Artibus et Historiae最新文献

No Evidence for Contagious Yawning in Juvenile Ravens (Corvus corax): An Observational Study. 没有证据表明幼年乌鸦（Corvus corax）打哈欠具有传染性：观察研究

IF 2.7 3区艺术学

Artibus et Historiae Pub Date : 2022-05-26 DOI: 10.3390/ani12111357

Andrew C Gallup, Anja B Schild, Markus A Ühlein, Thomas Bugnyar, Jorg J M Massen

{"title":"No Evidence for Contagious Yawning in Juvenile Ravens (Corvus corax): An Observational Study.","authors":"Andrew C Gallup, Anja B Schild, Markus A Ühlein, Thomas Bugnyar, Jorg J M Massen","doi":"10.3390/ani12111357","DOIUrl":"10.3390/ani12111357","url":null,"abstract":"The overt and reflexive matching of behaviors among conspecifics has been observed in a growing number of social vertebrates, including avian species. In general, behavioral contagion-such as the spread of yawning-may serve important functions in group synchronization and vigilance behavior. Here, we performed an exploratory study to investigate yawn contagion among 10 captive juvenile ravens (Corvus corax), across two groups. Using observational methods, we also examined the contagiousness of three other distinct behaviors: stretching, scratching, and shaking. A total of 44 20 min observations were made across both groups, including 28 in the morning and 16 in the afternoon. The time and occurrence of all the behaviors from each bird were coded, and the temporal pattern of each behavior across both groups was then analyzed to assess the degree of social contagion. Overall, we found no evidence for contagious yawning, stretching, scratching, or shaking. However, yawns were relatively infrequent per observation (0.052 ± 0.076 yawns/bird) and thus experimental methods should be used to support this finding.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"20 1","pages":""},"PeriodicalIF":2.7,"publicationDate":"2022-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC9179381/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90636454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Plasticity and Awareness of Bodily Distortion. 身体变形的可塑性和意识。

IF 3.1 3区艺术学

Artibus et Historiae Pub Date : 2016-01-01 Epub Date: 2016-08-18 DOI: 10.1155/2016/9834340

Mariella Pazzaglia, Marta Zantedeschi

{"title":"Plasticity and Awareness of Bodily Distortion.","authors":"Mariella Pazzaglia, Marta Zantedeschi","doi":"10.1155/2016/9834340","DOIUrl":"10.1155/2016/9834340","url":null,"abstract":"Knowledge of the body is filtered by perceptual information, recalibrated through predominantly innate stored information, and neurally mediated by direct sensory motor information. Despite multiple sources, the immediate prediction, construction, and evaluation of one's body are distorted. The origins of such distortions are unclear. In this review, we consider three possible sources of awareness that inform body distortion. First, the precision in the body metric may be based on the sight and positioning sense of a particular body segment. This view provides information on the dual nature of body representation, the reliability of a conscious body image, and implicit alterations in the metrics and positional correspondence of body parts. Second, body awareness may reflect an innate organizational experience of unity and continuity in the brain, with no strong isomorphism to body morphology. Third, body awareness may be based on efferent/afferent neural signals, suggesting that major body distortions may result from changes in neural sensorimotor experiences. All these views can be supported empirically, suggesting that body awareness is synthesized from multimodal integration and the temporal constancy of multiple body representations. For each of these views, we briefly discuss abnormalities and therapeutic strategies for correcting the bodily distortions in various clinical disorders.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"23 1","pages":"9834340"},"PeriodicalIF":3.1,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5007354/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90642450","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Isis Rising: The Ancient Theology of Donatello's "Virgin" in the Santo 伊希斯的崛起:多纳泰罗在圣堂的“处女”的古代神学

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067111

R. Stefaniak

{"title":"Isis Rising: The Ancient Theology of Donatello's \"Virgin\" in the Santo","authors":"R. Stefaniak","doi":"10.2307/20067111","DOIUrl":"https://doi.org/10.2307/20067111","url":null,"abstract":"As signaled by the citation of Proverbs 8:24 and Sirach 24:31 in its prologue, the decree of the Council of Basel on the Immaculate Conception represented a triumph of the immaculist Marian teaching of the Franciscan theologian and philosopher John Duns Scotus. The Franciscan Studium Generale at the church of Sant'Antonio in Padova had been a flourishing center of Scottist philosophy and theology since the beginning of the fourteenth century, when the Franciscan companions and allies of the Subtle Doctor and his immediate successors returned from their studies in Paris and Oxford. It seems plausible that after Basel the Franciscans might have wished to celebrate the victory of the Immaculata and their own Scottist theology in a new altarpiece for their church, carried out by Donatello between 1446 and 1450. The interpretation sets the Virgin's sapiential persona into the broader context of the long-standing Christian homology between Genesis and the Timaeus, producing a Platonic reading of the Immaculata as the feminine principle in creation: the mother, receptacle, and womb of all generation. In his treatise De Iside et Osiride Plutarch had identified that primordial feminine principle with Isis, the Egyptian goddess of wisdom. Certain formal resemblances between Donatello's Virgin and ancient figures of Isis are interpreted in terms of this homology. Given that the Council of Basel was schismatic by the time it issued the decree on the Immaculate Conception, the Isis persona provided a well-found confirmation of their predelicted doctrine in the writings of some \"ancient theologians\".","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"27 1","pages":"89-110"},"PeriodicalIF":0.0,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20067111","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69061551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Images of a Miracle. Federico Barocci and the Porziuncola Indulgence 奇迹的影像。Federico Barocci和Porziuncola的放纵

