attempt to revise the traditional gothic iconography of the violent intrusion of technology into pastoral spaces. ...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"27 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138714288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}