Journal of African Media Studies最新文献

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The why of humour during a crisis: An exploration of COVID-19 memes in South Africa and Zimbabwe 危机中幽默的原因:对南非和津巴布韦COVID-19表情包的探索
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00073_1
M. Msimanga, L. Tshuma, Trust Matsilele
{"title":"The why of humour during a crisis: An exploration of COVID-19 memes in South Africa and Zimbabwe","authors":"M. Msimanga, L. Tshuma, Trust Matsilele","doi":"10.1386/jams_00073_1","DOIUrl":"https://doi.org/10.1386/jams_00073_1","url":null,"abstract":"This article inquires why humour flourishes in face of tragedy. Memes, as we argue, give people a sense of power as they offer commentary that critiques and mocks the government policies and ineptness, simultaneously offering a sense of hope and relief in face of the pandemic. With\u0000 a focus on the COVID-19 pandemic, this study probed the nature, character and the why of humour in two southern African countries: South Africa and Zimbabwe. Findings show that memes were used to comment on lockdown regulations and speak against public authorities, to raise awareness of COVID-19\u0000 and expose poor health delivery systems. Our findings show that memes in South and Zimbabwe were used to bring dialogue about the COVID-19 pandemic and communicate health-related issues.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"10 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90561628","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Is Koro indeed our man? Exploring the intertextual role of humour in the Twitter age 科罗真的是我们要找的人吗?探索幽默在推特时代的互文作用
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00075_1
Bukola Christiana Ajala
{"title":"Is Koro indeed our man? Exploring the intertextual role of humour in the Twitter age","authors":"Bukola Christiana Ajala","doi":"10.1386/jams_00075_1","DOIUrl":"https://doi.org/10.1386/jams_00075_1","url":null,"abstract":"Humour as a communicative activity is meant to evoke laughter in people, hence, the amusement of an utterance is typically judged by its response from the audience. This study examines amusing tweets on the COVID-19 pandemic and traces the intertextual origin of discourse in some of\u0000 the tweets. It primarily explores the core role of humour as a cultural tool for satire. The incongruity theory of humour was employed as a theoretical framework for the study as it helps to better understand the reason Nigerians’ tweets are antithetical to prevailing circumstances in\u0000 the country. This is a qualitative research design where a content analysis of 125 amusing tweets relating to the COVID-19 pandemic was sampled on Twitter. Search terms such as #May4, #3rdMainlandBridge, #KoroIsOurMan and #Obanikoro were employed to identify the pattern of humour in selected\u0000 tweets as Nigerians’ tweets at the period revolved more around each of the hashtags. Open messages sent via Twitter were assessed adopting purposive sampling technique. Particular characteristics such as location of users, timeline of the lockdown and its relaxation (25 March‐30\u0000 June 2020) formed the parameters for the selection of the tweets. Though the coronavirus scourge has left thousands of people dead in its wake, Nigerians’ tweets and memes during the lockdown did not in any way reflect gloom or sombreness. This will pique an average readers’ interest\u0000 as there is a violation of normative expectations. The results therefore reaffirm the age-long relevance of the incongruous in humour and the satirical role of intertextuality in discourse.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"56 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84755753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nigerians and COVID-19 humour: Discursivity and public engagement through pandemic internet memes 尼日利亚人与2019冠状病毒病幽默:大流行网络表情包中的话语和公众参与
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00078_1
Bimbo Lolade Fafowora, M. Salaudeen
