NEW THEATRE QUARTERLY最新文献_第2页

The Craiova International Shakespeare Festival Celebrates Thirty Years 克拉约瓦国际莎士比亚节庆祝三十年

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2025-01-10 DOI: 10.1017/s0266464x24000356

Maria Shevtsova

引用次数: 0

Hi and Mighty: On the Czech Theatre Showcases 你好和强大：在捷克剧院展示

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2025-01-10 DOI: 10.1017/s0266464x24000344

Mark Brown

引用次数: 0

Burning Hope: Staging Queer Ecology in a Time of Wildfire 燃烧的希望：在野火时代上演酷儿生态

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2025-01-10 DOI: 10.1017/s0266464x24000320

Kari Barclay

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Dialogue: The Role of the Editor 对话：编辑的角色

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2025-01-10 DOI: 10.1017/s0266464x24000265

Philippa Burt, Maria Shevtsova

{"title":"Dialogue: The Role of the Editor","authors":"Philippa Burt, Maria Shevtsova","doi":"10.1017/s0266464x24000265","DOIUrl":"https://doi.org/10.1017/s0266464x24000265","url":null,"abstract":"World-renowned New Theatre Quarterly celebrates its fifty years of publication and its 200th issue, this being the last under the editorship of Maria Shevtsova. Simon Trussler, founder of Theatre Quarterly in 1971 (which closed for lack of funding in 1981) always considered New Theatre Quarterly, established with Cambridge University Press in 1985 – and with Clive Barker as co-editor – to be simply a continuation of TQ. Maria Shevtsova fully agreed. Forty issues of TQ, combined with one hundred and sixty editions of NTQ, gives the magic figure 200. The logistics of things, however, means that the number 160 appears on the cover of the present issue (the ‘New’ in New Theatre Quarterly standing for the newly resurgent journal on the back of its predecessor). This present issue also celebrates Maria Shevtsova’s twenty years of co-editorship with Simon Trussler, together with five more years of sole editorship of the journal following his death in 2019 (commemorated in NTQ 142, May 2020; see also their respective editorials, ‘One Hundred Issues and After’, in NTQ 100, November 2009).Twenty-five years of absolute commitment and tireless work call for recognition and thanks. Assistant editor Philippa Burt here discusses with Shevtsova her vision for the journal, and how her scholarship, research, teaching, as well as her numerous academic and outreach activities in multiple media, connected with her editorial commitment. This conversation took place on 19 June 2024.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"33 6 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2025-01-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142939877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Mysticism as Transgression in Chista Yasrebi’s Rahil 奇斯塔-亚斯雷比的《拉希尔》中作为超越的神秘主义

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000216

Narges Montakhabi Bakhtvar

引用次数: 0

Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta 马德里青年纪录片和社区戏剧：Mundo Quinta 的创作过程

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000174

Luisa García-Manso

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Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics 不是 Billington，不是 Zoella，也绝对不是 "Fangirl"：业余剧评人群体中的社会区别

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000186

Megan Vaughan

{"title":"Not Billington, not Zoella, and Definitely not a ‘Fangirl’: Social Distinction within Communities of Amateur Theatre Critics","authors":"Megan Vaughan","doi":"10.1017/s0266464x24000186","DOIUrl":"https://doi.org/10.1017/s0266464x24000186","url":null,"abstract":"In theatre criticism, the lines between professional and amateur have softened considerably since the turn of the twenty-first century, with much attention – academic and journalistic – given to the impact of amateur theatre criticism on theatre-making and marketing, on newspapers, and on theatre scholarship. So far, however, the voices and perspectives of amateur critics themselves have largely been absent from research. To rectify this absence, this study applies sociological concepts from Pierre Bourdieu and Sarah Thornton to thirty-five interviews undertaken with practising theatre bloggers in the United Kingdom in order to understand their relative positions within three intersecting fields: the field of professional theatre reviewing; the field of online ‘influencing’; and the smaller and more specific field of ‘amateur’ theatre criticism. Here, the study undertaken finds a significant proportion of practitioners using the counterpoint of the ‘fangirl’ – whose practices of appreciation and etiquette are widely disparaged – to advocate for their own purportedly more intellectual and professional approaches to critique.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"9 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142397996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

British Theatre from Agitprop to ‘Primark Playwriting’ 从煽动性宣传到 "Primark 剧作 "的英国戏剧

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000204

David Edgar, Hakan Gültekin

{"title":"British Theatre from Agitprop to ‘Primark Playwriting’","authors":"David Edgar, Hakan Gültekin","doi":"10.1017/s0266464x24000204","DOIUrl":"https://doi.org/10.1017/s0266464x24000204","url":null,"abstract":"In this interview, which took place in Birmingham on 16 February 2023, Hakan Gültekin talks to playwright David Edgar about his theatre universe and the current state of British theatre. Edgar has long championed the social and economic rights of playwrights, and here suggests that the lack of long-term and sustained support from British theatres has created what he calls ‘Primark playwrights’. His plays are characterized by a careful examination of historical events and the impact of these events on society, as evident in his epic two-part play Destiny (1976), which examines the roots of the British Labour movement. Other notable plays include Excuses Excuses (1972), Saigon Rose (1976), Wreckers (1977), and Entertaining Strangers (1986), commissioned by the Colway Theatre. He has also written plays for the Royal Shakespeare Company, including The Jail Diary of Albie Sachs (1978), Maydays (1983, revived in 2018), and Pentecost (1994). More recently, he adapted A Christmas Carol for the RSC (2017) and staged the one-man show Trying It On (2018). He founded the first playwriting degree in Britain at the University of Birmingham in 1989, and served as President of the Writers’ Guild of Great Britain from 2007 to 2013.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"57 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142397914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Othello: A Moor Rorschach Test 奥赛罗摩尔人罗夏克测试

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000241

Akaela Michels-Gualtieri

引用次数: 0

Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama 人权的体现姿态：浪漫摄政时期戏剧中的悔恨、情感和同情

IF 0.1 3区艺术学

NEW THEATRE QUARTERLY Pub Date : 2024-10-10 DOI: 10.1017/s0266464x24000198

Eva Urban

{"title":"Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama","authors":"Eva Urban","doi":"10.1017/s0266464x24000198","DOIUrl":"https://doi.org/10.1017/s0266464x24000198","url":null,"abstract":"This article demonstrates how the Enlightenment model of sentiment and sympathy is performed in embodied gestures of affective empathy-building, cross-cultural fraternity, and concern for human rights in three Romantic Regency tragedies: Pizarro (1799) by the Romantic dramatist August von Kotzebue, adapted from the German by the Irish dramatist Richard Brinsley Sheridan; Remorse (1813) by the English poet Samuel Taylor Coleridge; and The Apostate (1817) by the Irish dramatist Richard Lalor Sheil. In these plays, protagonists are moved towards sympathy and solidarity with others across cultural divisions and conflict. The discussion also examines how human rights issues are addressed in two plays by Scottish dramatists: Archibald MacLaren’s The Negro Slaves (1799) and Joanna Baillie’s Rayner (1804). Here the protagonists express remorse for engaging in conflict, colonialism, slavery, violence, and human rights abuses against others. All these texts share a common internationalist desire to unite humanity against oppression, injustice, and inequality, advocating human rights, equality, religious tolerance, and cosmopolitan citizenship.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":"10 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2024-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142397913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0