{"title":"PROSES PRODUKSI PEMANFATAAN LIMBAH PELEPAH BATANG POHON PISANG UNTUK AKSESORIS KEPALA DI DAERAH KAUJON BANTEN","authors":"Hidayat Sirruhu, Vania Aqmarani Sulaiman","doi":"10.22441/narada.2020.v7.i2.005","DOIUrl":"https://doi.org/10.22441/narada.2020.v7.i2.005","url":null,"abstract":"Banana tree trunk waste is considered as wasted material rather than being used as a material with high economic value. whereas the banana tree trunk waste is a material that is easily found in the community or villages, so it does not rule out the possibility of utilizing this banana trunk waste as head material. This study aims to try to find more value from banana tree trunk waste to be used as a head accessory, by utilizing banana tree trunk waste as material, the head accessories that will be made are brooch patches, headpieces, bandanas, and hats. The study was conducted to determine the production process of the utilization of banana tree trunk waste for the head accessories. The method used is the method of observation to the banana tree stem midrib to find out the production process from the beginning to become a product, this production process uses weaving technique. The product that will be produced in the process of producing banana tree trunk waste is in the form of head accessories, namely brooch patch, headpiece, bandana, and hat. The results of research on the production process of banana tree trunk waste can reduce waste and can become a renewable resource into the utilization of banana tree trunk waste. The resulting product can be ahead of the accessory product and increase the economic and aesthetic value and function of the waste.","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129872983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TINJAUAN MATERIAL KAYU UNTUK DRAWER (MEJA NAKAS)","authors":"Denta Mandra Pradipta Budiastomo, Nukke Sylvia","doi":"10.22441/NARADA.2020.V7.I1.004","DOIUrl":"https://doi.org/10.22441/NARADA.2020.V7.I1.004","url":null,"abstract":"Drawer (nightstand) is one of the home properties that are very important because there are also many functions of sweetening the room or can be used to store things for necessity. There was a time when night tables were considered only as their storage space built as ordinary shelves with shelves to store objects in bedrooms, schools, hospitals, and offices. The drawer is mostly made of wood but not many people know about the material used as the base for making Drawers. Therefore what will be sought in this research is anything that is light wood for Drawers or night tables, any coloring that is suitable for Drawers or nightstand, ergonomic forms for Drawers or nightstand. The method that will be used in achieving the objectives of this research is the desk research method. analyze secondary sources from books and the internet that discuss Drawer. The research objective to be achieved in this study is to reveal a study of knowing and analyzing what is light wood suitable for Drawer (night table), knowing the color and analyzing what colors are suitable for Drawer (night table), Knowing and analyzing shapes Ergonomic for Drawers (nightstand).","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122519685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"ANALISA GAYA LAGU KLASIK GAMBANG KROMONG “POBIN KONG JI LOK’","authors":"I. Firmansyah","doi":"10.22441/narada.2019.v6.i3.010","DOIUrl":"https://doi.org/10.22441/narada.2019.v6.i3.010","url":null,"abstract":"Nowadays, the existing repertoire of the classic songs of gambang kromong is very apprehensive. Dozens of gambang kromong's classical songs developed comprehensively at the end of the 18th century, but in the present, there is only one song that is still possible to play, namely \"Pobin Kong Ji Lok\". Even, as a matter of fact, this song can only be played by an old music player. Based on the aforementioned problems, it is necessary to conduct documentation of \"Pobin Kong Ji Lok\" song, associated with an analysis of its musical style. \"Pobin Kong Ji Lok\" will be documented in the form of audiovisual, transcribed in the form of notation, then analyzed its style of music through the most prominent musical elements, including the musical scale, harmony, tuning system, rhythm, and the timbre of musical instruments.","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115670239","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Felicia Wisama Nugraha, I. Fahroni, Febriani Elisabeth Openg
{"title":"RE-DESIGN BANGUNAN DAN IMPLEMENTASI KONSEP “BIOPHILIC DESIGN” UNTUK MENINGKATKAN KUALITAS RUANG PADA GEREJA GPPS DI SURABAYA","authors":"Felicia Wisama Nugraha, I. Fahroni, Febriani Elisabeth Openg","doi":"10.22441/narada.2019.v6.i3.002","DOIUrl":"https://doi.org/10.22441/narada.2019.v6.i3.002","url":null,"abstract":"Gereja Pantekosta Pusat Surabaya (GPPS) is a Christian Church that was established since February 25, 1964, with the spirit of devotion to give service for God. In the beginning, GPPS Church has more or less 50 permanent congregations and keep growing until now reaches the number around 120 congregations. Because of the layout and the size of this Church building is small, it makes the congregations feel uncomfortable and even have to worship on the outside of the