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Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta 马德里青年纪录片和社区戏剧：Mundo Quinta 的创作过程

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000174

Luisa García-Manso

引用次数: 0

Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics 不是 Billington，不是 Zoella，也绝对不是 "Fangirl"：业余剧评人群体中的社会区别

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000186

Megan Vaughan

{"title":"Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics","authors":"Megan Vaughan","doi":"10.1017/s0266464x24000186","DOIUrl":"https://doi.org/10.1017/s0266464x24000186","url":null,"abstract":"In theatre criticism, the lines between professional and amateur have softened considerably since the turn of the twenty-first century, with much attention – academic and journalistic – given to the impact of amateur theatre criticism on theatre-making and marketing, on newspapers, and on theatre scholarship. So far, however, the voices and perspectives of amateur critics themselves have largely been absent from research. To rectify this absence, this study applies sociological concepts from Pierre Bourdieu and Sarah Thornton to thirty-five interviews undertaken with practising theatre bloggers in the United Kingdom in order to understand their relative positions within three intersecting fields: the field of professional theatre reviewing; the field of online ‘influencing’; and the smaller and more specific field of ‘amateur’ theatre criticism. Here, the study undertaken finds a significant proportion of practitioners using the counterpoint of the ‘fangirl’ – whose practices of appreciation and etiquette are widely disparaged – to advocate for their own purportedly more intellectual and professional approaches to critique.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142397996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

British Theatre from Agitprop to ‘Primark Playwriting’ 从煽动性宣传到 "Primark 剧作 "的英国戏剧

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000204

David Edgar, Hakan Gültekin

{"title":"British Theatre from Agitprop to ‘Primark Playwriting’","authors":"David Edgar, Hakan Gültekin","doi":"10.1017/s0266464x24000204","DOIUrl":"https://doi.org/10.1017/s0266464x24000204","url":null,"abstract":"In this interview, which took place in Birmingham on 16 February 2023, Hakan Gültekin talks to playwright David Edgar about his theatre universe and the current state of British theatre. Edgar has long championed the social and economic rights of playwrights, and here suggests that the lack of long-term and sustained support from British theatres has created what he calls ‘Primark playwrights’. His plays are characterized by a careful examination of historical events and the impact of these events on society, as evident in his epic two-part play Destiny (1976), which examines the roots of the British Labour movement. Other notable plays include Excuses Excuses (1972), Saigon Rose (1976), Wreckers (1977), and Entertaining Strangers (1986), commissioned by the Colway Theatre. He has also written plays for the Royal Shakespeare Company, including The Jail Diary of Albie Sachs (1978), Maydays (1983, revived in 2018), and Pentecost (1994). More recently, he adapted A Christmas Carol for the RSC (2017) and staged the one-man show Trying It On (2018). He founded the first playwriting degree in Britain at the University of Birmingham in 1989, and served as President of the Writers’ Guild of Great Britain from 2007 to 2013.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"57 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142397914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Othello: A Moor Rorschach Test 奥赛罗摩尔人罗夏克测试

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000241

Akaela Michels-Gualtieri

引用次数: 0

Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama 人权的体现姿态：浪漫摄政时期戏剧中的悔恨、情感和同情

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000198

Eva Urban

{"title":"Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama","authors":"Eva Urban","doi":"10.1017/s0266464x24000198","DOIUrl":"https://doi.org/10.1017/s0266464x24000198","url":null,"abstract":"This article demonstrates how the Enlightenment model of sentiment and sympathy is performed in embodied gestures of affective empathy-building, cross-cultural fraternity, and concern for human rights in three Romantic Regency tragedies: Pizarro (1799) by the Romantic dramatist August von Kotzebue, adapted from the German by the Irish dramatist Richard Brinsley Sheridan; Remorse (1813) by the English poet Samuel Taylor Coleridge; and The Apostate (1817) by the Irish dramatist Richard Lalor Sheil. In these plays, protagonists are moved towards sympathy and solidarity with others across cultural divisions and conflict. The discussion also examines how human rights issues are addressed in two plays by Scottish dramatists: Archibald MacLaren’s The Negro Slaves (1799) and Joanna Baillie’s Rayner (1804). Here the protagonists express remorse for engaging in conflict, colonialism, slavery, violence, and human rights abuses against others. All these texts share a common internationalist desire to unite humanity against oppression, injustice, and inequality, advocating human rights, equality, religious tolerance, and cosmopolitan citizenship.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"10 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142397913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

