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Reparations in Music Scholarship 音乐奖学金的赔偿
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.17
K. Leonard
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引用次数: 0
"The Music Industry Funds Private Prisons": Analyzing Hip-Hop Urban Legend “音乐产业资助私人监狱”:嘻哈都市传奇解析
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.15
Alisha Lola Jones
{"title":"\"The Music Industry Funds Private Prisons\": Analyzing Hip-Hop Urban Legend","authors":"Alisha Lola Jones","doi":"10.5406/19452349.40.4.15","DOIUrl":"https://doi.org/10.5406/19452349.40.4.15","url":null,"abstract":"Black love and hiphop brought Calvin Taylor Skinner and me together in 2018 as we nurtured a commuter relationship between Knoxville and Bloomington, Indiana. During our fiveto sixhour drives, I talked about my research on musical masculinity, while my theologianactivist guy shared provocative YouTube videos and podcasts facilitated by hiphop sages to stir conversation.1 The sages selfidentify variously as PanAfrican, American descendants of slaves (ADOS) or Foundational Black Americans (FBA), among other Blackcentered/Africancentered terms. The ADOS/FBA experts probed a constellation of obscure discourses: extraterrestrial encounters, Dr. Sebi, erased ancient African histories, reparations, Black love, and “conscious” hiphop.2 Discussing these topics with Calvin afforded me familiarity with Black men’s curation of complex creativeintellectual space irrespective of dominant culture’s understanding of their discourses. Central to this enigmatic genre of orality is speculation, inspecting structural barriers in an idiom their people recognize. From Tidal.com to BlackMagikUniversity.com to 4BiddenKnowledge.com, controlling one’s virtual presence is an essential facet of agency in the hiphop tradition. Our conversations inspired me to return to a juxtaposition I offered my students of esotericism performed in Bone ThugsNHarmony’s","PeriodicalId":43462,"journal":{"name":"AMERICAN MUSIC","volume":"40 1","pages":"511 - 519"},"PeriodicalIF":0.2,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43397877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"Let me just share my screen": Perspectives on the Discipline through the Prism of Pandemic Online Conferences “让我分享我的屏幕”:通过流行病在线会议的棱镜对该学科的看法
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.12
Paula Harper
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引用次数: 0
Interlocking Themes: American Music, Race, and Music Scholarship 环环相扣的主题:美国音乐,种族和音乐奖学金
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.05
Naomi André
{"title":"Interlocking Themes: American Music, Race, and Music Scholarship","authors":"Naomi André","doi":"10.5406/19452349.40.4.05","DOIUrl":"https://doi.org/10.5406/19452349.40.4.05","url":null,"abstract":"I am thinking about belonging, displacement, and liberation. Rather than a linear narrative, these comments present a trio of contrapuntally interlocking themes: American music, African American musicologists, and the American nation more broadly. I am writing this as we approach Independence Day 2022, a holiday that says a lot about Americanness in the United States as it celebrates the signing of the Declaration of Independence. This suggests a point of freedom for the nation: a late eighteenthcentury liberation from their colonial status to the British. I was a child when this country celebrated its 200th anniversary in 1976 and, like other 4th of July celebrations in my family, this time marked a moment in the summer that meant a festive holiday, yet also felt a bit disembodied: how did I fit into this independence and liberation given our nation’s history? As I grew up, the meaning of the nation’s freedom became more convoluted. What had given us the right to fight for this land to make it ours? As former British citizens, when the founding fathers took this country and declared freedom, who were we now colonizing as there were indigenous communities practicing sophisticated cultures already here on this land? How did enslaved people brought from other countries fit in, who got to belong? Who was displaced? What does liberation mean?","PeriodicalId":43462,"journal":{"name":"AMERICAN MUSIC","volume":"40 1","pages":"453 - 458"},"PeriodicalIF":0.2,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43625023","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women's Work in Music 妇女在音乐中的工作
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.07
C. Bailey
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引用次数: 0
New Currents in Film Music, Television Music, and Streaming Media Music Studies 电影音乐、电视音乐和流媒体音乐研究的新趋势
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.06
Jacqueline A. Avila
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引用次数: 0
The Music of the Accordion and Bajo Sexto: Cultural Heritage at the U.S.–Mexico Border 手风琴音乐和巴乔·塞克斯托:美墨边境的文化遗产
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.10
Luis Díaz-Santana Garza
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引用次数: 0
Significant Difference in American Music Studies 美国音乐研究的显著差异
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.16
Loren Kajikawa
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引用次数: 0
Doing Tai Chi with "American Music" 用“美国音乐”打太极
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.26
Y. Wang
{"title":"Doing Tai Chi with \"American Music\"","authors":"Y. Wang","doi":"10.5406/19452349.40.4.26","DOIUrl":"https://doi.org/10.5406/19452349.40.4.26","url":null,"abstract":"","PeriodicalId":43462,"journal":{"name":"AMERICAN MUSIC","volume":"40 1","pages":"576 - 582"},"PeriodicalIF":0.2,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48023811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Silent No More: Anti-Asian Racism in Music 不再沉默:音乐中的反亚裔种族主义
IF 0.2 3区 艺术学
AMERICAN MUSIC Pub Date : 2022-12-01 DOI: 10.5406/19452349.40.4.13
Eileen M. Hayes
{"title":"Silent No More: Anti-Asian Racism in Music","authors":"Eileen M. Hayes","doi":"10.5406/19452349.40.4.13","DOIUrl":"https://doi.org/10.5406/19452349.40.4.13","url":null,"abstract":"This is a story of my complicity in corporate silence but also one of recognition and intervention. Simply put, here, I address manifestations of racism toward Asians and Asian Americans in music schools/departments and at meetings of our professional societies. Reports of antiAsian incidents have increased since the former U.S. President’s reference to the virus with a racist moniker.1 In response, cultural, industry, and political leaders, including President Obama, expressed outrage, and warned against a possible rise in antiAsian sentiment. A BBC News Report in May 2020 referenced incidents that posed threats to the safety and dignity of Asians, in the aftermath of the thenpresident’s feckless remark.2 More recently, the online ecosystem has also been the site of antiAsian racism. My story is told through a very personal lens and engages in more selfdisclosure than is customary for Society presidents. At times, I have remained silent in my role as bystander to the incivility I have witnessed","PeriodicalId":43462,"journal":{"name":"AMERICAN MUSIC","volume":"40 1","pages":"498 - 504"},"PeriodicalIF":0.2,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45493502","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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