{"title":"Nigerians and COVID-19 humour: Discursivity and public engagement through pandemic internet memes","authors":"Bimbo Lolade Fafowora, M. Salaudeen","doi":"10.1386/jams_00078_1","DOIUrl":"https://doi.org/10.1386/jams_00078_1","url":null,"abstract":"From the outbreak of coronavirus to the institution of lockdown, and other regulatory measures, digital media platforms have been agog with memes associated with COVID-19 and pandemic-induced policies. Hence, there is a need to understand how the digital community discusses the pandemic\u0000 through internet memes. There is a dearth of scholarship focusing on the utilization of memes for public engagement during public health crises. This study adds to the understanding of the discursive functions of memes by exploring emergent themes in coronavirus-related memes and investigating\u0000 the discursive strategies applied by Nigerians to portray the pandemic. A qualitative analysis of 170 purposively selected COVID-19-related memes revealed the prevalence of six overarching themes. It was observed that meme creators employed a combination of humour, non-humour and sarcasm in\u0000 driving awareness about the pandemic and highlighting existing but less-discussed sociopolitical and socio-economic issues exacerbated by the recent health crisis. The findings identified the utilization of memes to create awareness, highlight the negative impact of COVID-19 regulations on\u0000 the lives of the average Nigerians and critique government’s handling of the pandemic.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":" 7","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72382850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Suffering and smiling: Nigerians’ humorous response to the coronavirus pandemic 苦难与微笑:尼日利亚人对冠状病毒大流行的幽默回应
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00076_1
Aminu Ali
{"title":"Suffering and smiling: Nigerians’ humorous response to the coronavirus pandemic","authors":"Aminu Ali","doi":"10.1386/jams_00076_1","DOIUrl":"https://doi.org/10.1386/jams_00076_1","url":null,"abstract":"Nigerians have intriguing penchant for humour even in moments of life tribulations, grief and uncertainties. They tend to defy being overwhelmed by sorrow, fear or even their helplessness in the face of adversity. Consequently, despite the global hysteria that has trailed the outbreak\u0000 of the dreaded coronavirus, Nigerians stoically manage their grief through humour. The growing predilection for humour production and consumption in the country, which is partly occasioned by the advent of social media and an unprecedented growth of the Night of a Thousand Laughs (a stand-up\u0000 comedy industry), deserves scholarly attention on account of its social and mental health impacts. This work blends Freudian psychoanalysis with Merton’s functional analysis to build a framework of analysis that captures the psychogenesis and consequences of Nigerians’ humorous\u0000 response to the coronavirus pandemic. Semiotic method was used to analyse some selected humorous memes, cartoons, pictures and videos on or about COVID-19 obtained from WhatsApp, Facebook, Twitter and YouTube between March and August, 2020. In so doing, these humorous stuffs were subjected\u0000 to both broad and context specific analyses. It was found that although the humours were expressed in different styles, they are mostly aggressive (intended to ridicule their leaders using satire, sarcasm), and self-enhancing (used as mechanisms to cope with boredom and anxiety occasioned\u0000 by the pandemic) and, in a few cases, self-defeating (involved self-mockery: use of remarks that are self-demeaning or self-disparaging). The article concludes that the COVID-19-induced humours are a route to their peddlers’ unconscious realm and a defence mechanism to anxiety, stress\u0000 and boredom. While the spread of these jokes has manifest function of self-enhancing, their latent consequence is that they trivialize the pandemic and, by extension, make people reluctant to take precautionary measures and comply with the established guidelines and protocols.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"28 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84923201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Satirical realities in COVID-19 humour: A Critical Discourse Analysis of Nigerian Facebook posts COVID-19幽默中的讽刺现实:对尼日利亚Facebook帖子的批判性话语分析
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00077_1
C. Onwubiko
{"title":"Satirical realities in COVID-19 humour: A Critical Discourse Analysis of Nigerian Facebook posts","authors":"C. Onwubiko","doi":"10.1386/jams_00077_1","DOIUrl":"https://doi.org/10.1386/jams_00077_1","url":null,"abstract":"Coronavirus popularly known as COVID-19 is a pandemic that stormed the globe and rendered strong nations helpless and even the world powers, powerless. Initially, the Nigerian government was reluctant to put measures in place or lock its borders until a returnee was diagnosed after\u0000 he had infected some people. This necessitated several measures including total lockdown, social distancing and improved personal hygiene to forestall its spread. Moreover, Nigerians believe that the state of the nation is even worse than this pandemic and, thus, have developed mastery, especially\u0000 via satire in