New Review of Film and Television Studies最新文献

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Reese Witherspoon’s popular feminism: adaptation and authorship in Big Little Lies 瑞茜-威瑟斯彭的流行女权主义:《大小谎言》中的改编与作者身份
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2263690
Sarah Louise Smyth
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引用次数: 0
Their own best creations: women writers in postwar television 她们自己的最佳创作:战后电视女作家
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2310472
Maureen Mauk
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引用次数: 0
Ghost riders: Kelly Reichardt, certain women, certain men 幽灵骑士凯利-雷查特、某些女人、某些男人
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2304618
Janet Bergstrom
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引用次数: 0
“Some things are proper, and some things are not”: forgotten men and disciplined women in My Man Godfrey "有些事恰当,有些事不恰当":《我的男人戈弗雷》中被遗忘的男人和被管教的女人
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2301255
Anna Siomopoulos
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引用次数: 0
Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms 挣钱者和花钱者,丈夫和妻子:冷战时期美国情景喜剧中对妇女劳动的情感约束
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2299199
Emily Naser-Hall
{"title":"Earners and spenders, husbands and wives: the affective restraints on women’s labor in high Cold War American sitcoms","authors":"Emily Naser-Hall","doi":"10.1080/17400309.2023.2299199","DOIUrl":"https://doi.org/10.1080/17400309.2023.2299199","url":null,"abstract":"The affective dimensions of labor and the ways in which gendered representations of affect can be deployed as a justification for limiting women’s participation in the workforce constitute a founda...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"14 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘This is my house now!’: Fighting with My Family, the female underdog and constructing a public history of WWE 这是我的家了!":与我的家人一起战斗》、《女性弱者》和《构建 WWE 的公共历史
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2023.2298644
Matthew Robinson
{"title":"‘This is my house now!’: Fighting with My Family, the female underdog and constructing a public history of WWE","authors":"Matthew Robinson","doi":"10.1080/17400309.2023.2298644","DOIUrl":"https://doi.org/10.1080/17400309.2023.2298644","url":null,"abstract":"Fighting with My Family (2019) details the rags-to-riches story of British professional wrestler Saraya-Jade Bevis (Florence Pugh), who became the youngest winner of the World Wrestling Entertainme...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"4 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Woman up: invoking feminism in quality television 女人向上:在优质电视中唤起女权主义
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2310471
Júlia Irion Martins
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引用次数: 0
Screening contemporary Irish fiction and drama 放映爱尔兰当代小说和戏剧
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-02-28 DOI: 10.1080/17400309.2024.2308462
Emma Radley
{"title":"Screening contemporary Irish fiction and drama","authors":"Emma Radley","doi":"10.1080/17400309.2024.2308462","DOIUrl":"https://doi.org/10.1080/17400309.2024.2308462","url":null,"abstract":"Published in New Review of Film and Television Studies (Vol. 22, No. 1, 2024)","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"46 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-02-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140015640","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15) 过去和现在的未来:巴西的历史、建筑与乌托邦(1985 年)和《饥饿游戏》系列(2012-15 年)
IF 0.8 2区 艺术学
New Review of Film and Television Studies Pub Date : 2024-01-04 DOI: 10.1080/17400309.2023.2287973
Jonathan Stubbs, Marko Kiessel
{"title":"Futures past and present: history, architecture and dystopia in Brazil (1985) and the Hunger Games series (2012-15)","authors":"Jonathan Stubbs, Marko Kiessel","doi":"10.1080/17400309.2023.2287973","DOIUrl":"https://doi.org/10.1080/17400309.2023.2287973","url":null,"abstract":"This article examines the temporality of recent science fiction films, specifically the ways in which architectural histories are used to imagine and characterise dystopias of the future. Drawing o...","PeriodicalId":43549,"journal":{"name":"New Review of Film and Television Studies","volume":"2 1","pages":""},"PeriodicalIF":0.8,"publicationDate":"2024-01-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139110307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
How documentaries went mainstream: a history, 1960–2022 How documentaries went mainstream: a history, 1960–2022 , by Nora Stone, Oxford, Oxford University Press, 2023, 240 pp., $34.95 (paperback), ISBN 9780197557303 纪录片如何成为主流:一部历史,1960-2022,诺拉·斯通著,牛津,牛津大学出版社,2023年,240页,34.95美元(平装本),ISBN 9780197557303
2区 艺术学
New Review of Film and Television Studies Pub Date : 2023-11-08 DOI: 10.1080/17400309.2023.2275890
Ezra Winton
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引用次数: 0
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