Revista Musical Chilena最新文献

{"title":"Editorial","authors":"Cristián Guerra Rojas","doi":"10.4067/s0716-27902021000200007","DOIUrl":"https://doi.org/10.4067/s0716-27902021000200007","url":null,"abstract":"","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45611899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Una vida de organista: reflexiones en torno a Gerd Zacher","authors":"Matthias Geuting","doi":"10.4067/s0716-27902021000100217","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100217","url":null,"abstract":"","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46738051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Integral de las tres sonatas para piano","authors":"Vladimir Barraza Jeraldo","doi":"10.4067/s0716-27902021000100253","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100253","url":null,"abstract":"","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-07-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47985266","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nuevos Aires Chilenos para Oboe 2020","authors":"Marcos Stuardo-Concha","doi":"10.4067/s0716-27902021000100254","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100254","url":null,"abstract":"","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44038734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Archivo Musical Histórico de Estela Cabezas (1921-2011). Crónica de una donación","authors":"C. Rojas, Fernanda Carrasco González","doi":"10.4067/s0716-27902021000100261","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100261","url":null,"abstract":"","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42778417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Babel sikuri: circulación y dinamismo de estilos musicales al interior de una comunidad transnacional de resurgentistas de la música andina","authors":"Daniel Castelblanco","doi":"10.4067/s0716-27902021000100076","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100076","url":null,"abstract":"espanolA partir de la emergencia del movimiento sikuri en la decada de 1970, los musicos que participan en las escenas de varias ciudades latinoamericanas han interpretado estilos musicales indexales de diversos pueblos y regiones en los Andes centrales. Desde el sikumoreno de la ciudad de Puno hasta el jach'a sikuri de Ilabaya, ?que supone la eleccion de estos estilos?, ?que relacion guarda con los flujos migratorios o las exigencias de la industria discografica?, ?que revela acerca del movimiento sikuri en tanto plataforma por la que circulan formas alternativas de conocimiento? Mas aun, ?que dice acerca de las distintas cohortes de musicos que lo conforman? Este articulo explora algunas de las conside- raciones que los sikuris tienen en cuenta al escoger estilos musicales y repertorios. Argumenta que sus elecciones revelan preferencias esteticas, deseos de diferenciacion, la voluntad de mantener lazos familiares, regionales o nacionales, e incluso sus propias agendas. Concluye que, pese la frecuencia con que se celebra el presunto caracter intercultural del movimiento sikuri, la formacion cultural cosmopolita de quienes transmiten estas practicas musicales y conocimientos de origen indigena demuestra lo contrario. EnglishEver since the emergence of the sikuri movement in the 1970's the musicians who participate in most of its Latin American scenes have performed on a variety of indigenous musical styles indexical of different towns and regions in the Central Andes. From Puno city's sikumoreno to jach'a sikuri from Ilabaya, what does the preference for these styles mean? What kind of relationship does it keep with the migratory flows or the demands of the recording indus- try? What does it reveal about the sikuri movement as a platform through which alternative forms of knowledge are transferred? Moreover, what does it say about the different cohorts of musicians that make it up? This paper explores some of the considerations that the sikuris take into account when choosing their musical styles and repertoires. It argues that the sikuris’ choices reveal their aesthetic preferences, their search for identity, their will to maintain family, regional or national ties, and even their own agendas. It concludes that, despite the frequency with which the sikuri movement is celebrated as a privileged site for intercultural exchange, the shared cosmopolitan cultural formation of those individuals involved in the transmission of these musical practices and other indigenous knowledges demonstrates quite the opposite.","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45372558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Cultura, folclore y tradición: reflexiones en torno a la vida y obra de Manuel Dannemann Rothstein (Santiago, 1932- 2021)","authors":"C. Espinosa","doi":"10.4067/s0716-27902021000100228","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100228","url":null,"abstract":"","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45531116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reflexiones sobre etnomusicología y enseñanza musical en Chile: segundo simposio del Comité Nacional Chileno del Consejo Internacional para