Church. Furthermore, this situation disturbs the sacredness in worship for a few congregations. Moreover, the inadequate implementation of these interior design styles also interfere with the humility of the worship and reduces the quality of every room. Therefore, it is needed for this Church to re-design the layout of the building and the implementation of the biophilic concept to support the humility and increase the quality of the rooms in the GPPS Church Surabaya. This design uses the Design Thinking methodology which consists of Observe, Point of View, Ideate, Prototype, and Test and implements the Biophilic Design with the concept “ Heaven of the Earth “ which aims to take benefit of the surrounding nature. This concept is expected to increase the atmosphere of Interior Design to have better humility and give more place for other congregations.","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133461749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"VISUALISASI MOTIF TENUN HASIL ANAK USIA DINI DI SUKU BADUY LUAR","authors":"Nina Maftukha","doi":"10.22441/10.1088/1757-899X/453/1/012037","DOIUrl":"https://doi.org/10.22441/10.1088/1757-899X/453/1/012037","url":null,"abstract":"Visualization is the expression of an idea or feeling by using pictures, writing (words and numbers), maps, graphics, and so on. Visualization of weaving motifs of early childhood results in the Baduy Tribe has varied patterns as a representation of the development of local children's creativity.The objective to be achieved in this study is to examine the visualization of weaving results of early childhood in the Baduy Tribe with qualitative methods with visual anthropology and semiotics approaches. This is very important to be studied to formulate the process of creativity of young children in learning to weave.The results of the study concluded that the development of children in terms of making motifs can be classified in stages, namely, children aged 2 years, 3 years, 3.5 years, 4 years, 5 years and 6 years. The difference is in terms of structure, weft and weaving technique, and the choice of thread color for a motif.These creative methods and processes in the future will be applied to early childhood learning systems, then the final results can be formulated and this research can be developed more broadly so that they can be used as a reference in other linear studies. The specific target to be achieved in this research is the publication of journals, as well as book chapters that can be used as scientific support books.","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133948461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"IDENTITAS KOTA BANDUNG PADA BATIK KOMAR BERDASARKAN TEORI KEVIN LYNCH","authors":"Nukke Sylvia, B DentaMandraPradipta","doi":"10.22441/narada.2019.v6.i2.006","DOIUrl":"https://doi.org/10.22441/narada.2019.v6.i2.006","url":null,"abstract":"Identity is a characteristic or to the repertoire of a place, which makes someone recall and wants to visit again where they are intended because it has differences with other places because it has character and uniqueness. Identity is a very important fundamental thing. This is because identity is something that is used to recognize, distinguish a place from another place Kevin Lynch, good city form (1984; 131). According to RI Minister of Home Affairs regulation No. 4 years old 1980, the City is a place that has administrative boundaries such as municipalities and administrative cities. The city also means an urban living environment that has non-agrarian characteristics, for example, the district capital, the capital of the sub-district which functions as the center of growth. One that has these characteristics is the city of Bandung, the city of Bandung is one place that has its own uniqueness and character, both in places of tourism, food, and other foods. One of the places visited by many local and foreign tourists in searching for souvenirs or souvenirs is Batik. One of the famous Batik venues in Bandung is Komar Batik, Batik Komar is one place that produces Batik with Bandung City motif. Therefore the author wants to examine the Bandung City motif made by Batik Komar with the theory of Kevin Linch so that the history of the Bandung Batik can be maintained. After producing the Bandung Batik analysis, it can be concluded that Batik Komar as a batik maker reflects the identity of Bandung City. ","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130905905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TINJAUAN BENTUK PENGGUNAAN BAHAN/MATERIAL RUMAH(BUMI) ADAT KAMPUNG CIKONDANG, DESA LAMAJANG","authors":"Nani Sriwardani, Savitri Savitri","doi":"10.22441/narada.2019.v6.i2.001","DOIUrl":"https://doi.org/10.22441/narada.2019.v6.i2.001","url":null,"abstract":"This research at some part was an overview of previous studies which is standardization of the form of air circulation in Bumi Adat Kampung Cikondang, Village Lamajang and had been published in proceeding Sinden 2018.Bumi Adat Cikondang as object research in the Village Lamajang is selected since there is only one traditional house left in this village and it has become the site of cultural heritage. Architecture of Bumi Adat is built around the 16th century, and currently is a part of tourism in West