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REPRESENTATION AND NOVELTY IN AESCHYLUS’ THEOROI∗ 埃斯库罗斯理论中的再现性与新颖性
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-12-29 DOI: 10.1111/2041-5370.12107
OLIVER THOMAS
{"title":"REPRESENTATION AND NOVELTY IN AESCHYLUS’ THEOROI∗","authors":"OLIVER THOMAS","doi":"10.1111/2041-5370.12107","DOIUrl":"10.1111/2041-5370.12107","url":null,"abstract":"<p>This article argues in favour of the view that in <i>Theoroi</i> (a.k.a. <i>Isthmiastai</i>) the satyrs had absconded from Dionysus’ choral training, and dedicate a set of votive masks on Poseidon’s Isthmian temple. I propose that at the end of fr. 78c Dionysus offers them javelins and suggests that they dance a <i>pyrrhikhe</i>. This plot rests on a blurring of the distinctions between satyr, human character, and human performer. I interpret how Aeschylus managed plot, scenery, masks, costume, and language in order to transform this blurring to elicit from the audience humorous reflection on the nature of dramatic innovation and of drama as a representational medium.</p>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12107","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80834428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
SEEING SLAVES IN AESCHYLEAN SATYR DRAMA∗ 在埃斯库罗斯的羊人戏剧中看到奴隶*
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-12-29 DOI: 10.1111/2041-5370.12108
ANNA UHLIG
{"title":"SEEING SLAVES IN AESCHYLEAN SATYR DRAMA∗","authors":"ANNA UHLIG","doi":"10.1111/2041-5370.12108","DOIUrl":"10.1111/2041-5370.12108","url":null,"abstract":"<p>This article explores the thematization of the satyrs’ proverbial slave status with specific reference to Aeschylean satyr play. A survey of the extant fragments reveals only one explicit mention of the satyrs’ slavery, suggesting a stark contrast with the relatively frequent references in the satyr plays of Sophocles and Euripides. Situating Aeschylus’ often enigmatic satyr fragments within the broader historical framework of fifth-century Athenian slavery, it is possible to see that the chorus’ servitude is nonetheless obliquely figured in many of our extant passages. At the same time, Aeschylus’ reticence around the subject of slavery in his satyric works is shown to continue a disposition already in evidence in his tragic compositions, which manifest a similarly muted discourse around lower-class enslavement.</p>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12108","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79326401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PRECARIOUS CHOREIA IN SATYR PLAY∗ 羊人戏中不稳定的舞蹈
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-12-29 DOI: 10.1111/2041-5370.12105
REBECCA LÄMMLE
{"title":"PRECARIOUS CHOREIA IN SATYR PLAY∗","authors":"REBECCA LÄMMLE","doi":"10.1111/2041-5370.12105","DOIUrl":"10.1111/2041-5370.12105","url":null,"abstract":"<p>Satyr drama is defined by the dominating presence of its eponymous chorus; yet its <i>choreia</i> always appears precarious and problematic. The satyrs sing and dance and are scolded for doing so, or they do <i>not</i> sing and dance and are scolded for <i>not</i> doing so. Even when they are singing and dancing, the satyrs themselves question their own <i>choreia</i> as they lament the impossibility of singing and dancing under current circumstances, share memories of better songs and past dances, or imagine them happening in the future. This paper considers the persistent problematization of <i>choreia</i> in satyr play and the specific uses of satyric <i>choreia</i> as a central element in the poetics of the genre, arguing that these are tied to an unabashedly Dionysiac re-construction of the origins of drama. Finally, a postscript shows how satyr drama’s treatment of <i>choreia</i> translates into the visual sphere on the famous Pronomos Vase.</p>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12105","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87429732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE ANCIENT RECEPTION OF AESCHYLEAN SATYR PLAY∗ 古代对埃斯库罗斯的羊人剧的接受*
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-12-29 DOI: 10.1111/2041-5370.12109
PAUL TOUYZ
{"title":"THE ANCIENT RECEPTION OF AESCHYLEAN SATYR PLAY∗","authors":"PAUL TOUYZ","doi":"10.1111/2041-5370.12109","DOIUrl":"10.1111/2041-5370.12109","url":null,"abstract":"In this article, I first discuss the reception of Aeschylus’ satyr plays in classical drama, the evidence for their reperformance, and their place in ancient criticism and scholarship. In the final section, I analyze the factors that contributed to the positive reputation of Aeschylean satyr play. Although the evidence is often very limited, I attempt to establish a framework for understanding this ancient reception. Here I propose that the importance placed on satyr play in Aeschylus’ reception in antiquity can be viewed as an extension of his image as the father of tragedy, through both the association of satyr play with the origins of tragedy and its place in the tetralogy.","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12109","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87868453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
