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Liminality in The Naked Prey and Run for the Sun 《赤裸裸的猎物》和《奔向太阳》中的阈限
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2025-03-13 DOI: 10.1080/01956051.2024.2432616
Paul Cornelius, Douglas Rhein
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引用次数: 0
Watching Game of Thrones: How Audiences Engage with Dark Television 观看《权力的游戏》：观众如何参与黑暗电视
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-06-21 DOI: 10.1080/01956051.2024.2320617
Kathryn Burrell
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引用次数: 0
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism 特效帝国工业光魔与现实主义的渲染
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-06-21 DOI: 10.1080/01956051.2024.2320619
Antonio Sanna
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引用次数: 0
“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976) "她有缝隙，我也有缝隙"：洛奇》（1976 年）的神经多样性解读
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-06-17 DOI: 10.1080/01956051.2024.2305955
Ciara Moloney
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引用次数: 0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 cloth 达里尔-F-扎努克的黄金时代音乐剧：绅士偏爱金发女郎。伯纳德-F-迪克著。密西西比大学，2022 年。320 页。布版 35.00 美元
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2230111
Paul N. Reinsch
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引用次数: 0
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood 曾几何时......好莱坞》再现 1969 年的洛杉矶
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2275021
Douglas Rasmussen
{"title":"Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood","authors":"Douglas Rasmussen","doi":"10.1080/01956051.2023.2275021","DOIUrl":"https://doi.org/10.1080/01956051.2023.2275021","url":null,"abstract":"In Quentin Tarantino’s film Once Upon a Time… in Hollywood, the director meticulously recreates 1969 Los Angeles. The film, however, presents a highly stylized interpretation of that period in hist...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"254 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139739647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change 死人不会死：类型、戏仿和美国僵尸作为社会变革媒介的失败
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2268259
Lauren Crockett-Girard
{"title":"The Dead Don’t Die: Genre, Parody, and the Failure of the American Zombie as an Agent of Social Change","authors":"Lauren Crockett-Girard","doi":"10.1080/01956051.2023.2268259","DOIUrl":"https://doi.org/10.1080/01956051.2023.2268259","url":null,"abstract":"Jim Jarmusch’s 2019 zombie flick The Dead Don’t Die uses comedy to both critique the zombie genre and confront the many horrors of twenty-first century life. Zombies are symbols for human anxieties...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek’s Moira Rose 女为悦己者容：时尚如何影响《Schitt's Creek》女主角 Moira Rose 的喜剧身份
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2275011
Judith Clemens-Smucker
{"title":"The Clothes Make the Woman: How Fashion Informs the Comedic Identity of Schitt’s Creek’s Moira Rose","authors":"Judith Clemens-Smucker","doi":"10.1080/01956051.2023.2275011","DOIUrl":"https://doi.org/10.1080/01956051.2023.2275011","url":null,"abstract":"The Canadian television comedy Schitt’s Creek (2015–2020) tells the story of the Rose family after they are reduced to poverty through the machinations of a criminal business manager and must take ...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733759","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover. 英国创伤电影：第二次世界大战后不久的精神分析和英国流行电影。亚当-普拉默著。布鲁姆斯伯里学术出版社，2023 年。240 pp.精装本 108 美元。
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2226044
Heather Duerre Humann
{"title":"THE BRITISH TRAUMA FILM: PSYCHOANALYSIS AND POPULAR BRITISH CINEMA IN THE IMMEDIATE AFTERMATH OF THE SECOND WORLD WAR. By Adam Plummer. Bloomsbury Academic, 2023. 240 pp. $108 hardcover.","authors":"Heather Duerre Humann","doi":"10.1080/01956051.2023.2226044","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226044","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 4, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"296 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139739660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.” 像莫宾一样的人》（2017-2023）中的跨文化喜剧：BBC如何融合 "我们"/"他们"
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2277258
Alex Symons
{"title":"Transcultural Comedy in Man Like Mobeen (2017-2023): How the BBC is Merging “Us”/“Them.”","authors":"Alex Symons","doi":"10.1080/01956051.2023.2277258","DOIUrl":"https://doi.org/10.1080/01956051.2023.2277258","url":null,"abstract":"This article examines Guz Khan’s innovative television comedy Man Like Mobeen (2017–2023), explaining how it serves the BBC’s 2016 remit to produce socially-cohesive representations, portraying Bri...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"142 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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