‘… parents unknown … unheard of …’: Not I and the ‘Mother and Baby Homes Report’ 父母不详......闻所未闻......"：不是我和'母婴之家报告

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-04-29 DOI: 10.1017/s0266464x2400006x

Shane O’Neill

引用次数: 0

Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov 斯坦尼斯拉夫斯基的遗产：从瓦西里-托波尔科夫到奥列格-叶夫列莫夫和奥列格-塔巴科夫

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-04-29 DOI: 10.1017/s0266464x24000034

Viktoria Volkova

{"title":"Stanislavsky’s Legacy: From Vasily Toporkov to Oleg Yefremov and Oleg Tabakov","authors":"Viktoria Volkova","doi":"10.1017/s0266464x24000034","DOIUrl":"https://doi.org/10.1017/s0266464x24000034","url":null,"abstract":"This article discusses the continuity of Konstantin Stanislavsky’s pedagogy directly to his disciple Vasily Toporkov, and from him to his students Oleg Yefremov and Oleg Tabakov. Toporkov joined the Moscow Art Theatre (MAT) as an actor eleven years before Stanislavsky’s death, which allowed him to participate in the final phase of Stanislavsky’s life’s work and his development of the method of psychophysical actions. Struck by Stanislavsky’s authority, scrutiny, and caring attitude towards all actors, as well as other co-workers of the theatre, Toporkov transmitted this legacy, together with the practical knowledge that he had gained, to Yefremov and Tabakov, recounting vivid stories and anecdotes about Stanislavsky. The article traces the professional development of both men: each founded his own theatre, Yefremov the Sovremennik, and Tabakov the Tabakerka. Thus, whether or not they set out to do so, both Yefremov and Tabakov followed Stanislavsky’s life example, when he founded the MAT. Their decision to follow Stanislavsky’s example was a logical consequence of this great teacher’s life-affirmative, spiritual, material, and intellectual legacy, which is on a par with the most significant humanistic writings. The key spiritual-physical aspects of Stanislavsky’s legacy have been passed down in a straight line from Stanislavsky to his students, from them to their students, and so on, from one generation of the Moscow Art Theatre to the next, until the present day.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"94 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140808498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

What is ISTA (International School of Theatre Anthropology)? 什么是 ISTA（国际戏剧人类学学院）？

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-04-29 DOI: 10.1017/s0266464x24000022

Julia Varley

引用次数: 0

Contemporary Censorship Debates in Germany 德国当代审查制度辩论

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-04-29 DOI: 10.1017/s0266464x24000058

Marvin Carlson

{"title":"Contemporary Censorship Debates in Germany","authors":"Marvin Carlson","doi":"10.1017/s0266464x24000058","DOIUrl":"https://doi.org/10.1017/s0266464x24000058","url":null,"abstract":"During the past five years the cultural world in Germany has been shaken and divided by a series of controversies involving contemporary works of art charged with being anti-Semitic. Obviously, with the Holocaust continuing to occupy a major position in modern German consciousness and history, sensitivity to anti-Semitic expressions is particularly keen here. This sensitivity has been increased by a number of recent developments, including the growing visibility of far-right political groups, the rise of the Boycott, Divestment, and Sanctions movement (BDS) protesting Israeli treatment of the Palestinians, and the official politicization of these tensions by a parliamentary ruling in 2015 restricting the activities of the BDS. The conflict between legitimate criticism of policies of the Israeli state and legitimate censorship of ethnically offensive material has recently become increasingly bitter in Germany. This article discusses the dynamics of three of the most significant recent examples: the conflict involving Germany’s most prestigious arts festival, the Kassell documenta in 2020; the withdrawal in 2022 of the European Drama Award, the continent’s largest award, from British dramatist Caryl Churchill; and the withdrawal from the Munich stage of the most recent play by Wajdi Mouawad, who has been widely heralded in Germany as the most significant contemporary dramatist.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"58 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-04-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140808533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Feminist Rereading of Shabih’khani in Iran 伊朗沙比哈尼的女性主义重读

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-04-29 DOI: 10.1017/s0266464x24000010

Milad Azarm

引用次数: 0