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067122

M. Lavin

引用次数: 1

Mantegna's Meditation on the Sacrifice of Christ: His Synoptic Savior 曼特尼亚对基督的牺牲的沉思:他的对观救主

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067108

C. Eisler

引用次数: 5

Who Was Ginevra de' Benci? Leonardo's Portrait and Its Sitter Recontextualized Ginevra de' beni是谁?列奥纳多的肖像和它的保姆重新语境化

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067109

Mary D. Garrard

引用次数: 1

The Case of Giovanni Bastianni-II: A Hung Jury? 乔瓦尼·巴斯蒂亚尼二世案:一个悬而未决的陪审团?

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067129

A. Moskowitz

引用次数: 1

Fremiet's Gorillas: Why Do They Carry off Women? 弗雷米特的大猩猩:为什么会抢走女人?

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067130

M. Zgórniak

{"title":"Fremiet's Gorillas: Why Do They Carry off Women?","authors":"M. Zgórniak","doi":"10.2307/20067130","DOIUrl":"https://doi.org/10.2307/20067130","url":null,"abstract":"The paper considers two sculpture groups by Emmanuel Fremiet (1824—1910), each showing a gorilla abducting a woman. The first of them (1859) was prevented from being shown at the Paris Salon; doubts were raised about its artistic quality, and there were fears of offending public morals. However, thanks to help from Count de Nieuwerkerke, director of the Imperial Museums, it was put on display next to the entrance to the exhibition at the Palais de l'Industrie, amidst an atmosphere of scandal. The second sculpture (1887) met with a wholly different reception: support from the jury of artists, and hostility from the Ministry of Fine Arts. The artists awarded the sculptor a Medal of Honour. The authorities first declined to purchase the work for the national collection, and when they finally agreed, they ruled out casting the plaster in bronze and placing it in the Natural History Museum in Paris, for which it had been created. The paper treats Fremiet's work, and its subject matter, within the broader context of changing views on the nature and behaviour of gorillas, which were a topic of lively discussion in the nineteenth century. The parties to the argument invoked contemporary writings on natural history and travel, in which these primates often appeared in connection with the controversy over Darwin's theory. The paper considers the extent to which Fremiet, usually regarded as a dispassionate and scrupulous illustrator, was in tune with the state of scientific knowledge in the case of the two sculptures, which were created almost thirty years apart. The paper explores the reasons for the state administration's reserve toward the second sculpture, and mentions some instances of the gorilla myth's appearance in popular culture. That the gorilla myth is a powerful and attractive one is manifested in repeated returns to the theme, such as the many remakes of King Kong.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"27 1","pages":"219-237"},"PeriodicalIF":0.0,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20067130","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69062376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

On Physiognomic Communication in Bernini 论贝尔尼尼语的面相交际

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067127

Avigdor W. G. Poséq

{"title":"On Physiognomic Communication in Bernini","authors":"Avigdor W. G. Poséq","doi":"10.2307/20067127","DOIUrl":"https://doi.org/10.2307/20067127","url":null,"abstract":"Gian Lorenzo Bernini was acclaimed as one of the great artists of his time. Everyone who has written about his sculptures has dwelt on their extraordinary expressiveness but the works have seldom been considered in the light of contemporary notions of human expression, particularly the revival of the ancient theory of physiognomic typology. In drawing upon this tradition Bernini referred to its two complementary aspects: the diagnostic significance ascribed to the morphology of human faces and the communication of emotions by means of the dynamic mimicry of the features. The impact of these modes of representation is evident in the admirable vividness of his portraits and also in the conceptual meaning conveyed by the faces in some of his other sculptures. The discussion of some physiognomic aspects of the works of Bernini allows us to formulate several conclusions. One is the notion that his interest in human expression evolved from the humanistic theory that the \"movements of the soul\" are reflected in gestures and mimicry, which eventually developed into the theory of the artistic communication of the passions. Bernini was also aware of the recent revival of the ancient theory of the diagnostic aspect of the morphology of human faces, whose similarity to certain animals was thought to indicate a correspondence of behavioural modes. The zoomorphic typology is in many cases reinforced by allusions to the allegorical significance ascribed to certain animals in contemporary handbooks of iconology. Since the artistic representations are related to contemporary theories of expression the appreciation of what the works convey requires some knowledge their cultural background. Comparative physiognomy is no longer as popular as it was in Bernini's time and the same is also true of the texts on animal symbolism but reference to these traditions not only offers the modern viewer an opportunity to look at the works of Bernini as he meant them to be seen but also to understand them in the way they would have been understood by his public.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"27 1","pages":"161-190"},"PeriodicalIF":0.0,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20067127","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69062323","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Tizians Perseus und Andromeda. Datierungen, Repliken, Kopien 提西亚的珀尔修斯和安德洛墨达输入、复制、复印

3区艺术学

Artibus et Historiae Pub Date : 2006-01-01 DOI: 10.2307/20067125

Hans Ost

引用次数: 1