{"title":"提西亚的珀尔修斯和安德洛墨达输入、复制、复印","authors":"Hans Ost","doi":"10.2307/20067125","DOIUrl":null,"url":null,"abstract":"The origin of the Wallace Collection's painting has been controversially placed either in the years 1553-1556 or 1562-1565. Rearick (Artibus et Historiae, no. 33, 1996) regarded the picture as a second version painted in the 1560s after a completely differently composed and today lost first version of the 1550s. Contesting this view the article argues - based e.g. on an etching by Giulio Sanuto hitherto not sufficiently taken into account - that the London painting was shipped in 1556 from Titian to Philipp II in Gent. Furthermore the variant of the painting in Montauban, attributed to Titian's workshop, testifies to the fact that a second, slightly modified version of the canvas in the Wallace Collection remained in Venice even after the picture was delivered. A copy after the painting sent to Philipp II, done in Madrid at the end of the sixteenth century also supports the early date of the London picture. Finally, Luca Giordano's copy painted around 1700 in Madrid - for the first time reproduced here - is based on this version and not on the painting in the Wallace Collection as has been argued.","PeriodicalId":43492,"journal":{"name":"Artibus et Historiae","volume":"27 1","pages":"129-146"},"PeriodicalIF":0.1000,"publicationDate":"2006-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/20067125","citationCount":"1","resultStr":"{\"title\":\"Tizians Perseus und Andromeda. Datierungen, Repliken, Kopien\",\"authors\":\"Hans Ost\",\"doi\":\"10.2307/20067125\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The origin of the Wallace Collection's painting has been controversially placed either in the years 1553-1556 or 1562-1565. Rearick (Artibus et Historiae, no. 33, 1996) regarded the picture as a second version painted in the 1560s after a completely differently composed and today lost first version of the 1550s. Contesting this view the article argues - based e.g. on an etching by Giulio Sanuto hitherto not sufficiently taken into account - that the London painting was shipped in 1556 from Titian to Philipp II in Gent. Furthermore the variant of the painting in Montauban, attributed to Titian's workshop, testifies to the fact that a second, slightly modified version of the canvas in the Wallace Collection remained in Venice even after the picture was delivered. A copy after the painting sent to Philipp II, done in Madrid at the end of the sixteenth century also supports the early date of the London picture. Finally, Luca Giordano's copy painted around 1700 in Madrid - for the first time reproduced here - is based on this version and not on the painting in the Wallace Collection as has been argued.\",\"PeriodicalId\":43492,\"journal\":{\"name\":\"Artibus et Historiae\",\"volume\":\"27 1\",\"pages\":\"129-146\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2006-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/20067125\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Artibus et Historiae\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/20067125\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artibus et Historiae","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/20067125","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
摘要
华莱士收藏的这幅画的起源一直有争议,要么是1553年至1556年,要么是1562年至1565年。Rearick (Artibus and Historiae, no。(33, 1996)认为这幅画是16世纪60年代绘制的第二幅版本,因为构图完全不同,今天已经丢失了16世纪50年代的第一版。这篇文章反驳了这一观点——例如,基于朱利奥·萨努托的一幅蚀刻画,迄今尚未得到充分的考虑——这幅伦敦的画是在1556年从提香那里运到根特的菲利普二世那里的。此外,这幅画在蒙托邦的变体,被认为是提香的工作室,证明了一个事实,即在画作交付后,华莱士收藏的第二幅稍微修改过的画布仍留在威尼斯。16世纪末在马德里完成的一幅复制品也证实了这幅伦敦画的年代较早。最后,卢卡·佐丹奴于1700年左右在马德里绘制的复制品——这是这里第一次复制——是基于这个版本,而不是像之前争论的那样基于华莱士收藏的那幅画。
Tizians Perseus und Andromeda. Datierungen, Repliken, Kopien
The origin of the Wallace Collection's painting has been controversially placed either in the years 1553-1556 or 1562-1565. Rearick (Artibus et Historiae, no. 33, 1996) regarded the picture as a second version painted in the 1560s after a completely differently composed and today lost first version of the 1550s. Contesting this view the article argues - based e.g. on an etching by Giulio Sanuto hitherto not sufficiently taken into account - that the London painting was shipped in 1556 from Titian to Philipp II in Gent. Furthermore the variant of the painting in Montauban, attributed to Titian's workshop, testifies to the fact that a second, slightly modified version of the canvas in the Wallace Collection remained in Venice even after the picture was delivered. A copy after the painting sent to Philipp II, done in Madrid at the end of the sixteenth century also supports the early date of the London picture. Finally, Luca Giordano's copy painted around 1700 in Madrid - for the first time reproduced here - is based on this version and not on the painting in the Wallace Collection as has been argued.
期刊介绍:
Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.