Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare最新文献_第3页

Issues of musical semantics of F. Chopin in the context of the era of romanticism 浪漫主义时代背景下肖邦的音乐语义学问题

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.19

Tamara Melnic, Alexei Usaciov

引用次数: 0

Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings 社会主义现代主义——一种在娱乐建筑中传播新意识形态的方式

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.14

A. Trifan

{"title":"Socialist modernism – a way of disseminating a new ideology in the architecture of entertainment buildings","authors":"A. Trifan","doi":"10.52603/9789975351379.14","DOIUrl":"https://doi.org/10.52603/9789975351379.14","url":null,"abstract":"During the years 1955–1991, the attempts and searches meant to impose qualities corresponding to the fundamental principles of socialism on the architecture led to the realization of buildings with distinctive features, qualified today as modernist-socialist. Over a period of more than three decades, Soviet architecture turned to a synthesis of Western paradigms and its own avant-garde, largely unbuilt heritage. Theater, cinema and music, considered to be fields of culture accessible to the masses at large, are the genres of art placed at the center of the cultural policy of the Soviet state. In addition to the old buildings readapted for cultural activities, new buildings are designed based on a rigorous transposition of functional requirements. Representative for this time period are the cinemas designed to meet the requirements of a growing audience and to be expressive architectural pieces in the new micro-districts. The large number of houses of culture built in the district centers on the basis of standard projects is significant. At the same time, unique architectural programs appear functionally reflecting the social superstructure.","PeriodicalId":437163,"journal":{"name":"Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132806711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Graphic presentation of dialect-ethnographic texts of Western Polissia 西波利西亚方言民族志文本的图示

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.25

Юрий Бидношия

{"title":"Graphic presentation of dialect-ethnographic texts of Western Polissia","authors":"Юрий Бидношия","doi":"10.52603/9789975351379.25","DOIUrl":"https://doi.org/10.52603/9789975351379.25","url":null,"abstract":"Western Polessia is a region divided after World War II by the state borders between Ukraine, Belarus and Poland. This was reflected not only in the languages of education, the general cultural background, but also, in particular, on the principles of presentation of dialectethnographic texts. When compiling and editing the volume “Ethnographic Image of Ukrainians Abroad. Corpus of expeditionary folklore and ethnographic materials” (part 1, 2019), we encountered different graphic design of dialectal and ethnographic texts of Western Polissia in publications from different countries. The volume contains texts from the territory of Brest region (Belarus) and Northern Podlasie (Poland), recorded by the staff of the Rylsky Institute of Art Studies, Folklore and Ethnology, as well as kindly provided by other researchers’ published and unpublished materials, collected since the early 1970s. As this volume is adjacent to the 10-volume collection of field materials “Ethnographic Image of Ukraine”, it became necessary to unify the graphic presentation of Western Polissia texts from different regions and different scientific schools. The developed algorithms for metagraphing of texts from the phonetic transcription of AUM and the special system of F. Klimchuk made it possible to present them in a unified and accessible way for non-philological readers. This emphasizes the unity of the Western Polissian dialect and the cultural continuum.","PeriodicalId":437163,"journal":{"name":"Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare","volume":"32 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122965354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Once again about the citadel of the Kilia fortress 再说一遍基利亚要塞的城堡

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.12

Mariana Şlapac

引用次数: 0

Concierto de Aranjuez for modern classical guitar and symphony orchestra by Joaquín Rodrigo Vidre: stylistic and genre features 由Joaquín Rodrigo Vidre设计的现代古典吉他和交响乐团的Concierto de Aranjuez:风格和流派特征

