{"title":"The Imagination of Japan","authors":"Jessica Ragazzini","doi":"10.1163/24054992-08020001","DOIUrl":"https://doi.org/10.1163/24054992-08020001","url":null,"abstract":"\u0000The arrival of the 21st century ushered in an era when fears and hopes crystallized around Japan, then perceived in the West as a country of new technologies. It was also seen as the nation of new fashion designers and in the 1990s Western media attributed a distinctly ‘Japanese character’ to the collections of Japanese fashion designers who stood out internationally. This article explores the encounter between the stereotypes of a Japan imagined by the West and the real clothing collections offered by brands such as Comme des Garçons, who exercised a major influence, in particular on Alexander McQueen and Iris van Herpen. In addition, this article aims to draw the attention of academic research to the unprecedented crossovers that fashion allows.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"25 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138981211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Japanomania! Japanese Art Goes Global","authors":"Janet Whitmore","doi":"10.1163/24054992-08020004","DOIUrl":"https://doi.org/10.1163/24054992-08020004","url":null,"abstract":"","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"16 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138979094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kimono Style: Edo Traditions to Modern Design; The John C. Weber Collection Catalogue: Monika Bincsik with contributions by Karen van Godtsenhoven and Arai Masanao, Kimono Style: Edo Traditions to Modern Design; The John C. Weber Collection Laurinda S. Dixon","authors":"L. Dixon","doi":"10.1163/24054992-08020003","DOIUrl":"https://doi.org/10.1163/24054992-08020003","url":null,"abstract":"","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"73 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138978670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Ho-o-den at the World’s Columbian Exposition","authors":"Janet Whitmore","doi":"10.1163/24054992-08020002","DOIUrl":"https://doi.org/10.1163/24054992-08020002","url":null,"abstract":"\u0000The Japanese pavilion at the 1893 World’s Columbian Exposition was much admired by visitors. Unlike most of the fair buildings, however, the Ho-o-den remained in situ on the Wooded Island long after the exposition was over, thus providing an architectural reference for anyone interested in Japanese design. This article details the design, construction and initial reception of the Ho-o-den at the fair. A second article will explore the enduring influence of the building on American design.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"83 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138981836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hanako, Rodin, and the Close-up","authors":"D. Miyao","doi":"10.1163/24054992-08010002","DOIUrl":"https://doi.org/10.1163/24054992-08010002","url":null,"abstract":"\u0000Between 1906 and 1911, Auguste Rodin sculpted more than fifty heads, masks, and busts of the Japanese actress Hanako. It was the largest number of portraits that he did with a single model. This essay explores the question why Rodin was so attracted to Hanako and, in particular, to her face. At the time Rodin was creating sculptures of Hanako’s head, the technique of the close-up was being adopted dramatically in filmmaking. Critics were shocked by the excessiveness of the close-up and tried to understand it in terms of ‘new realism’: the close-up modifies reality without eliminating the realness. This essay connects the theory of the close-up to the discourse of Japonisme.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130173926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Politics of Curating Japonisme","authors":"Scott Ma","doi":"10.1163/24054992-08010001","DOIUrl":"https://doi.org/10.1163/24054992-08010001","url":null,"abstract":"\u0000This article studies the Paris exposition Japonismes 2018, organized by the Japanese government to introduce the European public to the profundity of Japanese culture. It examines the organizational deliberations leading up to the exposition; the curation of individual exhibits held within its ambit; and the cultural politics of ‘Japan expositions’ that began with Japonismes and continue to this day. It argues that the organizers and exhibits in Japonismes make political use of the trope of a timeless, mystical, and animistic Japanese sense of beauty that supposedly unites prehistoric pottery and contemporary comics and animation. This Japanese aesthetic vision claims to provide an alternative to Western norms, thereby promising to resolve contemporary problems, such as anthropocentrism, by influencing Western aesthetics as it had in the late nineteenth century. Japonismes exemplifies how Japanese soft power diplomacy can employ Western tropes about Japan, such as Japonisme, for its economic and nation-branding efforts.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114634829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Masako Tanabe (ed.) et al. Ukiyo-e Prints from the Mary Ainsworth Collection","authors":"E. Olszewski","doi":"10.1163/24054992-07020004","DOIUrl":"https://doi.org/10.1163/24054992-07020004","url":null,"abstract":"","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128873013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le Divan Japonais: Japanomania by Design","authors":"G. Weisberg","doi":"10.1163/24054992-07020002","DOIUrl":"https://doi.org/10.1163/24054992-07020002","url":null,"abstract":"\u0000As one of the primary performance spaces in Paris during the 1890s, the Divan Japonais had several owners who featured the spot in posters advertising what was happening there. The most famous of these was one by Toulouse-Lautrec that has become a recognizable image for the entire locale. Examining the posters that advertised the location from the early 1890s allows us to grasp the changing character of both performances and locale.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130103592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Charles Lang Freer’s Japanese Ceramics","authors":"S. Coman","doi":"10.1163/24054992-07020001","DOIUrl":"https://doi.org/10.1163/24054992-07020001","url":null,"abstract":"\u0000At the turn of the twentieth century through its first decades, in the context of an increasingly international and interconnected Japonisme, the collecting activity of Detroit-based industrialist Charles Lang Freer (1854–1919) in the area of Japanese ceramics epitomized a key transition from a collector’s individual taste to the collection’s role in the public discourse on Asian art. This essay traces this evolution by exploring Freer’s collecting patterns, the influence of his network of dealers and advisors, and his relationship with the art market. At the intersection of personal choice and public prominence, Freer’s Japanese ceramics became an instrument of legitimization for emerging canons of Japanese art.","PeriodicalId":436254,"journal":{"name":"Journal of Japonisme","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133728023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}