Ethnomusicology Forum最新文献_第3页

Music career and sustainability: the strategies of a hiplife musician 音乐事业与可持续性:嘻哈音乐人的策略

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-08-11 DOI: 10.1080/17411912.2023.2236636

Joshua O. Brew

引用次数: 0

Much more than ‘Danny Boy’: bringing Irish traditional music to the USA 不仅仅是“丹尼男孩”：将爱尔兰传统音乐带到美国

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-08-04 DOI: 10.1080/17411912.2023.2236135

Daithí Kearney, A. Commins

{"title":"Much more than ‘Danny Boy’: bringing Irish traditional music to the USA","authors":"Daithí Kearney, A. Commins","doi":"10.1080/17411912.2023.2236135","DOIUrl":"https://doi.org/10.1080/17411912.2023.2236135","url":null,"abstract":"ABSTRACT Performances in the USA during the 1970s by three semi-professional groups – The Chieftains, the Siamsa Céilí Band, and Siamsa Tíre – present opportunities to understand developments in Irish traditional music during that period. These developments led to increased commercialisation of the music and tours by Irish performers to the USA in subsequent decades, providing access to a significantly larger market for the genre, within and beyond the diaspora. Underpinning the study is a critical consideration of audiences’ understanding of Irish identity and culture and the reception of Irish cultural performances in the USA at this time. These tours contributed to a reconceptualization of Irish traditional music that engaged new audiences in the USA and incorporated repertoire beyond what American audiences typically associated with Ireland at the time. Developing a professional approach, the groups presented repertoire from the dance music and harp music traditions, Irish language song, and traditional styles of dance. We examine the motivations for the tours, the itineraries and venues, and the material presented, as well as the impact of Northern Ireland politics on each of the groups and their performances.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48350247","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Thai musicology in context: epistemic disparities in Thai and western ways of knowing Thai music 背景下的泰国音乐学：泰国和西方了解泰国音乐方式的认识差异

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-08-03 DOI: 10.1080/17411912.2023.2236630

John Garzoli, Tharanat Hin-on

{"title":"Thai musicology in context: epistemic disparities in Thai and western ways of knowing Thai music","authors":"John Garzoli, Tharanat Hin-on","doi":"10.1080/17411912.2023.2236630","DOIUrl":"https://doi.org/10.1080/17411912.2023.2236630","url":null,"abstract":"ABSTRACT Relatively little has been published in English about dontri Thai (Thai classical music) and due to the absence of Thai scholars from English language musicological scholarship, most of what has been published was written by non-Thai scholars who have relied upon terms and concepts developed for explaining music with roots in the European tradition. The importation of extrinsic categories conceals indigenous explanatory models and blocks paths connecting Thai musical performance and thought to other areas of Thai culture and social life. This article frames the silence of Thai voices and their ways of knowing as the epistemological dimension of the colonising enterprise, the effects of which have made their way into Thai universities where they have transformed intellectual life and dontri Thai pedagogy. The disciplinary reorientation suggested here aims towards a pluralist model of musicological thought and method. This will open a space for different ways of musical knowing, creating, and theorising to enter from where they may decentre and reshape Western musicological discourse and practice. A rethink of musicology will help align its disciplinary goals with the aims of addressing equality of representation and allow unheard Thai voices to explain their own music in their own terms.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-08-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41882463","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Culturally sustaining pedagogies in music education: expanding culturally responsive teaching to sustain diverse musical cultures and identities 音乐教育中的文化维持教学法:扩展文化响应教学以维持多元化的音乐文化和身份

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-06-08 DOI: 10.1080/17411912.2023.2215990

Mo Zhang

引用次数: 1

Staged folklore: the National Folk Theatre of Ireland 1968–1998 舞台民俗:爱尔兰国家民间剧院1968-1998

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-04-13 DOI: 10.1080/17411912.2023.2199321

Maurice Mullen

引用次数: 1

Sing and sing on. Sentinel musicians and the making of the Ethiopian American diaspora 继续唱吧。哨兵音乐家和埃塞俄比亚裔美国人的形成

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-03-09 DOI: 10.1080/17411912.2023.2182807

Zuzana Jurková

引用次数: 0

Piercing the structure of tradition: flute performance, continuity, and freedom in the music of Noh drama 打破传统的结构：诺剧音乐中的长笛演奏、连续与自由

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-03-01 DOI: 10.1080/17411912.2023.2182806

J. Witzleben

引用次数: 0

Voices of Vietnam: a century of radio, red music, and revolution 越南之声:一个世纪的广播、红色音乐和革命

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-01-09 DOI: 10.1080/17411912.2022.2161592

Lisa Beebe

引用次数: 0

‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) “重轮转”:揭示社会主义莫桑比克的唱片业和“NGOMA国家标签”(1978-1990)

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-01-02 DOI: 10.1080/17411912.2023.2168287

Marco Roque de Freitas

引用次数: 1

Mousike or music? Using analysis to explore shifts in musical attention 鼠标还是音乐？运用分析探究音乐注意力的转移

IF 0.8 1区艺术学

Ethnomusicology Forum Pub Date : 2023-01-02 DOI: 10.1080/17411912.2023.2168286

Francesca R. Sborgi Lawson

{"title":"Mousike or music? Using analysis to explore shifts in musical attention","authors":"Francesca R. Sborgi Lawson","doi":"10.1080/17411912.2023.2168286","DOIUrl":"https://doi.org/10.1080/17411912.2023.2168286","url":null,"abstract":"ABSTRACT This paper argues that ethnomusicology has trended away from analysing music sound and, consequently, has not distinguished between two distinct-yet-complementary modes of attention, namely the multimodal cognition associated with mousike and the more ‘teleomusical’ (music-directed) attention associated with music. Building on (1) research on music in ancient Greece and China, (2) studies on multimodal perception, (3) the discovery of teleomusical perception in infants, and (4) three contemporary case studies, this paper concludes that mousike and music may be best understood as endpoints on a continuum of musical engagement. Mousike requires attending to the synergistic interaction among competing modalities, such as the linguistic, musical, visual, and kinesthetic, whereas music involves a greater amount of ‘technologizing’ in ‘extending’ musical cognition (extended mind thesis), requiring an attentive shift towards music sound. Founded on stages in infant development, the adult processes of attending to mousike and music must be ascertained through analysis, which can, nevertheless, present both challenges and advantages. The challenges are the biases that can emerge from the music-directed emphasis of ethnomusicological training, which may impede our ability to attend to other competing modalities in performance; the advantages are the revelatory insights that can only come from attending to music sound.","PeriodicalId":43942,"journal":{"name":"Ethnomusicology Forum","volume":"32 1","pages":"120 - 142"},"PeriodicalIF":0.8,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45102620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0