European Romantic Review最新文献_第8页

Poetic Form and Romantic Provocation; Stoic Romanticism and the Ethics of Emotion 诗歌形式与浪漫主义挑衅；斯多葛浪漫主义与情感伦理学

IF 0.2

European Romantic Review Pub Date : 2023-07-04 DOI: 10.1080/10509585.2023.2225814

S. Botz

引用次数: 0

Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism 富塞利与现代女性:时尚、幻想、拜物教

IF 0.2

European Romantic Review Pub Date : 2023-07-04 DOI: 10.1080/10509585.2023.2225822

Stephanie O’Rourke

{"title":"Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism","authors":"Stephanie O’Rourke","doi":"10.1080/10509585.2023.2225822","DOIUrl":"https://doi.org/10.1080/10509585.2023.2225822","url":null,"abstract":"within antiquarianism and the related field of bibliography, and the idea of a public sphere as a jostling encounter between high and low was increasingly occluded” (226). Sarah Sophia Banks’s Grand Jubilee Pass Ticket and collection points to the function of “the ticket system” in structuring “the micro-politics of sociality,” marking access, inclusion, and exclusion (233). Russell brilliantly demonstrates “different interpretations of the condition of England in 1814” (237) by comparing Banks’s ephemera with the choices made by the tailor Francis Place, a member of the London Corresponding Society and a radical social reformer. Banks’s Soho Square and Place’s Charing Cross represent different worlds of “archival domiciliation of printed ephemera in Regency London” (234). While Banks collected “fashionable sociability and ephemeral print publicity” (237), Place collected evidence of “sceptical reporting... in cuttings from radical newspapers” (238) and of the Jubilee’s aftermath, including the catalogue of the “wood, fixtures, and fittings of the Temple of Concord and the Royal Booth” (237). While Banks had privileged access to the Royal Booth, Place documented its dismantling and sale in lots. A folded poster is repurposed as a book cover to collect handbills in a codex form whose materiality captures “the poster’s radical alterity to the book” (238). Collected, preserved, and defined within the horizon of the book in the age of print, in the digital age ephemera take on new configurations. Whether or not digital culture can recognize “the diversity of the paper spectrum” remains to be seen. The dream of an “impossibly unmediated,” ephemeral absolute (254) feels like a new incarnation of the rhetoric of Romanticism. Meanwhile, Piranesi Unbound and The Ephemeral Eighteenth Century rematerialize the codex as a material repository of practice.","PeriodicalId":43566,"journal":{"name":"European Romantic Review","volume":"34 1","pages":"475 - 478"},"PeriodicalIF":0.2,"publicationDate":"2023-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46105875","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Motherless Creations: Fictions of Artificial Life, 1650–1890 无母亲的创造：人造生命的虚构，1650–1890

IF 0.2

European Romantic Review Pub Date : 2023-07-04 DOI: 10.1080/10509585.2023.2225812

Wendy C. Nielsen

引用次数: 0

Günderrode’s Earth: On the Political Ecology of “Life” <s:1>安德洛德的地球:论“生命”的政治生态

IF 0.2

European Romantic Review Pub Date : 2023-05-04 DOI: 10.1080/10509585.2023.2205131

Kir Kuiken

引用次数: 0

Romanticism’s Fellow Creatures 浪漫主义的同类

IF 0.2

European Romantic Review Pub Date : 2023-05-04 DOI: 10.1080/10509585.2023.2205082

Alastair Hunt, R. Broglio, Katey Castellano, M. Robles

{"title":"Romanticism’s Fellow Creatures","authors":"Alastair Hunt, R. Broglio, Katey Castellano, M. Robles","doi":"10.1080/10509585.2023.2205082","DOIUrl":"https://doi.org/10.1080/10509585.2023.2205082","url":null,"abstract":"ABSTRACT This panel opens up innovative ways of thinking about Romanticism and “the problem of sharing our earth with other creatures.” Over the last couple of decades, the crisis in human relations with animals has deteriorated to the point that it has become increasingly recognized as a constitutive part of the global environmental crisis. Like the climate crisis, the “animal crisis” originates with the emergence of the industrial form of capitalism in Britain around the turn of the nineteenth century. Appreciation of this historical constellation can and should become the basis of a renewed Romantic animal studies. However, reading Romanticism as a reflection of and on the historical origins of the contemporary crisis in human-animal relations in turn requires rethinking and openly debating topics, archive, and method. To indicate the initial results and style of our efforts, we have chosen not to summarize the papers presented, but rather to pose ten collectively formulated questions and to briefly answer as individuals a selection of three of those questions. Overall, we hope not just to make an argument for what we regard as a vital area of research in Romantic studies, but to encourage more research on the topic.","PeriodicalId":43566,"journal":{"name":"European Romantic Review","volume":"34 1","pages":"317 - 328"},"PeriodicalIF":0.2,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41864254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal “加载每一个裂缝”：浪漫主义诗歌与重金属中的力量、对立与共同体