AESCHYLUS’ DIKTYOULKOI: A TYPICALLY ATYPICAL SATYR PLAY?∗ 埃斯库罗斯的diktyoulkoi:典型的非典型的羊人剧?∗
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-12-29 DOI: 10.1111/2041-5370.12106
PATRICK O’SULLIVAN
{"title":"AESCHYLUS’ DIKTYOULKOI: A TYPICALLY ATYPICAL SATYR PLAY?∗","authors":"PATRICK O’SULLIVAN","doi":"10.1111/2041-5370.12106","DOIUrl":"10.1111/2041-5370.12106","url":null,"abstract":"<p>The story of Danae and her son Perseus on Seriphos, where they are initially rescued by Dictys only to be his molested by his brother Polydectes, appeared in Greek lyric, tragedy, and comedy. Aeschylus’ satyric handling of the story has been read as a light-hearted, romantic romp with Silenos and the chorus acting as benign foster-parents to the infant hero. But Aeschylus gives Silenos and the chorus of satyrs a more menacing identity than they generally had in other plays of this genre. Silenos can be seen as the comical counterpart of Polydectes, and appears to have the full support of his sons, something he clearly does not enjoy in other satyric dramas. The satyrs of the chorus stand in contrast to the often more sympathetic, if clownish, creatures they can be elsewhere. <i>Diktyoulkoi</i> contains elements typical of satyr drama, but in paradoxical ways not without moments of pathos.</p>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12106","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75114741","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SATYRIC NOSTALGIA IN THE AESCHYLEAN TETRALOGY∗
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-12-29 DOI: 10.1111/2041-5370.12104
LYNDSAY COO
{"title":"SATYRIC NOSTALGIA IN THE AESCHYLEAN TETRALOGY∗","authors":"LYNDSAY COO","doi":"10.1111/2041-5370.12104","DOIUrl":"10.1111/2041-5370.12104","url":null,"abstract":"<p>This article examines the role of the satyr play in what appears to have been the distinctly Aeschylean form of the thematically connected tetralogy. In all known cases, Aeschylus’ satyr plays move backwards in time, dramatizing episodes that occur either before or within the time frame of their accompanying tragedies. I argue that this chronological dislocation means that the ‘happy endings’ of satyr play must be understood in the light of the events of the preceding trilogy, and can usually be seen as brief interludes of joy within a wider tragic arc. As a result, the satyr play, instead of erasing the effect of its accompanying tragedies, is capable of generating a nostalgic response that intensifies the emotional effect of both genres.</p>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12104","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89114099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
HELIOPOLIS: COINS, TEMPLES, AND SIGHT LINES 赫利奥波利斯:硬币、神庙和视线
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-06-25 DOI: 10.1111/2041-5370.12099
KEVIN BUTCHER
{"title":"HELIOPOLIS: COINS, TEMPLES, AND SIGHT LINES","authors":"KEVIN BUTCHER","doi":"10.1111/2041-5370.12099","DOIUrl":"10.1111/2041-5370.12099","url":null,"abstract":"<div>\u0000 \u0000 <p>Recent research on the temples at Roman Heliopolis (Baalbek in modern Lebanon) has emphasized visual links between architectural elements within and between the sanctuaries. This paper explores the ways in which the representations of the temples and sanctuaries on the civic coinage of Heliopolis can contribute to this debate. The civic coins are here understood as objects which helped to construct identity and communal memory in the city that issued them.</p>\u0000 </div>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12099","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78966900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
MONUMENTS, LANDSCAPE, AND MEMORY: THE EMERGENCE OF TOWER-TOMBS IN TADMOR-PALMYRA∗ 纪念碑、景观与记忆:塔莫-帕尔米拉塔式墓葬的出现*
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-06-25 DOI: 10.1111/2041-5370.12096
LIDEWIJDE DE JONG
