{"title":"The Appeal of WIP-ped Flesh: Jess Franco’s 99 Women (1968) at the Box Office","authors":"Vincent L. Barnett","doi":"10.1080/01956051.2023.2275026","DOIUrl":"https://doi.org/10.1080/01956051.2023.2275026","url":null,"abstract":"This research investigates in detail the surprisingly successful US box-office performance of Jess Franco’s first women-in-prison (WIP) production, 99 Women (1968), which for one week in May 1969 h...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"295 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139733678","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BLOODY WOMEN: WOMEN DIRECTORS OF HORROR Eds. Victoria McCollum and Aislinn Clarke. Lehigh UP and Rowman & Littlefield, 2022. 244 pp. £ 100.00 hardcover","authors":"Antonio Sanna","doi":"10.1080/01956051.2023.2226032","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226032","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 3, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"98 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139034814","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Machines in the Garden: De-Gothicizing the American Pastoral in Tales from the Loop","authors":"Steffen Hantke","doi":"10.1080/01956051.2023.2263138","DOIUrl":"https://doi.org/10.1080/01956051.2023.2263138","url":null,"abstract":"The television series Tales from the Loop, released in 2022, launches an ambitious attempt to revise the traditional gothic iconography of the violent intrusion of technology into pastoral spaces. ...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"27 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138714288","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SHOCKING CINEMA OF THE 70S. Eds. Xavier Mendik and Julian Petley. Bloomsbury Academic, 2022. 326 pp. £76.50/$95 hardback","authors":"Milo Farragher-Hanks","doi":"10.1080/01956051.2023.2226029","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226029","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 3, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138794261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BLACK WOMEN AND THE CHANGING TELEVISION LANDSCAPE By Lisa M. Anderson. Bloomsbury Academic, 2023. 165 pp. $20.65 paperback","authors":"Heather Duerre Humann","doi":"10.1080/01956051.2023.2226030","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226030","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 3, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"31 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138714312","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"All the (West)World’s a Stage: HBO’s Westworld as Metatext—Intertextuality, Genre, Seriality, Format","authors":"S. A. Wilder","doi":"10.1080/01956051.2023.2259056","DOIUrl":"https://doi.org/10.1080/01956051.2023.2259056","url":null,"abstract":"With roots in an earlier film about well-heeled human guests in an android-populated theme park modeled after an Old West experience, Westworld is a recent offering in HBO’s ongoing pursuit of qual...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138714291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Reframing the Dowager: Nostalgia in Downton Abbey","authors":"Janelle Pötzsch","doi":"10.1080/01956051.2023.2263141","DOIUrl":"https://doi.org/10.1080/01956051.2023.2263141","url":null,"abstract":"The popular and immensely successful British TV-series Downton Abbey (2010–2015) has been interpreted alternately as an escapist fantasy or as a retrogressive text which performs the ideological wo...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"42 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138794264","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Melancholic Grief and the Psychic Experience of Reproductive Loss in Emma Tammi’s The Wind (2018)","authors":"Mariliis Elizabeth Holzmann","doi":"10.1080/01956051.2023.2263140","DOIUrl":"https://doi.org/10.1080/01956051.2023.2263140","url":null,"abstract":"Horror films directed by women are uniquely suited to problematize the psychic experience of reproductive loss. This article analyzes Emma Tammi’s The Wind (2018) to understand how the film’s horri...","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"28 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138714294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"SCREENING CHARLES DICKENS: A SURVEY OF FILM AND TELEVISION ADAPTATIONS. By William Farina. McFarland, 2022. 235 pp including index. $39.95 paper.","authors":"Valerie H. Pennanen","doi":"10.1080/01956051.2023.2226036","DOIUrl":"https://doi.org/10.1080/01956051.2023.2226036","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 3, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"31 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138714301","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"BLOOD ON THE LENS: TRAUMA AND ANXIETY IN AMERICAN FOUND FOOTAGE HORROR CINEMA. By Shellie McMurdo. Edinburgh: Edinburgh University Press, 2022. 256 pp. $110.00 hardcover and ebook.","authors":"Alissa Burger","doi":"10.1080/01956051.2023.2209466","DOIUrl":"https://doi.org/10.1080/01956051.2023.2209466","url":null,"abstract":"Published in Journal of Popular Film and Television (Vol. 51, No. 2, 2023)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"6 9","pages":""},"PeriodicalIF":0.1,"publicationDate":"2023-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}