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American Television’s Live Coverage of the 9/11 Attacks: Journalism on the Screen 美国电视对9/11袭击的现场报道：屏幕上的新闻报道
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2025-03-25 DOI: 10.1080/01956051.2024.2445998
John Young
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引用次数: 0
Negative, Nonsensical, and Non-Conformist: The Films of Seijun Suzuki 消极、荒谬、不墨守成规：铃木清君的电影
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2025-03-25 DOI: 10.1080/01956051.2024.2445999
Ian Pettigrew
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引用次数: 0
Class, Identity, and Finding the Right Wine in Schitt’s Creek : A Place to Love 阶级、身份和在Schitt 's Creek找到合适的葡萄酒：一个爱的地方
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2025-03-18 DOI: 10.1080/01956051.2024.2445996
Sarita Cannon
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引用次数: 0
Living “On the Edge”: A Conversation with Matteo Sanders and Tobias Resch 生活在“边缘”：与Matteo Sanders和Tobias Resch的对话
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2025-03-17 DOI: 10.1080/01956051.2024.2432241
Tom Ue
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引用次数: 0
Liminality in The Naked Prey and Run for the Sun 《赤裸裸的猎物》和《奔向太阳》中的阈限
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2025-03-13 DOI: 10.1080/01956051.2024.2432616
Paul Cornelius, Douglas Rhein
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引用次数: 0
Watching Game of Thrones: How Audiences Engage with Dark Television 观看《权力的游戏》：观众如何参与黑暗电视
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-06-21 DOI: 10.1080/01956051.2024.2320617
Kathryn Burrell
{"title":"Watching Game of Thrones: How Audiences Engage with Dark Television","authors":"Kathryn Burrell","doi":"10.1080/01956051.2024.2320617","DOIUrl":"https://doi.org/10.1080/01956051.2024.2320617","url":null,"abstract":"Published in Journal of Popular Film and Television (Ahead of Print, 2024)","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"16 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141436014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Empire of Effects: Industrial Light & Magic and the Rendering of Realism 特效帝国工业光魔与现实主义的渲染
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-06-21 DOI: 10.1080/01956051.2024.2320619
Antonio Sanna
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引用次数: 0
“She’s Got Gaps, I’ve Got Gaps”: A Neurodiversity Reading of Rocky (1976) "她有缝隙，我也有缝隙"：洛奇》（1976 年）的神经多样性解读
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-06-17 DOI: 10.1080/01956051.2024.2305955
Ciara Moloney
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引用次数: 0
THE GOLDEN AGE MUSICALS OF DARRYL F. ZANUCK: THE GENTLEMAN PREFERRED BLONDES. By Bernard F. Dick. Mississippi UP, 2022. 320 pp. $35.00 cloth 达里尔-F-扎努克的黄金时代音乐剧：绅士偏爱金发女郎。伯纳德-F-迪克著。密西西比大学，2022 年。320 页。布版 35.00 美元
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2230111
Paul N. Reinsch
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引用次数: 0
Recreating 1969 Los Angeles in Once Upon a Time… in Hollywood 曾几何时......好莱坞》再现 1969 年的洛杉矶
IF 0.1 3区 艺术学
JOURNAL OF POPULAR FILM AND TELEVISION Pub Date : 2024-02-14 DOI: 10.1080/01956051.2023.2275021
Douglas Rasmussen
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引用次数: 0
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