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New Review of Film and Television Studies最新文献

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Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15) 过去和现在的未来：巴西的历史、建筑与乌托邦（1985 年）和《饥饿游戏》系列（2012-15 年）
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-01-04 DOI: 10.1080/17400309.2023.2287973
Jonathan Stubbs, Marko Kiessel
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引用次数: 0
How documentaries went mainstream: a history, 1960–2022 How documentaries went mainstream: a history, 1960–2022 , by Nora Stone, Oxford, Oxford University Press, 2023, 240 pp., $34.95 (paperback), ISBN 9780197557303 纪录片如何成为主流:一部历史，1960-2022，诺拉·斯通著，牛津，牛津大学出版社，2023年，240页，34.95美元(平装本)，ISBN 9780197557303
2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-11-08 DOI: 10.1080/17400309.2023.2275890
Ezra Winton
{"title":"How documentaries went mainstream: a history, 1960–2022 <b>How documentaries went mainstream: a history, 1960–2022</b> , by Nora Stone, Oxford, Oxford University Press, 2023, 240 pp., $34.95 (paperback), ISBN 9780197557303","authors":"Ezra Winton","doi":"10.1080/17400309.2023.2275890","DOIUrl":"https://doi.org/10.1080/17400309.2023.2275890","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"145 1‐2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135392762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Screen media and the construction of nostalgia in post-socialist China Screen media and the construction of nostalgia in post-socialist China , by Zhun Gu, Singapore, Palgrave Macmillan, 2023, 240 pp., $119.99 (hardcover), ISBN: 9789811974939 《后社会主义中国的屏幕媒体与怀旧建构》，准古著，新加坡，帕尔格雷夫·麦克米伦出版社，2023年，240页，119.99美元(精装本)，ISBN: 9789811974939
2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-11-05 DOI: 10.1080/17400309.2023.2275368
Haohan Meng
{"title":"Screen media and the construction of nostalgia in post-socialist China <b>Screen media and the construction of nostalgia in post-socialist China</b> , by Zhun Gu, Singapore, Palgrave Macmillan, 2023, 240 pp., $119.99 (hardcover), ISBN: 9789811974939","authors":"Haohan Meng","doi":"10.1080/17400309.2023.2275368","DOIUrl":"https://doi.org/10.1080/17400309.2023.2275368","url":null,"abstract":"Click to increase image sizeClick to decrease image size AcknowledgmentsThe author would like to express sincere gratitude to Prof. Jinhua Sun for her invaluable support and professional guidance throughout the process of writing and revising this book review.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"50 12","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135726666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Consent culture and teen films: adolescent sexuality in US movies 同意文化与青少年电影：美国电影中的青少年性行为
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-11-02 DOI: 10.1080/17400309.2023.2275367
Madison Barnes-Nelson
{"title":"Consent culture and teen films: adolescent sexuality in US movies","authors":"Madison Barnes-Nelson","doi":"10.1080/17400309.2023.2275367","DOIUrl":"https://doi.org/10.1080/17400309.2023.2275367","url":null,"abstract":"Published in New Review of Film and Television Studies (Ahead of Print, 2023)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"56 2","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71436074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bluebeard meets Ivy: the botany of love in Paul Thomas Anderson’s Phantom Thread 蓝胡子遇见艾薇：保罗·托马斯·安德森《幽灵线》中的爱情植物学
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-10-19 DOI: 10.1080/17400309.2023.2262150
Sina Movaghati
{"title":"Bluebeard meets Ivy: the botany of love in Paul Thomas Anderson’s Phantom Thread","authors":"Sina Movaghati","doi":"10.1080/17400309.2023.2262150","DOIUrl":"https://doi.org/10.1080/17400309.2023.2262150","url":null,"abstract":"The peculiar romance portrayed in Phantom Thread (2017) has been subjected to much criticism. While Paul Thomas Anderson’s film patently narrates a love story, the nature of its romance may appear ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"9 12","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435280","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Of fleas and Parasite: unpacking class and space in Bong Joon-ho’s Barking Dogs Never Bite 跳蚤和寄生虫：在奉俊昊的《吠狗不咬人》中打开课堂和空间
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-10-12 DOI: 10.1080/17400309.2023.2246349
Bonnie Tilland, Beth Tsai
{"title":"Of fleas and Parasite: unpacking class and space in Bong Joon-ho’s Barking Dogs Never Bite","authors":"Bonnie Tilland, Beth Tsai","doi":"10.1080/17400309.2023.2246349","DOIUrl":"https://doi.org/10.1080/17400309.2023.2246349","url":null,"abstract":"This article argues that amidst the hype of Parasite fever, it is instructive to revisit Barking Dogs Never Bite (2000) in order to better understand the director’s aesthetic and signatures. Not on...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"9 10","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435282","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Diegetic existence: transmedia instauration in artists’ cinema Diegetic生存：艺术家电影中的跨媒体再现
