AMERICAN MUSIC最新文献_第8页

Chicago, the "City We Love to Call Home!": Intersectionality, Narrativity, and Locale in the Music of Florence Beatrice Price and Theodora Sturkow Ryder 芝加哥，“我们喜欢称之为家的城市!”:弗洛伦斯·比阿特丽斯·普莱斯和西奥多拉·斯特考·赖德音乐中的交叉性、叙事性和场所

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-06-05 DOI: 10.5406/AMERICANMUSIC.39.1.0001

S. Ege

引用次数: 1

John Sullivan Dwight, Blindness, and Music Education 约翰·苏利文·德怀特，失明与音乐教育

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-06-05 DOI: 10.5406/AMERICANMUSIC.39.1.0089

M. Accinno

引用次数: 0

Island Gospel: Pentecostal Music and Identity in Jamaica and the United States by Melvin Butler (review) 《岛屿福音:牙买加和美国的五旬节派音乐与身份认同》，作者:梅尔文·巴特勒

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-04-01 DOI: 10.5406/americanmusic.39.1.0129

David Aarons

引用次数: 0

Una historia de la música colonial hispanoamericana 西班牙-美洲殖民音乐史

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-04-01 DOI: 10.5406/americanmusic.39.1.0119

Javier Marín-López, Malena Kuss

{"title":"Una historia de la música colonial hispanoamericana","authors":"Javier Marín-López, Malena Kuss","doi":"10.5406/americanmusic.39.1.0119","DOIUrl":"https://doi.org/10.5406/americanmusic.39.1.0119","url":null,"abstract":"La entrada del siglo XXI ha planteado a los estudiosos de la música colonial algunos retos que, lejos de ser exclusivos de este campo de conocimiento, afectan al conjunto de las Ciencias Humanas y Sociales. De un lado, la acelerada fragmentación y atomización de conocimientos, en parte consecuencia de la creciente especialización de la investigación y el número cada vez mayor de fuentes, publicaciones y enfoques; esta circunstancia, unida a la existencia de incomprensibles vacíos, acaba por conformar un cuadro confuso, disperso y segmentado de la realidad que queremos estudiar. De otro, la crítica radical de paradigmas epistemológicos y formas totalizadoras y lineales de escritura histórica que, además de instrumentalizar metodologías, ocultan el carácter particular y sesgado de sus métodos, aunque lo hagan por medio de un lenguaje y unas categorías supuestamente universales y neutras. ¿Cómo encarar la compleja narración de los “grandes procesos” de la música colonial hispanoamericana ante un inabarcable manantial de estudios –algunos de muy difícil acceso–, amenazadoras zonas ignotas y la “crisis” terminal de paradigmas en la historia? ¿Cómo hacerlo en un contexto global post-neo colonial?","PeriodicalId":43462,"journal":{"name":"AMERICAN MUSIC","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2021-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47071169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Indonesian Cultural Diplomacy and the First International Gamelan Festival and Symposium at Expo 86 印尼文化外交与86年世博会首届加美兰国际艺术节及研讨会

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-03-02 DOI: 10.5406/AMERICANMUSIC.38.4.0428

Jonathan Goldman, Jeremy Strachan

引用次数: 1

How a White Supremacist Became Famous for His Black Music: John Powell and Rhapsodie nègre (1918) 白人至上主义者如何因其黑人音乐而成名：约翰·鲍威尔和狂想曲（1918）

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-03-02 DOI: 10.5406/AMERICANMUSIC.38.4.0395

S. Doktor

引用次数: 0

“Something New in the Musical Line”: The Emergence of the Song Recital during the 1870s and 1880s “音乐路线上的新东西”：19世纪70年代和80年代歌曲朗诵会的兴起

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-03-02 DOI: 10.5406/AMERICANMUSIC.38.4.0454

Heather Platt

引用次数: 0

Forgetting and Remembering: The Case of Leo Sowerby’s The Canticle of the Sun 遗忘与记忆:利奥·索尔比的《太阳之歌》

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2021-03-02 DOI: 10.5406/AMERICANMUSIC.38.4.0485

Joseph Sargent

引用次数: 0

Role of health simulation centres in the COVID-19 pandemic response in Italy: a national study. 意大利卫生模拟中心在应对 COVID-19 大流行中的作用：一项全国性研究。