Java. The traditional house lost during the fire in 1942, and was not be built again because of local restriction believes as well as limited building material in the sacred woods. Bumi Adat is in total use of natural material, such as bamboo, wood and palm fibers.The use of natural materials for the whole building create the work that have been able to survive until now.Methods used in this research is a qualitative methodology with descriptive analysis supported by observation and study in the field and study in literature review.The aimed at this research is to describing the shape of the use of natural material until become traditional building. ","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130912685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"KOMPARASI IKON CABANG OLAH RAGA ASIAN GAMES 2018 JAKARTA-PALEMBANG DAN ASIAN PARA GAMES 2018","authors":"Ika Resmika Andelina","doi":"10.22441/narada.2019.v6.i2.009","DOIUrl":"https://doi.org/10.22441/narada.2019.v6.i2.009","url":null,"abstract":"Along with the development of technology and the world economy, the use of icons is often found in the creative industries. Icon application can be of various uses, ranging from application icons for devices, sign systems, software, road markings, and others. According to Van Leeuwen, iconography means \"writing pictures\", often refers to the activity of describing and classifying images. One of the uses of icons in the industrial world can be seen at the Asian Games & Asian Para Games 2018. The icons used at these events are used to represent each sport that is contested. Although it is an icon with the same type of sport, there are different depictions on these icons. This study aims to compare and determine the differences in the 2018 Asian Games & Asian Para Games sports icons, and see which icons can better represent the sport branches they are competing against.","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124951963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"KAJIAN FURNITURE PADA INTERIOR RUANG KELAS PENYANDANG AUTIS","authors":"Anggi Dwi Astuti","doi":"10.22441/narada.2019.v6.i2.002","DOIUrl":"https://doi.org/10.22441/narada.2019.v6.i2.002","url":null,"abstract":"Autism sufferers have a disruption to social interaction, communication, imagination with repetitive behavior patterns and resistance (not easy to adjust) to the environment and routine in general. This disorder in social interaction issue causes autism sufferers to look strange and different from other people. Autistic sufferers must be given the widest opportunity to develop their potential by creating a special forum that aims to get special education for children with special needs such as autistic children. One form of therapy offered is one on one method. Designing the right layout and using the right furniture can provide an autistic child to be relaxed and comfortable to undergo the therapy and learning. Objectives to be achieved in the design of children’s autism desk is to help children and mentors carry out the therapeutic process by considering several factors namely safety, comfort, and optimization of the therapeutic process. In the process with the existing planning and design methods among them; Data collection, design concepts, design alternatives, design development of selected alternatives, and final design, the final result of the design of this autistic children’s desk is designed to function as well as a means of sensory and motor therapy of children","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130111077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"TINJAUAN MAINAN LOKAL MENGGUNAKAN KECENEDERUNGAN BASIC NEEDS DESIGN, SOCIAL NEEDS DESIGN DAN LOCAL WISDOM DESIGN","authors":"Hady Soedarwanto","doi":"10.22441/narada.2019.v6.i2.005","DOIUrl":"https://doi.org/10.22441/narada.2019.v6.i2.005","url":null,"abstract":"The toy product industry is currently stretching and becoming one of the major companies in the world. Those industries are still monopolized by developed countries. Developing countries such as Indonesia have the opportunity to participate in the competition of the toy product industry. The way to deal with the problem is by developing existing potential by utilizing existing local wisdom. Through research on local toys, it is expected to be an opportunity for the possibility of that competition. By using three phenomena in design is expected to open many changes for many new possibilities in the toy industry. The design phenomena are the basic needs tendency (Vitruvius Theory), social needs tendencies (Sir Henry Wotton's theory) and local wisdom tendencies (Viktor Papanek, Schulz and Y.B.Mangunwijaya's Theory). The theory is used to extract the values of basic needs, social needs and local wisdom that is typical of the toy in order to get the variables of the design requirements to be used in the development of scientific design, especially toy product design. The results of this study get about how the design fulfills its basic needs, fulfills its social needs and raises the value of its local wisdom.","PeriodicalId":438634,"journal":{"name":"Narada : Jurnal Desain dan Seni","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114471094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}