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.02

Mihail Agafița

{"title":"Concierto de Aranjuez for modern classical guitar and symphony orchestra by Joaquín Rodrigo Vidre: stylistic and genre features","authors":"Mihail Agafița","doi":"10.52603/9789975351379.02","DOIUrl":"https://doi.org/10.52603/9789975351379.02","url":null,"abstract":"Concierto de Aranjuez for classical guitar and symphony orchestra written by the Spanish composer Joaquín Rodrigo Vidre in 1939 is in the author’s spotlight. The traditional tripartite structure with the tempo correlation Allegro con spirito-Adagio-Allegro gentile fits perfectly into the genre canons of a classical concert: not coincidentally this concert is considered an eloquent example of Spanish Neoclassicism. The particular significance is the sound concept of the second movement based on the melodic legitimacy of saelta, a religious song appeared as an imitation of the psalmody of the canonical religious service. The texts of saelta reflect events and emotions of the Holy Week. Thanks to the fact that a genre of secular music involves the concepts and means of musical expression of a religious genre, adds to the second part an enormous depth and sensitivity, provoking a very strong emotional reaction of the listener. We mention in parentheses that Concierto de Aranjues is one of the most performed concerts for modern classical guitar in the world, while the second part is very often performed as an autonomous creation.","PeriodicalId":437163,"journal":{"name":"Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare","volume":"64 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132800497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reflection of the events of the “Balkan” period in the Gagauz fiction “巴尔干”时期事件在加高兹小说中的反映

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.32

Diana Nicoglo

{"title":"Reflection of the events of the “Balkan” period in the Gagauz fiction","authors":"Diana Nicoglo","doi":"10.52603/9789975351379.32","DOIUrl":"https://doi.org/10.52603/9789975351379.32","url":null,"abstract":"The most detailed description of the “Balkan” period is found in the novel by D. Tanasoglo “Uzun Kervan”. In other genres (poetry), the poeticized image of the Balkans as the historical homeland of the Gagauz is presented to a greater extent. The main events of the “Balkan” period in the history of the Gagauzians, reflected in fiction, are: the adoption of Christianity by the Oghuz / Uzes – the ancestors of the Gagauzians, relations with the local population of the Balkans, the struggle against the Ottoman Turks, and the creation of a fictional Gagauz state called Uzi Eyalet. The authors also draw attention to the way in which changes occur in the traditional everyday culture of ancestors of the Gagauz as a result of changing economic-cultural type, and religion. In the Gagauz environment of creative people, there is a unity in the perception of the historical past associated with the presence of the ancestors of the Gagauz people in the Balkans. As a rule (with a few exceptions), the past broadcast by Gagauz writers is largely mythologized: and the writers themselves play a significant role in the process of constructing ethnicity.","PeriodicalId":437163,"journal":{"name":"Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130298535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Number and territorial distribution of the Ukrainians of Moldova in the beginning of the XXI century 二十一世纪初摩尔多瓦乌克兰人的人数和领土分布

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.30

Victor Cojuhari

{"title":"Number and territorial distribution of the Ukrainians of Moldova in the beginning of the XXI century","authors":"Victor Cojuhari","doi":"10.52603/9789975351379.30","DOIUrl":"https://doi.org/10.52603/9789975351379.30","url":null,"abstract":"The article presents a general description of the demographic situation in the Republic of Moldova at the beginning of the XXI century (negative population growth), a comparative analysis with the previous period is carried out, the main factors contributing to the deterioration of demographic indicators are analyzed: a decrease in the birth rate, an increase in mortality rates – causes and effects, migration outflow of the population of working and reproductive age, negative tendencies in nuptiality (reduction in the number of marriages, postponement of marriages to a later date, a sharp increase in the number of divorces), deterioration in the health of the population, reduction in life expectancy. In general, the deterioration of demographic indicators is a consequence of political instability, a high level of corruption, a severe economic crisis, resulting in the decline of living standards, increase of unemployment, degradation of social security systems, education, culture, science, etc. All these negative processes were reflected in the Ukrainians of Moldova. The most compact Ukrainians live in the northern regions and on the left bank of the Dniester, which is due to historical factors.","PeriodicalId":437163,"journal":{"name":"Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare","volume":"92 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130899609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Nicolae Macarenco - representative artist of satirical graphics 尼古拉·马卡伦科——讽刺图画的代表艺术家