IF 0.2

European Romantic Review Pub Date : 2023-05-04 DOI: 10.1080/10509585.2023.2205079

A. B. Davis, M. Sangster

{"title":"“Load Every Rift”: Power, Opposition, and Community in Romantic Poetry and Heavy Metal","authors":"A. B. Davis, M. Sangster","doi":"10.1080/10509585.2023.2205079","DOIUrl":"https://doi.org/10.1080/10509585.2023.2205079","url":null,"abstract":"ABSTRACT This essay discusses ideas presented on the Romanticism and Metal Studies panels at NASSR/BARS 2022, surveying the transdisciplinary field of Metal Studies and exploring metal’s Romantic inheritances by reading the poetry of canonical Romantics—including John Keats, Percy Bysshe Shelley, and William Wordsworth—alongside and against metal music and culture. In the spirit of New Romanticisms, our argument contributes to James Rovira’s recent identification of rock and metal as modern Romanticisms, adding that Romanticism and heavy metal are both aesthetic categories that signify power. Romanticism and metal are anachronistic modes that share a proclivity for hybridizing form and genre and for mixing high and low styles. A pairing of Shelley’s elegy for Keats, Adonais, with Pantera’s elegiac ballad “Cemetery Gates” underscores the themes of communion, opposition, and power that drive this essay. While power is an obsession that unites metal and Romanticism, some of their models of communication and community resist straightforward alignment. Archetypal Romantic transmissions in the Wordsworthian vein are imagined to be powerful direct communications from an inspired author to a hushed reader. Metal’s models of transmission are often messier, more various, more communal, more directly oppositional, and considerably nosier.","PeriodicalId":43566,"journal":{"name":"European Romantic Review","volume":"34 1","pages":"291 - 302"},"PeriodicalIF":0.2,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44216980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Reflections on Remixing New Romanticisms: A Plenary Workshop on Anti-Racist Teaching 反思重新融合新浪漫主义:反种族主义教学全体研讨会

IF 0.2

European Romantic Review Pub Date : 2023-05-04 DOI: 10.1080/10509585.2023.2205078

Indu Ohri, Lenora Hanson

{"title":"Reflections on Remixing New Romanticisms: A Plenary Workshop on Anti-Racist Teaching","authors":"Indu Ohri, Lenora Hanson","doi":"10.1080/10509585.2023.2205078","DOIUrl":"https://doi.org/10.1080/10509585.2023.2205078","url":null,"abstract":"ABSTRACT This essay is a co-written reflection by two educators on a plenary workshop we led together called “Remixing New Romanticisms: A Workshop on Anti-racist Teaching” during the 2022 NASSR/BARS Conference. We presented on the teaching resource we developed as inaugural fellows of the 2021–2022 Keats-Shelley Association of America/Romantic Circles Anti-Racist Pedagogy Colloquium. First, we explain how we adapted Nicole N. Aljoe, Elizabeth Maddock Dillon, Benjamin J. Doyle, and Elizabeth Hopwood's theory of “remixing” to design constellations that re-envision Romantic concepts such as Revolution and Rebellion, Nature and Ecology, and Imagination through the curation of innovative archival materials. We then discuss a specific example of remixing that we covered in depth, our Q and A session with workshop participants, and an anti-racist teaching resource they created. In addition, we explore other anti-racist pedagogies mentioned during the workshop, among them teaching with tension, valuing student knowledge, and critical fabulation. We frame these concerns within a broader consideration of the need to reconstruct the traditional forms of knowledge that shape our disciplines so that they are more inclusive and accessible for everyone, especially students.","PeriodicalId":43566,"journal":{"name":"European Romantic Review","volume":"34 1","pages":"279 - 289"},"PeriodicalIF":0.2,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45112169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Better Lore” of the Romantic Coast: Maritime Ecologies and Cultural Infrastructure from England, Scotland, and Beyond 浪漫海岸的“Better Lore”：来自英格兰、苏格兰及其他地区的海洋生态和文化基础设施

IF 0.2

European Romantic Review Pub Date : 2023-05-04 DOI: 10.1080/10509585.2023.2205081

S. Baker, Alexander Dick, Eric Gidal, G. McKeever, S. Oliver

引用次数: 0

Waste in the Nineteenth-Century Lyric 19世纪抒情诗中的浪费

IF 0.2

European Romantic Review Pub Date : 2023-05-04 DOI: 10.1080/10509585.2023.2205076

Dana Moss

引用次数: 0

Free Falling: Wilderson with de Man 自由落体：维尔德森与德曼

IF 0.2

European Romantic Review Pub Date : 2023-05-04 DOI: 10.1080/10509585.2023.2205110

J. Mieszkowski

引用次数: 0