weathering any kind of storm. It is therefore, not surprising that the Facebook has become a veritable platform where Nigerians evoke humour while exposing human foibles in their linguistic disposition, with the intention to improve the society. This study, therefore, examined\u0000 the satirical devices in the Facebook posts of Nigerians with the aim of teasing out the ideologies portrayed in relation to the existing social, economic and political attitude of the people towards the pandemic. Consequently, 22 Facebook posts were purposively selected for analysis, drawing\u0000 input from Horatian’s approach to satire and Fairclough’s (1995) sociocultural approach to Critical Discourse Analysis. The analysis reveals various satirical elements deployed as a subtle and effective alternative to contest power abuse, social injustice and propagate change.\u0000 The study also reveals the wittiness and absurdity of satire that makes it a ready tool to unbridle people’s feelings; laden with different ideologies with the aim of relaxing tension and catalysing transformation in the society. Moreover, the import of weathering the storm becomes bare\u0000 as an essential make-up of Nigerians; the tinge of humour intended in the posts relieves perceived tension and reminds the readers to take life easy, thus, making the study quite engaging.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84134642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Deadly serious: Pandemic humour, media and critical perspectives 致命的严肃:流行的幽默,媒体和批判的观点
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00072_2
V. Bernal
{"title":"Deadly serious: Pandemic humour, media and critical perspectives","authors":"V. Bernal","doi":"10.1386/jams_00072_2","DOIUrl":"https://doi.org/10.1386/jams_00072_2","url":null,"abstract":"COVID-19 is the most mediated pandemic in history thus far. COVID-19 humour, much of it circulated online, is a global phenomenon, but it takes different forms in different settings. This Special Issue brings together articles that add to our understanding of how Africans have experienced\u0000 corona pandemic conditions, as well as contributing to the scholarship on media in African contexts, while focusing on humour. I suggest that we understand humorous responses to the COVID-19 crisis as discourses on contemporary conditions, and a means of highlighting the ongoing crises that\u0000 precede the pandemic and contribute to the impact of the virus. In that sense, humour can be quite serious.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"71 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85633036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Radio edutainment and participatory communication for social change: A case of lived reality among a rural Malawian audience 广播寓教于乐和参与式传播促进社会变革:马拉维农村听众的生活现实案例
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00080_1
Mtisunge Isabel Kamlongera
{"title":"Radio edutainment and participatory communication for social change: A case of lived reality among a rural Malawian audience","authors":"Mtisunge Isabel Kamlongera","doi":"10.1386/jams_00080_1","DOIUrl":"https://doi.org/10.1386/jams_00080_1","url":null,"abstract":"This article draws upon research exploring a project that combines edutainment and participatory communication strategies as an approach to social change in Malawi. Throughout the research, I take a critical stance that seeks to uplift voices of an audience attending a radio listening\u0000 club (RLC) and therefore utilize participatory methods to co-create the body of knowledge with study participants. In this article, I query RLC audience’s thoughts of the project’s relevance and influence in their daily lives. Oriented by Hall’s concepts of encoding and decoding,\u0000 I analyse my data focusing on the dynamics between the objectives of the producers and the lived reality of the participants. Findings reveal that audience’s motivation for continued attendance of the RLC is different to that intended in the encoding process; rather audiences negotiate\u0000 the relevance of messages to their own needs, those of their children and utilize the space to extend their social capital.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84498758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theatricality in the midst of a pandemic: An assessment of artistic responses to COVID-19 pandemic in Zimbabwe 大流行中的戏剧性:对津巴布韦COVID-19大流行的艺术反应的评估
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00079_1
Nkululeko Sibanda, C. Moyo
