Interlocking Themes: American Music, Race, and Music Scholarship

IF 0.2 3区 艺术学 0 MUSIC
Naomi André
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引用次数: 0

Abstract

I am thinking about belonging, displacement, and liberation. Rather than a linear narrative, these comments present a trio of contrapuntally interlocking themes: American music, African American musicologists, and the American nation more broadly. I am writing this as we approach Independence Day 2022, a holiday that says a lot about Americanness in the United States as it celebrates the signing of the Declaration of Independence. This suggests a point of freedom for the nation: a late eighteenthcentury liberation from their colonial status to the British. I was a child when this country celebrated its 200th anniversary in 1976 and, like other 4th of July celebrations in my family, this time marked a moment in the summer that meant a festive holiday, yet also felt a bit disembodied: how did I fit into this independence and liberation given our nation’s history? As I grew up, the meaning of the nation’s freedom became more convoluted. What had given us the right to fight for this land to make it ours? As former British citizens, when the founding fathers took this country and declared freedom, who were we now colonizing as there were indigenous communities practicing sophisticated cultures already here on this land? How did enslaved people brought from other countries fit in, who got to belong? Who was displaced? What does liberation mean?
环环相扣的主题:美国音乐,种族和音乐奖学金
我在思考归属、流离失所和解放。这些评论不是线性叙事,而是呈现了三个相互关联的主题:美国音乐、非裔美国音乐学家和更广泛的美国民族。我是在2022年独立日即将到来之际写这篇文章的,这个节日在庆祝《独立宣言》的签署之际,充分体现了美国的美国特色。这表明了这个国家的一个自由点:八世纪末,英国从殖民地地位中解放出来。1976年,当这个国家庆祝成立200周年时,我还是个孩子。和我家其他7月4日的庆祝活动一样,这一次标志着夏天的一个时刻,这意味着一个节日,但也有点脱离现实:鉴于我们国家的历史,我是如何融入这种独立和解放的?随着我的成长,国家自由的意义变得更加复杂。是什么让我们有权为这块土地而战,让它成为我们的土地?作为前英国公民,当开国元勋们占领这个国家并宣布自由时,我们现在在殖民谁,因为这里已经有土著社区在实践复杂的文化?从其他国家带来的被奴役的人是如何融入其中的,谁才能归属?谁流离失所了?解放意味着什么?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
0
期刊介绍: Now in its 28th year, American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies.
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