la Música Tradicional (ICTM-Chile)","authors":"Ignacio Soto-Silva, Javier Silva-Zurita, Jacob Rekedal, Leonardo Díaz-Collao","doi":"10.4067/s0716-27902021000100257","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100257","url":null,"abstract":"","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44259104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Aproximación a la investigación iberoamericana en educación musical","authors":"Eliton Perpetuo Rosa-Pereira, Carol Gillanders","doi":"10.4067/s0716-27902021000100055","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100055","url":null,"abstract":"espanolLa trayectoria historica de la investigacion en educacion musical esta claramente definida y estudiada en el contexto anglosajon. En Espana existen diversos trabajos que iluminan su recorrido y que sirven de antecedentes para la realizacion de un estudio exploratorio en el ambito iberoamericano. Este trabajo aporta un acercamiento al estado de la investigacion en educacion musical en Iberoamerica, presentando sus principales investigadores, las revistas indexadas en las principales bases de datos y aquellas relevantes para el campo, los paises con produccion cientifica y un contexto general de la ensenanza y la investigacion en educacion musical en cada uno de los paises que componen la comunidad iberoamericana. EnglishThe historical path followed by research in music education is clearly defined and studied in the Anglo-Saxon context. In Spain there are several works that illuminate its journey and that serve as background for the design of an exploratory study in the Ibero-American field. This work provides an approach to the state of research in music education in Ibero-America, presenting its main researchers, journals indexed in the main databases and those relevant to the field, countries with scientific production and a general context of education and research in music education in each one of the countries that make up the Ibero-American community.","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42803404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"El uso de la etnografía en el estudio de las músicas mapuche","authors":"Leonardo Díaz-Collao, Ignacio Soto-Silva","doi":"10.4067/s0716-27902021000100009","DOIUrl":"https://doi.org/10.4067/s0716-27902021000100009","url":null,"abstract":"espanolEl presente articulo surge a proposito de la experiencia etnografica y la reflexion teorico-metodologica de sus autores en el marco de sus investigaciones doctorales y proyectos asociados. El objetivo de este trabajo es analizar el uso de la etnografia en Chile en el estudio de las musicas mapuche. Para esto realizamos una busqueda bibliografica en diversas fuentes de informacion (repositorios de tesis, bases de datos academicas, espacios de difusion vinculados a organizaciones mapuche) y revisamos los trabajos acerca de expresiones musicales mapuche que utilizan la metodologia en cuestion o bien algun “componente” etnografico en sus enfoques cualitativos. El cuerpo analizado comprende publicaciones desde 1970 hasta principios de 2019. En los treinta y dos textos revisados, identificamos los siguientes aspectos metodologicos: temas de estudio, localizacion de los trabajos, duracion del trabajo de campo y tecnicas de recoleccion de informacion, para luego reflexionar acerca del modo en que estos comprenden y desarrollan la etnografia entendida como encuadre metodologico y, secundariamente, texto. Por ultimo, reflexionamos acerca de los posibles factores que inciden en el escaso uso de la etnografia en el estudio de las musicas mapuche, metodologia que ademas de ser poco empleada en las investigaciones de las expresiones sonoras de esta sociedad, es, en muchos casos, utilizada de manera parcial. EnglishThis paper emerges based on the ethnographic experience and theoretical-methodological reflection of its authors in the framework of their doctoral research and research project. The aim of this review is to analyze the use of ethnography in the study of Mapuche music, in Chile. We carry out a bibliographic review in various sources of information (thesis repositories, academic databases, dissemination spaces associated with mapuche organizations) and select works that address mapuche musical expressions that use the methodology in question, or some ethnographic “component” in their qualitative approaches. The analyzed corpus includes publications from 1970 to early 2019. In the thirty-two works reviewed, we identified the following methodological aspects: study topics, location of the work, duration of the field work and data collection techniques. Subsequently, we reflect on how they understand and develop ethnography as a methodological framework and as text. Finally, we reflect on the possible factors that affect the modest use of ethnography in the study of Mapuche music, a methodology that, in addition to being rarely used in the investigations of the sound expressions of this society, is, in many cases, partially used.","PeriodicalId":44157,"journal":{"name":"Revista Musical Chilena","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44081358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}