“重轮转”:揭示社会主义莫桑比克的唱片业和“NGOMA国家标签”(1978-1990)

IF 0.2 1区艺术学 0 MUSIC

Ethnomusicology Forum Pub Date : 2023-01-02 DOI:10.1080/17411912.2023.2168287

Marco Roque de Freitas

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引用次数: 1

摘要

摘要本文概述了所谓“社会主义时期”后殖民时期莫桑比克唱片业的结构和编辑实践。它详细介绍了制作阶段、相关公司，并深入探讨了指导NGOMA出版的留声机的物质条件和美学价值——被称为“莫桑比克国家标签”——以及它们与1978年（该系列开始制作）至1990年（该国正式停止黑胶生产）之间国家定义的文化政策的关系。探讨了几个主题，如歌词、曲目和艺术家、版权、女艺术家以及内战期间对音乐制作的限制等主要主题。在分析了主要的音乐趋势并承认了值得注意的缺席之后，我反思了NGOMA在国家建设过程中的效率。

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‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990)

ABSTRACT This article outlines the structure and editorial practices of the phonographic industry in postcolonial Mozambique during the so-called ‘socialist period’. It details the production phases, the associated companies and delves into the material conditions and aesthetic values that guided the phonograms published by NGOMA—dubbed as ‘the Mozambican national label’—and their relationship with state-defined cultural policy between 1978 (when production on this series commenced) and 1990 (when vinyl production officially ceased in the country). Several themes are explored, such as predominant topics of song lyrics, repertoires and artists, copyright, women artists, and the restrictions on music production during the civil war. After analysing the main musical trends and acknowledging noteworthy absences, I reflect on NGOMA’s efficiency in the nation-building process.

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来源期刊

Ethnomusicology Forum MUSIC-

CiteScore

1.10

自引率

25.00%

发文量

期刊介绍： Articles often emphasise first-hand, sustained engagement with people as music makers, taking the form of ethnographic writing following one or more periods of fieldwork. Typically, ethnographies aim for a broad assessment of the processes and contexts through and within which music is imagined, discussed and made. Ethnography may be synthesised with a variety of analytical, historical and other methodologies, often entering into dialogue with other disciplinary areas such as music psychology, music education, historical musicology, performance studies, critical theory, dance, folklore and linguistics. The field is therefore characterised by its breadth in theory and method, its interdisciplinary nature and its global perspective.