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New Review of Film and Television Studies最新文献

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Girls gone wild: animality, female teenagers, and disidentification in contemporary European cinema 狂野的女孩：当代欧洲电影中的灵性、女性青少年和身份分离
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2304604
Cristina Ruiz-Poveda Vera
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引用次数: 0
Introduction: women’s authorship and adaptation in contemporary television 导言：当代电视中的女性创作和改编
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2263692
Sarah Louise Smyth, Stefania Marghitu
{"title":"Introduction: women’s authorship and adaptation in contemporary television","authors":"Sarah Louise Smyth, Stefania Marghitu","doi":"10.1080/17400309.2023.2263692","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263692","url":null,"abstract":"This special dossier examines issues in women’s authorship and adaptation in contemporary television. Recently, in the television streaming era, there have been a number of significant television s...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video 城市景观、恍惚状态和行走的女人：实验电影和视频中行走的具身实践
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2261349
Kornelia Boczkowska
{"title":"Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video","authors":"Kornelia Boczkowska","doi":"10.1080/17400309.2023.2261349","DOIUrl":"https://doi.org/10.1080/17400309.2023.2261349","url":null,"abstract":"Commonly associated with the cinema of Béla Tarr and Gus Van Sant, walking on screen has received relatively little attention from researchers despite the ongoing popularity of wayfaring films and ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in Enlightened "母亲也是孩子"：《启蒙》中的新自由主义分割、生殖未来主义和关系性
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2257859
Karim Townsend
{"title":"“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in Enlightened","authors":"Karim Townsend","doi":"10.1080/17400309.2023.2257859","DOIUrl":"https://doi.org/10.1080/17400309.2023.2257859","url":null,"abstract":"This article examines Mike White and Laura Dern’s HBO series Enlightened (2011–13) in relation to questions of segmentarity, motherhood, feminism, reproductive futurism, and neoliberal capitalism. ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Female Convict Scorpion: production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series 女囚天蝎》：日本女囚电影系列中的制作背景、性别政治和电影过激行为
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2299190
Leung Wing-Fai
{"title":"Female Convict Scorpion: production context, gender politics, and cinematic excesses in a Japanese women-in-prison film series","authors":"Leung Wing-Fai","doi":"10.1080/17400309.2023.2299190","DOIUrl":"https://doi.org/10.1080/17400309.2023.2299190","url":null,"abstract":"This article focuses on Female Convict Scorpion, a Japanese women-in-prison film series (1972–1973), which exemplifies studio-produced exploitation cinema. The series is influenced by the contempor...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Othered form and insectile subjectile: Under the Skin 别样的形式和昆虫般的主题：皮囊之下
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2304601
Fabienne Collignon
{"title":"Othered form and insectile subjectile: Under the Skin","authors":"Fabienne Collignon","doi":"10.1080/17400309.2024.2304601","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304601","url":null,"abstract":"This article investigates Jonathan Glazer’s 2013 film Under the Skin as it pertains to the ‘insectile’ or, in other words, to an entomological imagination. The insectile, I argue, is structured acc...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140016598","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies 瑞茜-威瑟斯彭的流行女权主义：《大小谎言》中的改编与作者身份
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2263690
Sarah Louise Smyth
{"title":"Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies","authors":"Sarah Louise Smyth","doi":"10.1080/17400309.2023.2263690","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263690","url":null,"abstract":"Through her programmes, including Big Little Lies (2017–2019), The Morning Show (2019–), and Little Fires Everywhere (2020), Reese Witherspoon has been central to the recent rise of women-centric t...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Their own best creations: women writers in postwar television 她们自己的最佳创作：战后电视女作家
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2310472
Maureen Mauk
{"title":"Their own best creations: women writers in postwar television","authors":"Maureen Mauk","doi":"10.1080/17400309.2024.2310472","DOIUrl":"https://doi.org/10.1080/17400309.2024.2310472","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ghost riders: Kelly Reichardt, certain women, certain men 幽灵骑士凯利-雷查特、某些女人、某些男人
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2304618
Janet Bergstrom
{"title":"Ghost riders: Kelly Reichardt, certain women, certain men","authors":"Janet Bergstrom","doi":"10.1080/17400309.2024.2304618","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304618","url":null,"abstract":"Kelly Reichardt pays attention to women’s actions and subjectivities, often when they are alone, but not at the expense of men. It takes seeing her films more than once to understand how intricatel...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Some things are proper, and some things are not”: forgotten men and disciplined women in My Man Godfrey "有些事恰当，有些事不恰当"：《我的男人戈弗雷》中被遗忘的男人和被管教的女人
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2301255
Anna Siomopoulos
{"title":"“Some things are proper, and some things are not”: forgotten men and disciplined women in My Man Godfrey","authors":"Anna Siomopoulos","doi":"10.1080/17400309.2023.2301255","DOIUrl":"https://doi.org/10.1080/17400309.2023.2301255","url":null,"abstract":"My Man Godfrey (Gregory La Cava, 1936) begins with a critique of Depression-era public relief efforts but then focuses for the remainder of the film on the attempts of one ‘forgotten man’ to restor...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":null,"pages":null},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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