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CONTEMPORARY THEATRE REVIEW最新文献

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Let it Burn: Smell, Participation, and Solidarity in Travis Alabanza’s Burgerz 让它燃烧：特拉维斯-阿拉班扎的《汉堡包》中的气味、参与和团结
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-08-05 DOI: 10.1080/10486801.2024.2334863
Emma Welton
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引用次数: 0
Rethinking Didactic Theatre for a Young Audience 重新思考面向年轻观众的说教式戏剧
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-08-05 DOI: 10.1080/10486801.2024.2334250
Naphtaly Shem-Tov
{"title":"Rethinking Didactic Theatre for a Young Audience","authors":"Naphtaly Shem-Tov","doi":"10.1080/10486801.2024.2334250","DOIUrl":"https://doi.org/10.1080/10486801.2024.2334250","url":null,"abstract":"Didactic theatre for a young audience (TYA) is perceived as a widespread obstacle to the artistic quality and value of TYA. This article rethinks and deconstructs the assumptions that didactic TYA ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"28 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"142013903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decolonizing Site-Specific Performance Methodologies: Preliminary Steps 特定场所表演方法的非殖民化：初步步骤
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-08-05 DOI: 10.1080/10486801.2024.2334245
Melanie Kloetzel
{"title":"Decolonizing Site-Specific Performance Methodologies: Preliminary Steps","authors":"Melanie Kloetzel","doi":"10.1080/10486801.2024.2334245","DOIUrl":"https://doi.org/10.1080/10486801.2024.2334245","url":null,"abstract":"As viral contagions, pandemic lockdowns and technological innovations transform daily routines, the relationship between art and public space changes as well. Through a long-term investigative and ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"21 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141899999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Liberal Lives and Activist Repertoires: Political Performance and Victorian Social Reform 自由主义生活与激进主义再现：政治表现与维多利亚时代的社会改革
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-08-05 DOI: 10.1080/10486801.2024.2334576
Jenny Hughes
{"title":"Liberal Lives and Activist Repertoires: Political Performance and Victorian Social Reform","authors":"Jenny Hughes","doi":"10.1080/10486801.2024.2334576","DOIUrl":"https://doi.org/10.1080/10486801.2024.2334576","url":null,"abstract":"Published in Contemporary Theatre Review (Vol. 34, No. 2, 2024)","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"190 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-08-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141900000","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Process is Everything’: Interviewing Simon Stone in 2023 过程就是一切2023 年采访西蒙-斯通
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI: 10.1080/10486801.2024.2321759
Tom Gutteridge
{"title":"‘Process is Everything’: Interviewing Simon Stone in 2023","authors":"Tom Gutteridge","doi":"10.1080/10486801.2024.2321759","DOIUrl":"https://doi.org/10.1080/10486801.2024.2321759","url":null,"abstract":"Published in Contemporary Theatre Review (Vol. 34, No. 1, 2024)","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"99 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141891602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: Simon Stone and Company 介绍：西蒙-斯通公司
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI: 10.1080/10486801.2024.2320525
Emma Cole, Chris Hay
{"title":"Introduction: Simon Stone and Company","authors":"Emma Cole, Chris Hay","doi":"10.1080/10486801.2024.2320525","DOIUrl":"https://doi.org/10.1080/10486801.2024.2320525","url":null,"abstract":"Published in Contemporary Theatre Review (Vol. 34, No. 1, 2024)","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"44 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141891574","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Entrances’, ‘Exits’ or ‘Nodes’, ‘Edges’, ‘Clusters’?: Simon Stone, & the Director as a ‘Network Subject’ 入口"、"出口 "还是 "节点"、"边缘"、"集群"？西蒙-斯通与作为 "网络主体 "的导演
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI: 10.1080/10486801.2024.2315930
Margaret Hamilton
{"title":"‘Entrances’, ‘Exits’ or ‘Nodes’, ‘Edges’, ‘Clusters’?: Simon Stone, & the Director as a ‘Network Subject’","authors":"Margaret Hamilton","doi":"10.1080/10486801.2024.2315930","DOIUrl":"https://doi.org/10.1080/10486801.2024.2315930","url":null,"abstract":"Australian theatre director Simon Stone has emerged as a major presence on the European stage since the International Ibsen Festival presented his The Wild Duck ‘after Ibsen’, co-written with Chris...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"226 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141891648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Silliness and Childishness and Playfulness’: Interviewing Simon Stone in 2013 傻气、稚气和俏皮"：2013年采访西蒙-斯通
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI: 10.1080/10486801.2024.2321752
Tom Gutteridge
{"title":"‘Silliness and Childishness and Playfulness’: Interviewing Simon Stone in 2013","authors":"Tom Gutteridge","doi":"10.1080/10486801.2024.2321752","DOIUrl":"https://doi.org/10.1080/10486801.2024.2321752","url":null,"abstract":"Simon Stone has emerged as one of the most influential theatre and opera directors in the world. This transcript of a face-to-face interview in 2013 - soon after his adaptation of Ibsen’s Wild Duck...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"16 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141891605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Translating Simon Stone’s Radical Rewritings into German 将西蒙-斯通的《激进重写》翻译成德文
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI: 10.1080/10486801.2024.2316806
Brangwen Stone
{"title":"Translating Simon Stone’s Radical Rewritings into German","authors":"Brangwen Stone","doi":"10.1080/10486801.2024.2316806","DOIUrl":"https://doi.org/10.1080/10486801.2024.2316806","url":null,"abstract":"Translation (and rewriting) has been central to Simon Stone’s artistic practice since his first major directing success, an adaptation of the play Frühlings Erwachen (Spring Awakening) by the Germa...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"15 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141736897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Why Was I Born Among Mirrors?’: Hyper-(In)visibility in Simon Stone’s Yerma 我为何生于镜中？西蒙-斯通《叶尔玛》中的超（不）可见性
IF 0.3 2区 艺术学
CONTEMPORARY THEATRE REVIEW Pub Date : 2024-07-22 DOI: 10.1080/10486801.2024.2316805
Melissa Lin Sturges
{"title":"‘Why Was I Born Among Mirrors?’: Hyper-(In)visibility in Simon Stone’s Yerma","authors":"Melissa Lin Sturges","doi":"10.1080/10486801.2024.2316805","DOIUrl":"https://doi.org/10.1080/10486801.2024.2316805","url":null,"abstract":"Simon Stone’s adaptation of Yerma, after Lorca, which premiered at the Young Vic in London 2017, reconsiders Yerma as an anonymous twenty-first-century woman known only as HER. Using Lorca’s play, ...","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":"71 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2024-07-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141891599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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