Journal of Landscape Architecture最新文献

{"title":"Parks of the 21st Century: Reinvented Landscapes, Reclaimed Territories","authors":"A. Tate","doi":"10.1080/18626033.2022.2156105","DOIUrl":"https://doi.org/10.1080/18626033.2022.2156105","url":null,"abstract":"","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"19 1","pages":"90 - 92"},"PeriodicalIF":0.6,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78387133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Where are we?","authors":"Imke van Hellemondt, Janike Kampevold Larsen, Sonia Keravel, Anaïs Leger-Smith, Usue Ruiz Arana, Ursula Wieser Benedetti","doi":"10.1080/18626033.2021.2046761","DOIUrl":"https://doi.org/10.1080/18626033.2021.2046761","url":null,"abstract":"(2021). Where are we? Journal of Landscape Architecture: Vol. 16, No. 3, pp. 4-5.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"5 1","pages":""},"PeriodicalIF":0.6,"publicationDate":"2022-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138515905","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Historical Gardens, Truth and Fiction: Critical Readings of Historical Models in the Landscapes of the 20th and 21st Centuries Giardini storici, verità e finzione: Letture critiche dei modelli storici nel paesaggio dei secoli XX e XXI","authors":"L. Limido","doi":"10.1080/18626033.2022.2110437","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110437","url":null,"abstract":"","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"22 1","pages":"92 - 94"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82732186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Experiments in landscape architecture in 1970s France: The Cergy-Pontoise Recreational Park","authors":"Suzanne Rey","doi":"10.1080/18626033.2022.2110424","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110424","url":null,"abstract":"Abstract Recreational parks, much like new towns, can be considered as ‘places of memory’. 1 They mark a complete renewal of French planning policies from the mid-1960s onwards, which were linked to the emergence of a new urban and landscape utopia. At the dawn of its 50th anniversary, the Cergy-Pontoise Recreational Park can be seen as an original and emblematic case study of such landscape designs. It was a laboratory for a young generation of landscape architects, in which they were able to develop and implement principles that are at the heart of teaching the profession in France today. These include observing the terrain, considering the site as a resource for the designed landscape, mastering earthworks and accompanying processes of landscape transformation. The park design allows us to re-examine the questions that landscape architects had to face and the formal answers they brought. We will confront them with today’s design practice and role of landscape architecture in order to reflect on the contemporary context of urban and territorial transition.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"98 1","pages":"70 - 87"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76068545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Madrid Acuosa / Aqueous Madrid","authors":"Laura Jeschke","doi":"10.1080/18626033.2022.2110428","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110428","url":null,"abstract":"","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"88 1","pages":"88 - 89"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83827046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"By the Numbers: Rethinking the AgriCultural Image","authors":"Forbes Lipschitz","doi":"10.1080/18626033.2022.2110421","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110421","url":null,"abstract":"As American agricultural production has mechanized and cities have grown, fewer and fewer people experience firsthand the planting, growing and harvesting of crops. City dwellers drive through and fly over the working landscape, observing its inner workings from a distance. From this vantage point, the cultural and ecological dynamics occurring in agriculture can be likened to the unseen landscapes described by artist Paul Nash: ‘They belong to the world that lies, visibly about us. They are unseen merely because they are not perceived; only in that way can they be regarded as invisible.’1 As a result, the public is generally unaware of the complexity of the agricultural systems that are fundamental to food production. New forms of process-based and participatory representation could challenge this paradigm by embracing the ways in which these working landscapes are constructed, maintained and experienced.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"15 1","pages":"48 - 57"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74242196","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Copy and paste landscapes","authors":"Imke van Hellemondt, J. K. Larsen, Sonia Keravel, Anaïs Leger-Smith, Usue Ruiz Arana, Burcu Yiğit-Turan, Ursula Wieser Benedetti","doi":"10.1080/18626033.2022.2110412","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110412","url":null,"abstract":"‘Copy and paste’, or copy-paste, is a term that’s so familiar these days that we tend to hardly think about it. The action of copypaste may be judged sarcastically or derogatorily, but it is seldom critically questioned, whether it is employed in designs themselves or in the texts and images that are used for representation. What do we find if we scrutinize our own profession through the prism of copy-paste, in particular in imaging/visualizations? In an era in which images and ideas are reproduced at great speed and circulate endlessly, what are the effects of visual hyper-circulation? Does it broaden the profession’s spectrum by making available an immense wealth of inspiration sources, or does it induce approaches disconnected from site thinking? To take an iconic example, imitations of New York’s High Line seems to have sprung up all over the world, in copies that are sometimes hard to differentiate from their famous model. This copy-paste mentality is strengthened by the amnesia that reigns among the design ranks. Projects and designs are predominantly presented in historical isolation, in particular when they are popular. That the concept of transforming an urban railroad into a recreational area or route is not new in itself is often overlooked.1 Besides the qualities of the design of the