ACM SIGGRAPH 2021 Immersive Pavilion最新文献_第2页

Walking Balance Assessment with Eye-tracking and Spatial Data Visualization 基于眼动追踪和空间数据可视化的行走平衡评估

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464533

Zhu Wang, Anat V. Lubetzky, K. Perlin

引用次数: 0

Speak to Awaken EP.1 Diving into Siraya: An Endangered Language Speech Interactive VR Documentary 潜入西拉亚:一个濒临灭绝的语言演讲互动VR纪录片

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464537

Carol Tsai-Jung Han, Kuan Yuan Lai

引用次数: 0

Exposition of Music: VR Exhibition 音乐博览会:VR展览

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464535

Jiyoung Kang, Byung-kyu Jeon, Seon-hwi Kim, Su-yong Park

引用次数: 0

VR SuperGun: Interfacing 1980s Arcade Hardware with Online Virtual Reality VR SuperGun:将80年代街机硬件与在线虚拟现实相结合

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464526

Kieran Nolan

引用次数: 0

SecondSight: Demonstrating Cross-Device Augmented Reality SecondSight:展示跨设备增强现实

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464545

Carolin Reichherzer, Jack Fraser, M. Billinghurst

引用次数: 1

Bystanding: The Feingold Syndrome: Step outside your shoes: exploring the Bystander Effect through Virtual Reality 旁观:法因戈尔德综合症:跳出你的鞋子:通过虚拟现实探索旁观者效应

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464539

Roi Lev, N. Shapira, Y. Yacoby

引用次数: 0

A New Normal: A story about warmth, hope, and family, A New Normal explores themes of ‘home' and 'belonging' combining elements and processes of traditional narrative filmmaking with augmented reality. 《新常态》:一个关于温暖、希望和家庭的故事，《新常态》探索了“家”和“归属感”的主题，将传统叙事电影制作的元素和过程与增强现实技术相结合。

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464525

Asavari Kumar, Shaivalini Kumar

{"title":"A New Normal: A story about warmth, hope, and family, A New Normal explores themes of ‘home' and 'belonging' combining elements and processes of traditional narrative filmmaking with augmented reality.","authors":"Asavari Kumar, Shaivalini Kumar","doi":"10.1145/3450615.3464525","DOIUrl":"https://doi.org/10.1145/3450615.3464525","url":null,"abstract":"As we learn to keep social and familial connections alive amidst the pandemic and rely heavily on digital media, I realize this has been my own ‘normal’ for most of the past decade. After immigrating to the US from India, my ability to travel home and be physically present with my family became limited, particularly after the 2016 elections. Thinking about home and belonging today, my thoughts go to my sister in Copenhagen and my parents in New Delhi. Using Augmented Reality as a storytelling tool for this film, allows me to see the evolving definition of ‘home’ through the eyes of my family. My experiments in early 2020 as an artist in the Adobe Aero AR Residency, helped explore the possibilities and limitations of AR, as experienced through the Adobe Aero application. Following this, I was interested in seeing how AR could fit into the scope of a narrative project and how it would interact with a traditional animation or video workflow when used by a filmmaker. I discovered many efficiencies during the production process, the most powerful being in-camera, real-time compositing. The process of creating ‘A New Normal’ combines the technical and conceptual workflows of both animation and documentary filmmaking. One scene has been made available to view in AR via the Adobe Aero app on iOS. Shot entirely in my apartment while sheltering in place, A New Normal is a product of remote collaboration between artists based in Copenhagen, Madrid, New Delhi, Mumbai and Los Angeles. In this short, my everyday digital conversations with family are overlaid with AR versions of my parents and sister in my own environment, to co-create a mixed reality experience that for the time being, is the closest thing I have to the feeling of home.","PeriodicalId":439895,"journal":{"name":"ACM SIGGRAPH 2021 Immersive Pavilion","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125825839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

HoloFight: An Augmented Reality Fighting Game HoloFight:增强现实格斗游戏

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464531

Shalva Kohen, Carmine Elvezio, Steven K. Feiner

引用次数: 0

Vermillion: Oil Painting Simulation In Virtual Reality: A new tool for digital artists offering the analog control of traditional painting with the benefits of a virtual environment. 朱砂:虚拟现实中的油画模拟:数字艺术家的新工具，提供传统绘画的模拟控制与虚拟环境的好处。

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464542

Thomas van den Berge

{"title":"Vermillion: Oil Painting Simulation In Virtual Reality: A new tool for digital artists offering the analog control of traditional painting with the benefits of a virtual environment.","authors":"Thomas van den Berge","doi":"10.1145/3450615.3464542","DOIUrl":"https://doi.org/10.1145/3450615.3464542","url":null,"abstract":"Digital art has come a long way since the first release of MS Paint. And while artists can already work wonders with the tools at their disposal, there's always been a very distinct barrier between traditional mediums and the digital ones. Instead of brushes on a canvas, a stylus on a screen is used. Instead of mixing paints of different colors and thickness, a color picker and transparency slider are presented. The instinctiveness and versatility of bristles on canvas have been replaced with a selection of discrete tools - draw, blur, smudge,... It's also not possible to make strokes with large gestures, to work on your piece from arm's length, like the old masters did. The typical texture that physical paint has is also lost in drawing programs. Vermillion offers a new tool for digital artists, be they novices who always wanted to try their hand at following along with Bob Ross, or veteran Photoshop users who long for more analog control. It simulates the full oil painting experience. A selection of specialist brushes is offered, each with unique characteristics and their distinct brush pattern. The bristles bend as they are pushed against a surface, soaking up the paint that's on the palette. The paints mix as they would in the real world, not as RGB colors do on a monitor. Paint thinner can be used to control the thickness and flow of the paint. The paint can be pushed, pulled, blurred and blended on the canvas, and shows the relief and pattern of your strokes. The resulting piece can be exported to be presented as a new digital work of art.","PeriodicalId":439895,"journal":{"name":"ACM SIGGRAPH 2021 Immersive Pavilion","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121474997","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Designing for Storyliving Experiences:: Tinker, A Case Study 故事生活体验设计:Tinker，一个案例研究

ACM SIGGRAPH 2021 Immersive Pavilion Pub Date : 2021-08-05 DOI: 10.1145/3450615.3464534

Louise W. Ward, Cristopher David, Lara Bucarey

引用次数: 1