表演调色板:多尼，安圭索拉，和诗性自画像的起源

IF 0.2 3区社会学 0 HUMANITIES, MULTIDISCIPLINARY

WORD & IMAGE Pub Date : 2023-04-03 DOI:10.1080/02666286.2022.2072109

P. Sohm

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引用次数: 0

摘要

Agnolo Bronzino在Anton Francesco Doni的I Marmi(威尼斯，1552)中进行视觉实验。“你看到这些颜料了吗?”他一边向一群佛罗伦萨工匠展示他的调色板，一边问道。布龙奇诺在心里拆解了安德里亚·德尔·萨托的一幅画，并在调色板上加入了萨托会使用的颜料。用它们，他画了一幅《萨托》的复制品。这种奇怪的心理游戏是如何作为一种艺术批评形式，作为一种工艺和技术的展示，作为一种视觉练习，为一个不会画画的外行观众呈现的?多尼的《布龙齐诺》邀请观众和读者用画家的想象力和眼睛去思考和观看，这是自画像画家采用的一种策略，特别是安圭索拉·索福尼斯巴的自画像(Łańcut)， c.1555。

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Performing palettes: Doni, Anguissola, and the origins of poeitic self-portraiture

Abstract Agnolo Bronzino performs a visual experiment in Anton Francesco Doni’s I Marmi (Venice, 1552). “Do you see these pigments?” he asks as he shows his palette to a group of Florentine artisans. Bronzino had mentally dismantled a painting by Andrea del Sarto and loaded his palette with those pigments that Sarto would have used. With them, he painted a copy of the Sarto. How was this strange mind game rendered as a form of art criticism, as a demonstration of craft and technique, and as a visual exercise for a lay audience who could not paint? Doni’s Bronzino invited viewers and readers to think and see with the imagination and eyes of painters, a strategy adopted by painters of self-portraits, notably Anguissola Sofonisba’s Self-Portrait (Łańcut), c.1555.

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来源期刊

WORD & IMAGE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.20

自引率

33.30%

发文量

期刊介绍： Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime areas of humanistic criticism. Word & Image provides a forum for articles that focus exclusively on this special study of the relations between words and images. Themed issues are considered occasionally on their merits.