{"title":"Televisual authorship and the affective feminism of HBO’s Sharp Objects adaptation","authors":"Jessica Ford","doi":"10.1080/17400309.2023.2263693","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263693","url":null,"abstract":"Sharp Objects (2018) has been widely read by journalists and critics as ‘feminist’, and broadly speaking, the miniseries’ feminism has been attributed to its subversion of crime television tropes a...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"23 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Labors of love","authors":"Maria San Filippo","doi":"10.1080/17400309.2024.2315701","DOIUrl":"https://doi.org/10.1080/17400309.2024.2315701","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"170 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“I want to be good:” morality, faith, and female spectatorial pleasure during World War I","authors":"Diana W. Anselmo","doi":"10.1080/17400309.2023.2298645","DOIUrl":"https://doi.org/10.1080/17400309.2023.2298645","url":null,"abstract":"In this article, I draw on a handful of personal fan collections created in the first decade of the star system to examine how schoolgirls of faith engaged Hollywood cinema as a visual vernacular t...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"21 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Roundtable on women’s authorship and adaptation in contemporary television","authors":"Stefania Marghitu, Sarah Louise Smyth","doi":"10.1080/17400309.2023.2263691","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263691","url":null,"abstract":"This roundtable took place in summer 2023 and sought to capture current thinking on women’s authorship and adaptation in contemporary television. The roundtable brought together emerging and more e...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"48 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"List of Reviewers 2020–2023","authors":"","doi":"10.1080/17400309.2024.2320791","DOIUrl":"https://doi.org/10.1080/17400309.2024.2320791","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"27 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Adaptation, authorship and the critical conversations of Little Fires Everywhere","authors":"Shelley Cobb","doi":"10.1080/17400309.2023.2264711","DOIUrl":"https://doi.org/10.1080/17400309.2023.2264711","url":null,"abstract":"This article argues for an understanding of contemporary women’s television as a twenty-first century iteration of Lauren Berlant’s concept of the ‘intimate public’ of femininity, by analysing how ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"46 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015672","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Girls gone wild: animality, female teenagers, and disidentification in contemporary European cinema","authors":"Cristina Ruiz-Poveda Vera","doi":"10.1080/17400309.2024.2304604","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304604","url":null,"abstract":"Contemporary European cinema insistently depicts female teenagers in association with non-human animals. This article focuses on a group of films in which the teenage protagonists approach animalit...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015654","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Introduction: women’s authorship and adaptation in contemporary television","authors":"Sarah Louise Smyth, Stefania Marghitu","doi":"10.1080/17400309.2023.2263692","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263692","url":null,"abstract":"This special dossier examines issues in women’s authorship and adaptation in contemporary television. Recently, in the television streaming era, there have been a number of significant television s...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"6 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015686","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cityscapes, trance states, and women walking: embodied practices of walking in experimental film and video","authors":"Kornelia Boczkowska","doi":"10.1080/17400309.2023.2261349","DOIUrl":"https://doi.org/10.1080/17400309.2023.2261349","url":null,"abstract":"Commonly associated with the cinema of Béla Tarr and Gus Van Sant, walking on screen has received relatively little attention from researchers despite the ongoing popularity of wayfaring films and ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"10 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015696","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“The mother is a child, too”: neoliberal segmentarity, reproductive futurism, and relationality in Enlightened","authors":"Karim Townsend","doi":"10.1080/17400309.2023.2257859","DOIUrl":"https://doi.org/10.1080/17400309.2023.2257859","url":null,"abstract":"This article examines Mike White and Laura Dern’s HBO series Enlightened (2011–13) in relation to questions of segmentarity, motherhood, feminism, reproductive futurism, and neoliberal capitalism. ...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"1 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}