IF 1.1 3区艺术学

AMERICAN MUSIC Pub Date : 2021-02-10 eCollection Date: 2021-01-01 DOI: 10.1136/bmjstel-2020-000813

Pier Luigi Ingrassia, Mattia Ferrari, Matteo Paganini, Giulia Mormando

{"title":"Role of health simulation centres in the COVID-19 pandemic response in Italy: a national study.","authors":"Pier Luigi Ingrassia, Mattia Ferrari, Matteo Paganini, Giulia Mormando","doi":"10.1136/bmjstel-2020-000813","DOIUrl":"10.1136/bmjstel-2020-000813","url":null,"abstract":"Introduction: The COVID-19 pandemic has dramatically affected the Italian health systems and drastically impacted healthcare workers' daily routine and training. Simulation is an efficient tool to provide medical education, especially in the case of incoming public health emergencies. This study investigated the role and activities of Italian simulation centres (SCs) during the acute phase of the COVID-19 pandemic.Methods: The population was identified through a web search. The directors of Italian SCs were contacted via email and then enrolled. A structured interview was created, internally validated and administrated by phone to participants.Results: Following the government's ordinance, 37 (88.37%) SCs had to be closed to the public. Twenty (46.51%) SCs organised in situ simulation while 7 (16.28%) of them organised simulation inside the centre. Twenty-three (53.49%) SCs resorted to telematic modalities to provide training about COVID-19 and 21 (48.84%) of them for other training. Up to date, 13 SCs are still closed to the public.Conclusions: Italy has been severely hit by COVID-19, with differences between the regions. Almost all the SCs were closed, with only a few delivering training. The SCs took advantage of emergent technologies to create new ways to train people safely. Unfortunately, nearly one-fourth of Italian SCs have not reopened yet. The evolution of the COVID-19 epidemic calls for reconsideration about training activities including adequate safety measures implemented for all individuals involved.","PeriodicalId":43462,"journal":{"name":"AMERICAN MUSIC","volume":"21 1","pages":"379-384"},"PeriodicalIF":1.1,"publicationDate":"2021-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://www.ncbi.nlm.nih.gov/pmc/articles/PMC8936561/pdf/","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90509582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Remember Those Beautiful Songs”: Preserving Antebellum Cultural Practices through Music Collection during the Civil War “记住那些美丽的歌曲”:通过内战期间的音乐收藏保存战前的文化习俗

IF 0.2 3区艺术学

AMERICAN MUSIC Pub Date : 2020-12-02 DOI: 10.5406/americanmusic.38.3.0263

C. Bailey

{"title":"“Remember Those Beautiful Songs”: Preserving Antebellum Cultural Practices through Music Collection during the Civil War","authors":"C. Bailey","doi":"10.5406/americanmusic.38.3.0263","DOIUrl":"https://doi.org/10.5406/americanmusic.38.3.0263","url":null,"abstract":"Between 1861 and 1865, Nora Gardner, a young woman from northwestern Tennessee, collected music that survives today in two binder’s volumes, now housed in the Center for Popular Music at Middle Tennessee State University.1 These volumes contain music that encapsulates many aspects of a young southern woman’s life in the midnineteenth century, and in that regard they mirror thousands of other collections that survive from this period. Nora’s assemblage, however, differs from others because she carefully notated many places, names, and dates in them, thereby deliberately preserving the culture signified by these materials. Comments written in these two volumes illuminate aspects of Nora’s life during this period: school, divided loyalties during the Civil War, courtship, and friendship. More than evidence of popular music preferences, they typify the culture associated with her class and evince an almost desperate attempt to maintain antebellum constructions of femininity even as war disrupted practically everything she had been taught about her role and place in southern society. In an examination of over fifteen hundred binder’s volumes, I have yet to encounter such conscientious notation of names, places, and dates as I have seen in Nora’s volumes. They remind us that the path of war traversed Tennessee several times, impacting the lives of not only soldiers","PeriodicalId":43462,"journal":{"name":"AMERICAN MUSIC","volume":"38 1","pages":"263 - 302"},"PeriodicalIF":0.2,"publicationDate":"2020-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44947569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0