{"title":"Theatricality in the midst of a pandemic: An assessment of artistic responses to COVID-19 pandemic in Zimbabwe","authors":"Nkululeko Sibanda, C. Moyo","doi":"10.1386/jams_00079_1","DOIUrl":"https://doi.org/10.1386/jams_00079_1","url":null,"abstract":"This article examines theatre as a creative journalistic media deployed by theatre practitioners to map experiences of Zimbabweans during the COVID-19-induced lockdown. When the first positive case of COVID-19 was reported in March 2020, the Zimbabwe government, like many other countries,\u0000 responded by introducing restrictions for public gatherings and ultimately a lockdown including arts events. Yet, theatricality has refused to capitulate. Artists re-invented their theatre productions into theatrical comic and satirical works posted on various social media platforms, in an\u0000 effort to make sense of the pandemic, bring laughter and address a serious complex situation. We examine how artists deployed theatre to journal, capture and document the citizen’s collective experiences during the COVID-19 pandemic lockdown, for both the present and posterity. We are\u0000 specifically interested in analysing the different ways art is deployed to provide entertainment, a broader understanding and awareness of the social, psychological and economic impact of COVID-19 for the present and future generations.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"33 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87164355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Hausa film industry and the ‘menace’ of appropriation of Indian romantic movies 豪萨电影工业和挪用印度浪漫电影的“威胁”
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00081_1
M. Ibrahim
{"title":"Hausa film industry and the ‘menace’ of appropriation of Indian romantic movies","authors":"M. Ibrahim","doi":"10.1386/jams_00081_1","DOIUrl":"https://doi.org/10.1386/jams_00081_1","url":null,"abstract":"Against many odds, the Hausa film industry alias Kannywood has come of age. The film industry survives several pressing challenges from within and outside Nigeria, perhaps more than its counterparts anywhere else. Although there is no denying that the quality of its output has significantly\u0000 improved, its survival has little or nothing to do with that. Many critics, including the Motion Pictures Practitioners Association of Nigeria (MOPPAN) leadership, call ‘bad’ films, are still being made. Romantic movies, laden with a typical and predictable pattern of the love\u0000 triangle, song and dance sequences among other appropriated and plagiarized Bollywood modalities, remain the favourite of producers and arguably that of the audience. However, according to some surveys, such films lack merit in the realm of critical film discourse in Africa and beyond. This\u0000 article is set out to discuss this issue through a content analysis of a recent film titled Sareena (Nuhu 2019). The movie, released in 2019, is a bloated, implausible melodrama and a direct mimicry of a famous Indian film, Kaabil (Gupta 2017).","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"12 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76186479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Viral giggles: Internet memes and COVID-19 in Malawi 病毒式笑声:马拉维的网络表情包和COVID-19
IF 0.8 4区 文学
Journal of African Media Studies Pub Date : 2022-06-01 DOI: 10.1386/jams_00074_1
Emmanuel Mzomera Ngwira
{"title":"Viral giggles: Internet memes and COVID-19 in Malawi","authors":"Emmanuel Mzomera Ngwira","doi":"10.1386/jams_00074_1","DOIUrl":"https://doi.org/10.1386/jams_00074_1","url":null,"abstract":"Social media played a crucial role during the COVID-19 pandemic both as a tool for communicating COVID-19-related messages and as a platform for sharing lighter moments during the distressful time. My article focuses on these lighter moments in the form of internet memes. My interest\u0000 is on internet memes shared by the cyber public in Malawi. I contend that besides the humour, the memes carry insightful commentary on and criticism of society’s reaction to and handling of the pandemic. The memes poke fun at petrified and distressed Malawians, at some politicians who\u0000 took advantage of the pandemic to further their own interests and how the outbreak widened the gap between the rich and the poor. Some sinophobic memes accused China of infecting the world with virus. My methodological and theoretical approaches are based on netnographic studies and theories\u0000 of humour (nature and function) respectively.","PeriodicalId":43702,"journal":{"name":"Journal of African Media Studies","volume":"26 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79206388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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