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.01

Lucia Adascalița-Crigan

{"title":"Nicolae Macarenco - representative artist of satirical graphics","authors":"Lucia Adascalița-Crigan","doi":"10.52603/9789975351379.01","DOIUrl":"https://doi.org/10.52603/9789975351379.01","url":null,"abstract":"A prominent figure in the field of satirical graphics in the Republic of Moldova, Nicolae Macarenco, throughout his artistic career, conceived with great skill and dedication book illustrations for literary works signed by Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov, Alla Grekul, posters and aesthetically expressive and semantically valuable caricatures. Prodigious, talented, persevering and devoted to his profession, the protagonist is one of the established artists who, through his vocation and talent, marked an entire era in the satirical art of the Republic. Working successfully, especially in the genres of satirical-humorous graphics, the graphic designer gave birth to works that were frequently published in important periodicals such as the satire and humor magazine Chipăruş, the magazine Femeia Moldovei, the newspaper Tinerimea Moldovei and others. The study highlights both the thematic aspects of the artist’s creation and the determined, systematized, mirrored artistic options of the protagonist. Having examined the artist’s works, the author pays increased attention to problems of compositional image, the particularities of plastic representation through shape, line, tone of human characters, psychological states of anthropomorphic and zoomorphic characters. At the same time, the analytical approach is supported by highlighting the role of color in the process of amplifying expressions and messages generated by satirical works created by the graphic artist.","PeriodicalId":437163,"journal":{"name":"Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114731041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Building rituals of gagauz people from Chok Maidan gagauz village (Republic of Moldova) 恰克迈丹加加乌兹村加加乌兹人的建筑仪式(摩尔多瓦共和国)

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.33

Eudochia Soroceanu

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The outstanding architect Alexander Iosifovich Bernardazzi (1831–1907) 杰出的建筑师Alexander Iosifovich Bernardazzi (1831-1907)

Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare Pub Date : 2021-11-01 DOI: 10.52603/9789975351379.20

Ala Ceastina

{"title":"The outstanding architect Alexander Iosifovich Bernardazzi (1831–1907)","authors":"Ala Ceastina","doi":"10.52603/9789975351379.20","DOIUrl":"https://doi.org/10.52603/9789975351379.20","url":null,"abstract":"This year marks the 190th birthday of the famous Swiss architect of Italian origin A.I. Bernardazzi, who is also known for creating various historic buildings in Ukraine, Bessarabia and Poland. Archival documents were an evidence of the beginning of architectural career of Bernardazzi, when the Bessarabian Road and Construction Commission appointed him as the technician for urban planning of Akkerman and Bendery in 1853 and also for building some bridges and causeways in those districts. He took part in the organization of the third market in the Forest Square in Kishinev in September of 1855. This was the first mission of his creativity in Kishinev. Alexander Bernardazzi executed his duty as municipal architect from 1856 to 1878 having taken the place of another architect Luca Zaushkevich. All his subsequent monumental buildings became the best examples of European architecture by their style, shape, and quality. . In Bessarabia, he participated in the design and construction of many buildings such as the temporal theatre, the Lutheran school, the railway station, the Greek Church, the Manuk-Bei’s palace, etc. As for Kishinev, the architect Bernardazzi performed the beautification of paving many streets, the construction of urban water supply and the cast-iron railing in the city park. Also, he participated in many architects’ meetings where he submitted interesting reports referring to the theater, some windows, fire safety of buildings and so on. After his arrival to Odessa in 1878, Alexander Bernardazzi continued to participate in designing social and civil buildings in Bessarabia. For his enormous creative contribution to urban development, he was appreciated with the title of honorable citizen of Kishinev and appointed member of the Bessarabian department of the Imperial Russian Technical Society.","PeriodicalId":437163,"journal":{"name":"Materialele conferinței Patrimoniul cultural: cercetare, valorificare, promovare","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127148749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0