WORD & IMAGE最新文献_第7页

‘The chicken or the egg?’ Exploring the dynamics of an ekphrastic cycle “是鸡还是蛋?”“探索生理周期的动态

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-26 DOI: 10.1080/02666286.2023.2168466

Allegra Iafrate

引用次数: 0

Indigenous image theory 本土意象说

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-03 DOI: 10.1080/02666286.2022.2160194

Barbara E. Mundy

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Botanical symbolism in the Hypnerotomachia: botanical signifiers of a humanist handling of interior transformation 《Hypnerotomachia》中的植物符号:人文主义处理内部转变的植物符号

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-03 DOI: 10.1080/02666286.2022.2160188

James O'Neill

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Fischer von Erlach and the Habsburg imperial historians 菲舍尔·冯·埃尔拉赫和哈布斯堡帝国历史学家

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-03 DOI: 10.1080/02666286.2022.2069955

Kristoffer Neville

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Performing palettes: Doni, Anguissola, and the origins of poeitic self-portraiture 表演调色板:多尼，安圭索拉，和诗性自画像的起源

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-03 DOI: 10.1080/02666286.2022.2072109

P. Sohm

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‘The Constantin Guys of the atomic era’: on the poetic reception of Robert Rauschenberg by Alain Jouffroy and Surrealism “原子时代的康斯坦丁人”:论阿兰·朱弗罗伊对罗伯特·劳森伯格的诗意接受与超现实主义

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-03 DOI: 10.1080/02666286.2022.2118491

G. Parkinson

{"title":"‘The Constantin Guys of the atomic era’: on the poetic reception of Robert Rauschenberg by Alain Jouffroy and Surrealism","authors":"G. Parkinson","doi":"10.1080/02666286.2022.2118491","DOIUrl":"https://doi.org/10.1080/02666286.2022.2118491","url":null,"abstract":"Abstract Robert Rauschenberg is not usually thought to have had much contact with Surrealism and even spoke openly about his disdain for the movement on some occasions. However, through the period 1958–69, the Surrealists showed great enthusiasm for the ‘poetic’, ‘metaphorical’ resonance of Rauschenberg’s work, a positive response that has since largely been lost. In place of that history, the interpretation of Rauschenberg by John Cage as a ‘literalist’ or ‘factualist’ gained ground and even came to define the artist’s œuvre in some quarters, a reading that Rauschenberg himself approved. Caught in the middle of these two versions of Rauschenberg are the largely untranslated texts of French poet, critic, and ex-Surrealist Alain Jouffroy (1928–2015), which form the substance of this article. Jouffroy pioneered the positive critical reception of Rauschenberg in France from 1961 while he continued to be influenced by his Surrealist past, to the point that his writings on Rauschenberg reveal consistent contradiction under close reading. The highest point of tension was reached across 1963–64 when Jouffroy wrote eulogistic poems devoted to Rauschenberg’s massive silkscreen painting Barge (1962–63) and to Surrealism in L’Antichambre de la nature (1966, written in 1964), alongside key texts of art criticism on Rauschenberg. Culminating in an analysis of the silkscreen and poems, this article argues that while Jouffroy’s writings seem ostensibly to further the Cagean interpretation of the artist, they are riven by an awkward dual loyalty that can be read in support of a ‘poetic’ ‘Surrealist Rauschenberg’.","PeriodicalId":44046,"journal":{"name":"WORD & IMAGE","volume":"3 1","pages":"176 - 191"},"PeriodicalIF":0.3,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81847798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The birth of Masaniello: poverty, society, and the visual in Naples and beyond 马萨涅洛的诞生:那不勒斯及其他地区的贫困、社会和视觉

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-03 DOI: 10.1080/02666286.2022.2113732

Graylin Harrison

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引用次数: 0

Woman in a turban: Domenichino’s Sibyl, Staël’s Corinne, and the image of female genius 戴头巾的女人:多梅尼基诺的西比尔，Staël的科琳娜，以及女性天才的形象

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-04-03 DOI: 10.1080/02666286.2023.2166319

E. Barker

{"title":"Woman in a turban: Domenichino’s Sibyl, Staël’s Corinne, and the image of female genius","authors":"E. Barker","doi":"10.1080/02666286.2023.2166319","DOIUrl":"https://doi.org/10.1080/02666286.2023.2166319","url":null,"abstract":"Abstract The heroine of Germaine de Staël’s Corinne, or Italy (1807) makes her first appearance in the novel ‘dressed like Domenichino’s Sibyl’, wearing an Indian shawl wound into a turban. The aim of this essay is to highlight the contribution that the tradition of Sibylline iconography made to the characterization of the heroine of Corinne by locating Staël in a long line of artists, writers, and patrons, particularly female ones, who adapted and appropriated this iconography for their own purposes over the previous two centuries. A crucial breakthrough was made in the early seventeenth century by Domenichino, who provided the prototype for later generations of artists by painting a freestanding picture of a generic (not, as often said, the Cumaean) Sibyl wearing a turban. Domenichino’s composition nevertheless remained exceptional in its insistence on the primacy of Sibylline inspiration, which helps to account for its role in Corinne as well as for its appeal to other early nineteenth-century writers. Staël’s direct predecessors included the artists Angelica Kauffman and Élisabeth-Louise Vigée Le Brun, both of whom portrayed female sitters in more or less Sibylline guise, but the most important was Emma Hamilton, from whose famous Attitudes Staël almost certainly derived the motif of the turban fashioned out of an Indian shawl. Staël herself adopted the turban as her characteristic headdress, as did other literary and artistic women after her; its great advantage lay in the way it enabled them to lay claim to Sibylline authority whilst also disavowing any such intent.","PeriodicalId":44046,"journal":{"name":"WORD & IMAGE","volume":"76 1","pages":"235 - 259"},"PeriodicalIF":0.3,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81059222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduction: Iconographiae. Writing images in the medieval world 介绍:Iconographiae。中世纪世界的文字形象

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-01-02 DOI: 10.1080/02666286.2023.2168110

Beatrice Daskas, G. Targia

引用次数: 0

How to write about images from the medieval world: André Grabar and his Byzantium—the case of L’Empereur dans l’art byzantin (1936) 如何书写来自中世纪世界的图像:安德烈·格拉巴尔和他的拜占庭——以拜占庭艺术皇帝为例(1936)

IF 0.3 3区社会学

WORD & IMAGE Pub Date : 2023-01-02 DOI: 10.1080/02666286.2023.2168474

Ivan Foletti

引用次数: 0