{"title":"MONUMENTS, LANDSCAPE, AND MEMORY: THE EMERGENCE OF TOWER-TOMBS IN TADMOR-PALMYRA∗","authors":"LIDEWIJDE DE JONG","doi":"10.1111/2041-5370.12096","DOIUrl":"10.1111/2041-5370.12096","url":null,"abstract":"<div>\u0000 \u0000 <p>Little is known about the emergence of the iconic tower-tombs in the first century <span>bce</span> in Tadmor-Palmyra, the oasis settlement on the eastern edge of the Roman Empire. Scholarship has concentrated on the grand towers erected in the first two centuries <span>ce</span>, yet it is the older and simpler group of towers that holds the key for understanding their appearance. They reveal breaks with existing burial customs and a need to carve out a new memorial landscape in the desert. This article offers a new perspective on the tower-tombs, building on theoretical approaches to monumentality, landscape, and memory. In settings that were simultaneously conspicuous and distant, the towers represent monumental proclamations aimed at the residents of Tadmor-Palmyra and the people of the desert. As tombs, they kept alive the memory of some members of the community, becoming focal points for the (re)production of lineage identity. Internal developments, sedentarization, or migration made such identities vulnerable, and new avenues for competitive innovations about the shared past were sought. The tower-tombs provide the first glimpses of a new Tadmor-Palmyra.</p>\u0000 </div>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12096","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87719910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
MEMORY, PLACE, AND LANDSCAPE IN ROMAN SYRIA: THE VIEW FROM THE SANCTUARIES OF MOUNT LEBANON∗ 罗马叙利亚的记忆、地点和景观:从黎巴嫩山的圣所看*
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-06-25 DOI: 10.1111/2041-5370.12100
PAUL NEWSON
{"title":"MEMORY, PLACE, AND LANDSCAPE IN ROMAN SYRIA: THE VIEW FROM THE SANCTUARIES OF MOUNT LEBANON∗","authors":"PAUL NEWSON","doi":"10.1111/2041-5370.12100","DOIUrl":"10.1111/2041-5370.12100","url":null,"abstract":"<div>\u0000 \u0000 <p>The creation of memory and place within landscapes has received considerable critical attention in archaeology in recent years, with a focus on power relations, social cohesion, and social memory. As yet, such notions have not been fully explored within Roman contexts, generally in the Eastern Mediterranean, and particularly within the Roman province of Syria. In this region, the well-preserved Graeco-Roman temples of Lebanon have long been interpreted as powerful symbols of the Roman period. However, because of this status, study of these impressive structures has centred primarily on certain aspects, for example, the ‘Roman-ness’ of their architecture and the practical construction of their sacred landscapes. Utilizing notions of memory and power, place and performance, this paper seeks to move beyond such empirical analyses. Focusing on three case studies, it explores elements of the development of place through memory within the rural environment.</p>\u0000 </div>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12100","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82680406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
BARDAISAN OF EDESSA AND MEMORIES OF CHRISTIAN PERSECUTION IN THE NEAR EAST∗ edessa的Bardaisan和近东基督徒受迫害的记忆*
IF 0.1 4区 历史学
BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES Pub Date : 2019-06-25 DOI: 10.1111/2041-5370.12098
NATHANAEL ANDRADE
{"title":"BARDAISAN OF EDESSA AND MEMORIES OF CHRISTIAN PERSECUTION IN THE NEAR EAST∗","authors":"NATHANAEL ANDRADE","doi":"10.1111/2041-5370.12098","DOIUrl":"10.1111/2041-5370.12098","url":null,"abstract":"<div>\u0000 \u0000 <p>According to Eusebius, the famous Edessene thinker Bardaisan wrote his work <i>On Fate</i> in a time of persecution and addressed it to a figure named Antoninus (<i>HE</i> 4.30). It is commonly surmised that this ‘Antoninus’ was a Roman emperor who sanctioned Christian persecution in some way. But scholars have varied in their interpretations. Some have identified this figure as Caracalla, who visited Edessa in 216–217. But since Eusebius situated Bardaisan’s activity in the reign of Marcus Aurelius, he is often deemed to be the Antoninus in question. As this article surmises, the testimony of Eusebius and other late antique authors, like Epiphanius, reflect certain memories both of the integration of Edessa into the Roman provincial system under Caracalla and the social tensions that it raised. But largely due to Eusebius’ narrative, late antique authors conceived of Marcus Aurelius as the ‘Antoninus’ to whom Bardaisan reportedly addressed <i>On Fate</i> and other apologetic work, and they created social memories of Bardaisan as a would-be confessor in a context of persecution.</p>\u0000 </div>","PeriodicalId":43661,"journal":{"name":"BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1111/2041-5370.12098","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72973956","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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