{"title":"Translating Simon Stone’s Radical Rewritings into German","authors":"Brangwen Stone","doi":"10.1080/10486801.2024.2316806","DOIUrl":"https://doi.org/10.1080/10486801.2024.2316806","url":null,"abstract":"Translation (and rewriting) has been central to Simon Stone’s artistic practice since his first major directing success, an adaptation of the play Frühlings Erwachen (Spring Awakening) by the Germa...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"15 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141736897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Why Was I Born Among Mirrors?’: Hyper-(In)visibility in Simon Stone’s Yerma","authors":"Melissa Lin Sturges","doi":"10.1080/10486801.2024.2316805","DOIUrl":"https://doi.org/10.1080/10486801.2024.2316805","url":null,"abstract":"Simon Stone’s adaptation of Yerma, after Lorca, which premiered at the Young Vic in London 2017, reconsiders Yerma as an anonymous twenty-first-century woman known only as HER. Using Lorca’s play, ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"71 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141891599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hear-Telling the Chauraasi Archive: Performing Testimony After Trauma","authors":"Sharanya","doi":"10.1080/10486801.2024.2305449","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305449","url":null,"abstract":"In 2014, 30 years after the anti-Sikh pogrom (Chauraasi) instigated by the Hindu Right destroyed Sikh lives in New Delhi, I listened to the survivors and witnesses of the 1984 pogrom chat casually ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"91 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sonic Spectral Summoning","authors":"Johanna Linsley","doi":"10.1080/10486801.2024.2305435","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305435","url":null,"abstract":"Sonic Spectral Summoning was a participatory ‘correspondence course’ that took place as part of Queer Extension, a series of remote, artist-led experiments in alternative education that ran during ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"06 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140915160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Attempts at a Description: Rose English’s Plato’s Chair and the Hear Tell","authors":"Joe Kelleher","doi":"10.1080/10486801.2023.2200178","DOIUrl":"https://doi.org/10.1080/10486801.2023.2200178","url":null,"abstract":"At a commercial gallery in London in 2019 I’m listening to audio recordings of Rose English’s 1980s performance Plato’s Chair, while a video of the show is projected on the wall ahead. The effect i...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"44 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096783","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A Text is a Pure Image. Correspondence Around Mapa Teatro","authors":"Giulia Palladini, Agnes Brekke","doi":"10.1080/10486801.2024.2305436","DOIUrl":"https://doi.org/10.1080/10486801.2024.2305436","url":null,"abstract":"This document is constructed as an exchange of letters between actor Agnes Brekke and writer and theatre scholar Giulia Palladini, reflecting on their common long-term engagement with the Colombian...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"27 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141096793","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}