New York project, the fact that it is regarded as ‘original’ may have contributed to its star status. Rather than its concept, its structures, shapes, objects and materials are copied from images, and in doing so, its reputation. With each copy, a little bit of ‘High Line character’ is reflected in other designs. Are these designs still meaningful within their concrete, immediate surroundings, the substrate of the place, or do they tend to become shapes devoid of meaning? What kind of effects do the created meanings conceive? These questions are not new. Models have circulated over the centuries, crossing borders and cultures, being absorbed, transported by travellers and books, transformed and constantly reinterpreted. How does a project become a model? How does systematization in planning work? How do systems and models influence the way we view and envision our projects? The historian Françoise Choay has already studied these questions in relation to urbanism and architecture.2 Phenomena such as absorption, reinvention, and transculturation have influenced garden art and landscape architecture for centuries. Taking a look at nineteenth-century pattern books is particularly enlightening—one can trace genealogies of forms circulating throughout Europe and beyond. Famous British books like the ones by William Chambers were—at least partly—published in French and later disseminated in many countries; the French treatise of Édouard André travelled as far as Japan. The diffusion of shapes and ideas is thus clearly nothing new.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"24 1","pages":"4 - 5"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90790471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rereading St Ann’s Hill","authors":"S. Herrington","doi":"10.1080/18626033.2022.2110414","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110414","url":null,"abstract":"Abstract Among the earliest and most celebrated examples of modern landscape architecture is St Ann’s Hill (1935–1937). Christopher Tunnard designed the landscape and he worked closely with architect Raymond McGrath on the house, St Ann’s Court. The project graced the pages of numerous architecture magazines in the 1930s and 1940s and it made several appearances in Tunnard’s highly influential book Gardens in the Modern Landscape (1938/1948). While the project was designed exclusively for Tunnard and his male lover, there have been no analyses of the project regarding the role that sexual subjectivity played in its design. The following offers a rereading of the project through the lens of queer theories in architecture and domesticity, revealing that St Ann’s Hill hides in plain sight while challenging conventions of the time and likely pays homage to a couple who lived on the site previously and whose relationship also demanded secrecy.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"96 4 1","pages":"6 - 21"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76283675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Behind-the-Scenes: Multispectral imagery and land cover classification","authors":"Karen M’Closkey, Keith VanDerSys","doi":"10.1080/18626033.2022.2110417","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110417","url":null,"abstract":"Abstract This article focuses on the use of remotely sensed multispectral imagery for land cover classification, a process that landscape architects may know little about but that underpins many of the maps that they use as the basis for their designs. The relatively arbitrary nature of classification, and the homogenization that occurs when classifying multispectral imagery to create land cover maps, is especially consequential when distinguishing between land and water. Yet ‘finding’ water is a key step in land cover classification. The salt marshes surrounding the Wetlands Institute in Stone Harbor, New Jersey, USA are used as a case study for multispectral analysis that combines satellite imagery with on-site surveying. However, the implications of the digital survey methods extend beyond any particular site and point to broader questions about the role of image interpretation for understanding how landscapes and environments are changing, especially with growing uncertainty about the rate of climate change.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"9 1","pages":"22 - 37"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73247036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Grounding landscape design in high-resolution laser-scanned topography","authors":"P. Urech, Aurel von Richthofen, C. Girot","doi":"10.1080/18626033.2022.2110422","DOIUrl":"https://doi.org/10.1080/18626033.2022.2110422","url":null,"abstract":"Abstract Topography in landscape design is understood as the foundation on which the dynamics of climate, soil, vegetation and human impact are negotiated. Surprisingly, topography plays a secondary role in the process of designing modern cities, despite being an ineluctable factor on large spatial and temporal scales of built environments. We argue that topographic representation and conceptualization in urban design has been neglected recently despite possibilities of high-resolution scanning techniques. The resulting shortfall of topographic inclusion in design methods limits the achievement of a coherent relationship between terrain, land cover, building and urban space deemed necessary to support evidence-based design methods. This text presents a design method that draws on topography to compose new landscape forms based on site-specific features. The method merges survey and digital modelling to achieve a selective manipulation of georeferenced point cloud models, which are used to represent the measured physical form of the environment. The topic of topography is discussed by first explaining shortcomings of topographic representation and its inclusion in design development, then by devising a design method that draws from point cloud models to handle the physical form of the environment, and finally by discussing the generative role of topography and the new design possibilities offered by this method.","PeriodicalId":43606,"journal":{"name":"Journal of Landscape Architecture","volume":"20 1","pages":"58 - 69"},"PeriodicalIF":0.6,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79880120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}