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-09-26 DOI: 10.1080/17400309.2023.2252306
Jade de Cock de Rameyen
{"title":"Diegetic existence: transmedia instauration in artists’ cinema","authors":"Jade de Cock de Rameyen","doi":"10.1080/17400309.2023.2252306","DOIUrl":"https://doi.org/10.1080/17400309.2023.2252306","url":null,"abstract":"This article engages with differences of experiences generated by transmedia migration of filmic content in artist-filmmaker Albert Serra’s two-channel installation Personalien and feature film Lib...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"8 6","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Throwing shows against the wall and hoping for the best”: NBC, quality, and the Emmy race for Outstanding Drama Series in the 2010s “把节目扔到墙上，希望最好”：NBC、质量和2010年代艾美奖杰出剧集竞赛
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-09-20 DOI: 10.1080/17400309.2023.2257819
Elizabeth Walters
{"title":"“Throwing shows against the wall and hoping for the best”: NBC, quality, and the Emmy race for Outstanding Drama Series in the 2010s","authors":"Elizabeth Walters","doi":"10.1080/17400309.2023.2257819","DOIUrl":"https://doi.org/10.1080/17400309.2023.2257819","url":null,"abstract":"In 1999, The Sopranos (HBO, 1999–2007) was the first-ever nominee from premium or basic cable in the Primetime Emmys’ Outstanding Drama Series category, a slate annually dominated by broadcast dram...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"8 5","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71435299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The limitation of the bottle episode: Hegel in Community 瓶子事件的局限性：《共同体》中的黑格尔
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-08-30 DOI: 10.1080/17400309.2023.2246348
Ryan Engley
{"title":"The limitation of the bottle episode: Hegel in Community","authors":"Ryan Engley","doi":"10.1080/17400309.2023.2246348","DOIUrl":"https://doi.org/10.1080/17400309.2023.2246348","url":null,"abstract":"ABSTRACT In recent years, television has undergone an artistic and critical reevaluation. This essay aims to add to the study of television aesthetics by examining a form particular to American television: the bottle episode. The bottle episode first arose as a solution to the budgeting ‘bottlenecks’ experienced by U.S. television series in the 1950s and 60s. I find that this form presents a logic of the limit, establishing a formal, narrative, and existential aesthetic that is unique to television. Far from simply being cheap TV, a close study of the bottle episode shows that what began as a financially necessary production format works through the dialectical method of thought that unfurls in G.W.F. Hegel’s Phenomenology of Spirit. I turn to NBC’s Community (2009–15), a series replete with bottle episodes, to show that by pushing through bottled confinement, the new and transformative take place. Ultimately, I argue that bottle episodes show how dynamic collectivity forms through isolation.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47704127","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Reconsidering remarriage: Stanley Cavell and the vicissitudes of genre 重新考虑再婚:斯坦利·卡维尔与体裁的变迁
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-08-24 DOI: 10.1080/17400309.2023.2246350
Kyle Barrowman
{"title":"Reconsidering remarriage: Stanley Cavell and the vicissitudes of genre","authors":"Kyle Barrowman","doi":"10.1080/17400309.2023.2246350","DOIUrl":"https://doi.org/10.1080/17400309.2023.2246350","url":null,"abstract":"ABSTRACT In recent years, Stanley Cavell has become one of the canonical reference points for film scholars. In particular, his work on ‘comedies of remarriage’ has become one of the most fertile arenas of contemporary scholarship in film studies. However, Cavell’s work on remarriage comedy has rarely been subjected to criticism. For the most part, scholars interested in Cavell’s work on remarriage comedy have either sought to elaborate on his readings of the seven principal films which for him make up the core of the genre, or they have sought to expand the genre by incorporating additional classical or contemporary Hollywood romantic comedies. In this article, I reconsider Cavell’s canonical work on the subject, and critique and provide alternatives to what are to my mind the most pressing problems in Cavell’s conception of remarriage comedy, problems which fall into three broad categories: theoretical problems, historical problems, and critical problems. In so doing, I hope to provide better theoretical models, broader historical understanding, and more nuanced criticism vis-à-vis the genre of remarriage comedy in and beyond classical Hollywood cinema.","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":" ","pages":""},"PeriodicalIF":0.8,"publicationDate":"2023-08-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48107482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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