{"title":"Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies","authors":"Sarah Louise Smyth","doi":"10.1080/17400309.2023.2263690","DOIUrl":"https://doi.org/10.1080/17400309.2023.2263690","url":null,"abstract":"Through her programmes, including Big Little Lies (2017–2019), The Morning Show (2019–), and Little Fires Everywhere (2020), Reese Witherspoon has been central to the recent rise of women-centric t...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Their own best creations: women writers in postwar television","authors":"Maureen Mauk","doi":"10.1080/17400309.2024.2310472","DOIUrl":"https://doi.org/10.1080/17400309.2024.2310472","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"32 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ghost riders: Kelly Reichardt, certain women, certain men","authors":"Janet Bergstrom","doi":"10.1080/17400309.2024.2304618","DOIUrl":"https://doi.org/10.1080/17400309.2024.2304618","url":null,"abstract":"Kelly Reichardt pays attention to women’s actions and subjectivities, often when they are alone, but not at the expense of men. It takes seeing her films more than once to understand how intricatel...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"22 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"“Some things are proper, and some things are not”: forgotten men and disciplined women in My Man Godfrey","authors":"Anna Siomopoulos","doi":"10.1080/17400309.2023.2301255","DOIUrl":"https://doi.org/10.1080/17400309.2023.2301255","url":null,"abstract":"My Man Godfrey (Gregory La Cava, 1936) begins with a critique of Depression-era public relief efforts but then focuses for the remainder of the film on the attempts of one ‘forgotten man’ to restor...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"30 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015619","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms","authors":"Emily Naser-Hall","doi":"10.1080/17400309.2023.2299199","DOIUrl":"https://doi.org/10.1080/17400309.2023.2299199","url":null,"abstract":"The affective dimensions of labor and the ways in which gendered representations of affect can be deployed as a justification for limiting women’s participation in the workforce constitute a founda...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"14 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘This is my house now!’: Fighting with My Family, the female underdog and constructing a public history of WWE","authors":"Matthew Robinson","doi":"10.1080/17400309.2023.2298644","DOIUrl":"https://doi.org/10.1080/17400309.2023.2298644","url":null,"abstract":"Fighting with My Family (2019) details the rags-to-riches story of British professional wrestler Saraya-Jade Bevis (Florence Pugh), who became the youngest winner of the World Wrestling Entertainme...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"4 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Woman up: invoking feminism in quality television","authors":"Júlia Irion Martins","doi":"10.1080/17400309.2024.2310471","DOIUrl":"https://doi.org/10.1080/17400309.2024.2310471","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"48 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015626","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Screening contemporary Irish fiction and drama","authors":"Emma Radley","doi":"10.1080/17400309.2024.2308462","DOIUrl":"https://doi.org/10.1080/17400309.2024.2308462","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"46 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15)","authors":"Jonathan Stubbs, Marko Kiessel","doi":"10.1080/17400309.2023.2287973","DOIUrl":"https://doi.org/10.1080/17400309.2023.2287973","url":null,"abstract":"This article examines the temporality of recent science fiction films, specifically the ways in which architectural histories are used to imagine and characterise dystopias of the future. Drawing o...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139110307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"How documentaries went mainstream: a history, 1960–2022 <b>How documentaries went mainstream: a history, 1960–2022</b> , by Nora Stone, Oxford, Oxford University Press, 2023, 240 pp., $34.95 (paperback), ISBN 9780197557303","authors":"Ezra Winton","doi":"10.1080/17400309.2023.2275890","DOIUrl":"https://doi.org/10.1080/17400309.2023.2275890","url":null,"abstract":"","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"145 1‐2","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135392762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}